Plácido Domingo
From Wikipedia, the free encyclopedia
José Plácido Domingo Embil KBE (born 21 January 1941),[1] better known as Plácido Domingo, is a Spanish tenor, known for his versatile and strong voice, possessing a ringing and dramatic tone throughout its range. He is considered to be a talented and hard-working musician: in March 2008, he debuted in his 128th opera role[2], giving Domingo more roles than any other tenor.[3][4] He is also admired for his acting ability, his musicality and musical intellect, and the number and variety of opera roles that he has mastered. In addition to his singing roles, he has also taken on conducting opera and concert performances, as well as serving as the General Director of the Washington National Opera in Washington, D.C. and the Los Angeles Opera in California. His contracts in both Los Angeles and Washington, D.C. have been extended through the 2010–2011 season.
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[edit] Biography and career
[edit] Early years
Plácido Domingo was born near the Barrio de Salamanca section of Madrid,[5] Spain, and moved to Mexico with his family, who ran a zarzuela company. He studied piano at first privately and later at the National Conservatory of Music in Mexico City.
In 1957, Domingo made his first professional appearance performing with his mother in a concert at Mérida, Yucatán. He made his opera debut performing in Manuel Fernández Caballero's zarzuela, Gigantes y cabezudos, singing a baritone role. At that time, he was working with his parents' zarzuela company, taking parts in baritone roles and as an accompanist for other singers. Among his first performances was a minor role in the first Mexican production of My Fair Lady where he was also the assistant conductor and assistant coach. The company made 185 performances which included a production of Lehár's The Merry Widow where he performed as either Camille or Danilo.
In 1959, Domingo auditioned for the Mexico National Opera as a baritone but was then asked to sight-read some arias and lines in the tenor range. Finally he was accepted in the National Opera as a tenor comprimario and as a tutor for other singers. He provided backup vocals for Los Black Jeans in 1958, a rock-and-roll band led by César Costa. He learned piano and conducting, but made his stage debut acting in a minor role in 1959 (12 May) at the Teatro Degollado in Guadalajara as Pascual in Marina. It was followed by Borsa in Rigoletto (with Cornell MacNeil and Norman Treigle also in the cast), Padre Confessor (Dialogues of the Carmelites) and others.
In addition, he played piano for a ballet company to supplement his income. Domingo also played piano for a program on Mexico cultural television which was newly founded at that time. The program consisted of excerpts from zarzuelas, operettas, operas, and musical comedies. He acted in a few small parts while at the theater in such plays by Federico García Lorca, Luigi Pirandello, and Anton Chekhov.
[edit] 1960s–1980s
In 1961, he made his operatic debut in a leading role as Alfredo in La traviata at Monterrey and later in the same year, his debut in the United States with the Dallas Civic Opera where he played the role of Arturo in Donizetti's Lucia di Lammermoor opposite Joan Sutherland as the title role. In 1962, he returned to Texas to play the role of Edgardo in the same opera with Lily Pons at the Fort Worth Opera.[6] At the end of 1962, he signed a six month contract with the Israel National Opera in Tel Aviv but later extended the contract and stay for two and a half years, singing 280 performances of 12 different roles.
In June 1965, after finishing his contract with Israel National Opera, Domingo went for an audition at the New York City Opera and scheduled to make his New York debut as Don Jose in Bizet's Carmen but his debut came earlier when he was offered to fill in for an ailing tenor at the last minute in Puccini's Madama Butterfly. On 17 June 1965, Domingo made his New York debut as B. F. Pinkerton at the New York City Opera. In February 1966, he sang the title role in the U.S. premiere of Ginastera's Don Rodrigo at the New York City Opera, with much acclaim. The performance also marked the opening of the City Opera's new home at Lincoln Center.
His official debut at the Metropolitan Opera in New York occurred on 28 September 1968 when he substituted for Franco Corelli, in Cilea's Adriana Lecouvreur singing with Renata Tebaldi. Before Adriana Lecouvreur, he had sung in performances by the Metropolitan Opera at Lewisohn Stadium of Mascagni's Cavalleria rusticana and Leoncavallo's Pagliacci in 1966. Since then, he has opened the season at the Metropolitan Opera 21 times,[7] surpassing the previous record of Enrico Caruso by four. He made his debut at the Vienna State Opera in 1967, at the Lyric Opera of Chicago in 1968, at both La Scala and San Francisco Opera in 1969, and at Covent Garden in 1971, and has now sung at practically every other important opera house and festival worldwide. In 1971, he played the role Mario Cavaradossi in Puccini's Tosca at the Metropolitan Opera and continued with the same role for many times. He has played this role more than any other tenor.
