Pitch of brass instruments

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High brass - from the top left: Baroque trumpet in D, modern trumpets in B and D (same pitch D as Baroque), piccolo trumpet in high B, Flugelhorn in B; right: cornet in B.

The pitch of a brass instrument is determined by the fundamental frequency and frequencies of its overtones for each vibratory length achievable through the instrument's valve, slide, key or crook system. The fundamental frequency is not playable on certain instruments. The table provides the pitch of the second overtone (an octave above the fundamental frequency) of the condensed instrument for some common brass instruments in descending order of pitch. This pitch is notated transpositionally as middle C for many of these brass instruments.

B4 or A4 piccolo trumpet
E4 soprano cornet, soprano trumpet
B3 trumpet, cornet, flugelhorn, soprano trombone
E3 alto horn, alto trombone, alto trumpet
B2 tenor and bass trombone, baritone horn, euphonium, B horn, bass trumpet
F2 French horn
E2 or F2 bass tuba
B1 or C2 contrabass tuba

Range[edit]

The normal playing range of most three-valved brass instruments extends from three whole tones below the 2nd harmonic of the condensed instrument to the 10th harmonic. Skilled players can produce tones outside this range. For many transposing brass instruments, this range is written as extending from F♯ below middle C to E two octaves and a third above middle C.

The orchestral horn is an exception as it was classically assigned a range beginning at its fourth harmonic.

Whole tube vs half tube[edit]

The ease with which a player produces the fundamental note of each harmonic series for each tubing length of a modern brass instrument varies with the instrument's design. As bore width increases relative to length, it becomes easier for the player to resist the instrument's tendency to jump to the first harmonic (second partial) instead of producing the fundamental frequency. Brass instruments with sufficient bore to allow the "whole tube" to vibrate easily, as opposed to "half the tube" (i.e., the second partial), are called "whole-tube" instruments.

Certain low brass instruments such as trombone, tuba, euphonium, and alto horn are whole-tube and can play the fundamental tone (first partial) of each harmonic series with relative ease. Furthermore, the low brass often use valves to extend their range uniformly, since the fundamental is chromatically discontinuous with the lowest 2nd partial reachable on a three-valve instrument or via the seven-position slide on a trombone. Trombone and tuba in particular are often called upon to play pedal notes (1st partial notes) and so-called "false harmonics" and "false tones" below their normal range.

Horn[edit]

The modern standard orchestral horn is a double B/F horn. The player can switch between the two modes using a thumb-operated fourth valve. The fundamental pitch of the F horn is near that of the tuba. Horn notation is a complex subject beyond the scope of this article, but what is written as middle C for the horn is the fourth harmonic of the unlengthened instrument, not the second. Horn music makes greater use of the higher range of the harmonic series than do most other modern brass instruments.

Modern bass trombone[edit]

The modern bass trombone is the same length as a tenor trombone, but typically has two valves, one pitched in F and one in G. When combined, these valves put the instrument into D. Modern contrabass trombones are constructed in F and BB. The F contrabass trombone is often fitted with a valve that puts it into D, and a valve that puts it into E, and when combined, these put the instrument into the key of B. The B contrabass is often fitted with a valve in F and has been fitted with both a valve in F and G, so that it matches its bass trombone counterpart, but is pitched an octave lower.

See Types of trombones

Tuba[edit]

The bass tuba is commonly available in F and E, while contrabass tubas are available in C and B.

References[edit]