Throughout the years, Domingo has also turned his hand to conducting opera (as early as La traviata on 7 October 1973, at New York City Opera) as well as, occasionally, symphonic orchestras. In 1981 Domingo gained considerable recognition outside of the opera world when he recorded the song "Perhaps Love" as a duet with the late American country/folk music singer John Denver. In 1987, he and Denver joined Julie Andrews for an Emmy Award winning holiday television special, The Sound of Christmas, filmed in Salzburg, Austria.
On 19 September 1985, the biggest earthquake in Mexico's history devastated the whole Mexican capital. Domingo's aunt, uncle, his nephew and his nephew's young son were killed in the collapse of the Nuevo León apartment block in the Tlatelolco housing complex. Domingo himself labored to rescue survivors. During the next year, he did benefit concerts for the victims and released an album of one of the events.
[edit] 1990s – present
Throughout 1990s until today, Domingo continued performing in many of the same but also new operas, among them Wagner's Parsifal and Mozart's Idomeneo as the title role, Rossini's Il barbiere di Siviglia as Figaro, Wagner's Die Walküre as Siegmund, Lehár's The Merry Widow as Danilo and Alfano's Cyrano de Bergerac as Cyrano. Between the middle of 1990 to early in 2008 only, he has added 38 new roles to his repertoire, covering opera in six different languages (English, Italian, French, German, Russian and Spanish). The latest was the Italian opera by George Frideric Handel, Tamerlano.
Also see: Domingo's complete repertoire.
Giving him even greater international recognition outside of the world of opera, he participated in The Three Tenors concert at the opening of the 1990 World Cup in Rome with José Carreras and Luciano Pavarotti. The event was originally conceived to raise money for the José Carreras International Leukemia Foundation and was later repeated a number of times, including at the three subsequent World Cup finals (1994 in Los Angeles, 1998 in Paris, and 2002 in Yokohama). Alone, Domingo again made an appearance at the final of the 2006 World Cup in Berlin, along with rising stars Anna Netrebko and Rolando Villazón. On 24 August 2008, Domingo performed a duet with Song Zuying, singing Ài de Huǒyàn (The Flame of Love) at the 2008 Summer Olympics closing ceremony in Beijing.[8][9][10]
In what has been called his 'final career move', Plácido Domingo announced on 25 January 2007 that in 2009 he would take on one of Verdi's most demanding baritone roles, the Doge of Genoa, Simon Boccanegra, in the opera of the same name. He would, however, continue to sing tenor roles beforehand and afterwards.
On 16–17 April 2008 he sang during the visit of the Pope Benedict XVI at Nationals Park and at the Italian embassy in Washington DC.
From 1990 to 2008, Domingo has received many awards and honors for his effort in music, benefit concerts and charity. On 21 August 2007, in Mexico City, a two meter tall statue and weighing about 300 kg (660 lbs) was built in his honor. On 23 March 2008, the New Orleans City Council honors his contribution at the Gala Benefits Concert by naming the city theatre's stage, the "Plácido Domingo stage". In April 2008, he was voted as the greatest tenor in history in BBC Music Magazine judged by 16 renowned opera critics.
On 15 March 2009, The Metropolitan Opera paid tribute to Domingo's 40th anniversary with the company with the on-stage gala dinner at the Met’s 125th anniversary, after his debut in Adriana Lecouvreur as Maurizio opposite Renata Tebaldi on 28 September 1968[11]
[edit] Family
He was born to Plácido Francisco Domingo Ferrer (8 March 1907 – 22 November 1987) [12] and Pepita Embil Echaníz (28 February 1918 – 28 September 1994),[13] two Spanish zarzuela stars who nurtured his early musical abilities. Domingo's father was half Catalan and half Aragonese while his mother was a Basque. His father was a violinist performing for opera and zarzuela orchestra. He was a baritone and actively taking roles in zarzuela. However his promising career as a baritone ended after he damaged his voice by singing with a cold. Domingo's mother was an established singer who made her zarzuela debut at the Gran Teatre del Liceu in Barcelona. She met her husband at age 21 while performing in Federico Moreno Torroba's Sor Navarra. In 1946 Moreno Torroba and Domingo's parents formed a zarzuela company and travelled frequently to Mexico. His parents later stayed permanently in Mexico and established their own zarzuela troupe, the Domingo-Embil Company.[14] In addition to their son, they also have a daughter, Maria José Domingo de Fernandez .
On 29 August 1957 at age 16, Plácido Domingo married a fellow piano student, Ana María Guerra Cué (1938–1985) and his first son, José Plácido Domingo Guerra (Pepe) was born on 16 June 1958.[15] However, the marriage didn't last long, the couple separated shortly thereafter. In 1 August 1962, Plácido Domingo married Marta Ornelas, a lyric soprano from Veracruz, Mexico, whom he met during his conservatory days.[16] In the same year, Marta had been voted "Mexican Singer of the Year" but she gave up her promising career to devote her time to her family. They have two sons, Plácido Francisco (Plácido Jr.) born on 21 October 1965 and Alvaro Maurizio born on 11 October 1968.[17] After a period of time living in Israel, he and his family resided in Teaneck, New Jersey.[18][19][20] During vacations, he usually spends his time with family in their vacation home in Acapulco, Mexico.[21][22]
[edit] Recordings
He has made well over 100 recordings, most of which are full-length operas, often recording the same role more than once. Among these recordings is a boxed set of every tenor aria Verdi ever wrote, including several rarely-performed versions, in different languages from the original operas, which Verdi wrote for specific performances.
In August 2005, EMI Classics released a new studio recording of Richard Wagner's Tristan und Isolde in which Domingo sings the title role of Tristan. A review of this recording, headlined "Vocal perfections", that appeared in the 8 August 2005 issue of The Economist begins with the word "Monumental" and ends with the words, "a musical lyricism and a sexual passion that make the cost and the effort entirely worthwhile". It characterized his July 2005 performance of Siegmund in Wagner's Die Walküre at Covent Garden as "unforgettable" and "luminous". The review also remarks that Domingo is still taking on roles that he has not previously performed.
New recordings that have been released in the first half of 2006 include studio recordings of Puccini's Edgar, Isaac Albéniz's Pepita Jiménez, as well as a selection of Italian and Neapolitan songs, titled Italia ti amo (all three with Deutsche Grammophon). Amongst many television appearance in many countries over the years (a large number for charitable purposes), Domingo appeared as the star act in the New Orleans Opera Association's A Night For New Orleans with Frederica von Stade and Elizabeth Futral, in March 2006. The concert was to raise funds for the rebuilding of the city.
In December 2008, Deutsche Grammophon released Domingo’s latest CD, Amore Infinito in which the album songs were inspired based on poems of Pope John Paul II. In the album, Domingo performing duet with Andrea Bocelli, Josh Groban, Katherine Jenkins, Vanessa L. Williams, and with his son, Plácido Domingo Jr.[23]
[edit] Appearances on film and television
- See Domingo's opera recording in DVD/VHS format and audio CD format.
Domingo has appeared in numerous opera films, among them are Jean-Pierre Ponnelle's Madama Butterfly, Francesco Rosi's Carmen (Grammy Award for Best Opera Recording), Gianfranco de Bosio's Tosca with Raina Kabaivanska, Giuseppe Patroni Griffi's Tosca with Catherine Malfitano (Emmy Award),[24] Franco Zeffirelli's Otello with Katia Ricciarelli, Cavalleria rusticana & Pagliacci, and La traviata (with Teresa Stratas, which received a Grammy Award for Best Opera Recording).
He has also appeared on television in the 1978 La Scala production of Puccini's Manon Lescaut which marked the Scala debut of Hungarian soprano Sylvia Sass, as well in zarzuela evenings, and Live at the Met telecasts and broadcasts. In 2007, Domingo had a cameo in "Homer of Seville", an episode of The Simpsons which revolves around Homer Simpson becoming an opera singer. In his cameo, Domingo sang briefly. Domingo appeared on The Cosby Show Season 5 as Alberto Santiago, a colleague of Dr Cliff Huxtable. He is also sang as the operatic moon in 2001 film Moulin Rouge!.
In 1989, the international television series, 'Return Journey' featured Domingo returning to his home city of Madrid refecting life there whilst recording an album of Zarzuela arias for EMI. The film was directed by Ken MacGregor.
He is the executive producer of the critically acclaimed 1998 Mexican film, The Other Conquest, produced by his son Alvaro, in which Domingo also performs the original aria "Mater Aeterna", composed by Samuel Zyman.
[edit] Christmas in Vienna
In 1990, the idea for a Christmas-themed concert, involving the collaboration of Domingo, fellow operatic tenor and friend José Carreras, and pop music legend Diana Ross was first brought up. Vienna was chosen in 1992 to host the event due to its reputation as a capital of music and the particular charm of Austria during Christmas time. The Wiener Symphoniker under the direction of maestro Vjekoslav Šutej provided the orchestral music, and the Gumpoldskirchen Children's Choir provided choral vocals. On 23 December 1992 the first in what would turn out to be a series of Christmas in Vienna concerts was seen worldwide by several hundred million people. Plácido Domingo returned to Vienna for many more Christmas in Vienna concerts, performing with stars and friends of both pop and classical music, including Dionne Warwick, Charles Aznavour, Sissel Kyrkjebø, Michael Bolton, Sarah Brightman, Riccardo Cocciante, Patricia Kaas, Luciano Pavarotti, Tony Bennett, and many others.
[edit] Complete repertoire
Perhaps the most versatile of all living tenors, Domingo has sung 128 opera roles and as many as 130 roles (overall) in Italian, French, German, English, Spanish and Russian[25]. His main repertoire however is Italian (Otello, Cavaradossi in Tosca, Don Carlo, Des Grieux in Manon Lescaut, Dick Johnson in La fanciulla del West, Radames in Aida), French (Faust, Werther, Don José in Carmen, Samson in Samson et Dalila), and German (Lohengrin, Parsifal, and Siegmund in Die Walküre). He continues to add more operas to his repertoire, the latest was Handel's Tamerlano as "Bajazet" on 26 March 2008 at Teatro Real.
| Year | # | Title | Composer | Role | Debut date | Opera house / Studio recording |
Location |
|---|---|---|---|---|---|---|---|
| 1959 | 1 | Rigoletto | Verdi | Borsa | 23 September 1959 | Palacio de Bellas Artes | Mexico City |
| 2 | Dialogues of the Carmelites | Poulenc | Chaplain | 21 October 1959 | Palacio de Bellas Artes | Mexico City | |
| 1960 | 3 | The Merry Widow | Lehár | Danilo, Camille |
1960 | Palacio de Bellas Artes | Mexico City |
| 4 | Turandot | Puccini | Altoum | 11 September 1960 | Teatro de la Ciudad | Monterrey | |
| 5 | Turandot | Puccini | Pang | 1 October 1960 | Teatro de la Ciudad | Monterrey | |
| 6 | Lucia di Lammermoor | Donizetti | Normanno | 5 October 1960 | Teatro de la Ciudad | Monterrey | |
| 7 | La traviata | Verdi | Gastone | 8 October 1960 | Teatro de la Ciudad | Monterrey | |
| 8 | Carmen | Bizet | Remendado | 15 October 1960 | Teatro de la Ciudad | Monterrey | |
| 9 | Otello | Verdi | Cassio | 17 October 1960 | Teatro de la Ciudad | Monterrey | |
| 1961 | 10 | La traviata | Verdi | Alfredo | 19 May 1961 | Teatro de la Ciudad | Monterrey |
| 11 | El Ultimo sueno | Vázquez | Enrique | 28 May 1961 | Palacio de Bellas Artes | Mexico City | |
| 12 | Amelia goes to the ball | Menotti | Lover | 28 June 1961 | Palacio de Bellas Artes | Mexico City | |
| 13 | Fedora | Giordano | Désire, Baron Rouvel |
2 July 1961 | Palacio de Bellas Artes | Mexico City | |
| 14 | Boris Godunov | Mussorgsky | Simpleton, Shuisky |
8 August 1961 | Palacio de Bellas Artes | Mexico City | |
| 15 | Andrea Chénier | Giordano | Abbé, Incredibile |
15 August 1961 | Palacio de Bellas Artes | Mexico City | |
| 16 | Tosca | Puccini | Spoletta | 21 August 1961 | Palacio de Bellas Artes | Mexico City | |
| 17 | Madama Butterfly | Puccini | Goro | 15 September 1961 | Palacio de Bellas Artes | Mexico City | |
| 18 | Tosca | Puccini | Cavaradossi | 30 September 1961 | Palacio de Bellas Artes | Mexico City | |
| 1962 | 19 | La bohème | Puccini | Rodolfo | 4 March 1962 | Palacio de Bellas Artes | Mexico City |
| 20 | Così fan tutte | Mozart | Ferrando | 10 May 1962 | Palacio de Bellas Artes | Mexico City | |
| 21 | Adriana Lecouvreur | Cilea | Maurizio | 17 May 1962 | Palacio de Bellas Artes | Mexico City | |
| 22 | Trittico Francescano | Refice | 1 October 1962 | Teatro Degollado | Guadalajara | ||
| 23 | Madama Butterfly | Puccini | Pinkerton | 7 October 1962 | Teatro Isauro Martínez | Torreón | |
| 24 | Lucia di Lammermoor | Donizetti | Edgardo | 26 November 1962 | Fort Worth Opera | Fort Worth | |
| 1963 | 25 | Carmen | Bizet | Don José | 25 June 1963 | Israeli Opera House | Tel Aviv |
| 26 | Don Giovanni | Mozart | Don Ottavio | 21 September 1963 | Israeli Opera House | Tel Aviv | |
| 27 | Faust | Gounod | Faust | 3 December 1963 | Israeli Opera House | Tel Aviv | |
| 1964 | 28 | Les pêcheurs de perles | Bizet | Nadir | 21 January 1964 | Israeli Opera House | Tel Aviv |
| 29 | Eugene Onegin | Tchaikovsky | Lenski | 5 September 1964 | Israeli Opera House | Tel Aviv | |
| 1965 | 30 | Cavalleria rusticana | Mascagni | Turiddu | 21 January 1965 | Israeli Opera House | Tel Aviv |
| 31 | Samson and Delilah | Saint-Saëns | Samson | 30 July 1965 | Chautauqua Opera | Chautauqua | |
| 32 | Les contes d'Hoffmann | Offenbach | Hoffmann | 7 September 1965 | Palacio de Bellas Artes | Mexico City | |
| 1966 | 33 | La Mulata de Córdoba | Mancayo | Sandi, Moreno, Moncayo |
1 January 1966 | Gran Teatre del Liceu | Barcelona |
| 34 | Don Rodrigo | Ginastera | Don Rodrigo | 22 February 1966 | New York City Opera | New York | |
| 35 | Andrea Chénier | Giordano | Andrea Chénier | 3 March 1966 | New Orleans Opera | New Orleans | |
| 36 | Hippolyte et Aricie | Rameau | Hippolyte | 6 April 1966 | Boston Opera House | Boston | |
| 37 | Pagliacci | Leoncavallo | Canio | 9 August 1966 | Metropolitan Opera | New York | |
| 38 | The Barber of Seville | Rossini | Almaviva | 16 September 1966 | Teatro Degollado | Guadalajara | |
| 39 | Anna Bolena | Donizetti | Lord Percy | 15 November 1966 | Metropolitan Opera | New York | |
| 1967 | 40 | Il tabarro | Puccini | Luigi | 8 March 1967 | Metropolitan Opera | New York |
| 41 | Aida | Verdi | Radames | 11 May 1967 | Hamburg State Opera | Hamburg | |
| 42 | Don Carlo | Verdi | Don Carlo | 19 May 1967 | Vienna State Opera | Vienna | |
| 43 | Un ballo in maschera | Verdi | Riccardo | 31 May 1967 | Berlin State Opera | Berlin | |
| 1968 | 44 | Lohengrin | Wagner | Lohengrin | 14 January 1968 | Hamburg State Opera | Hamburg |
| 45 | Manon Lescaut | Puccini | Des Grieux | 15 February 1968 | Connecticut Opera | Hartford | |
| 46 | Il trovatore | Verdi | Manrico | 14 March 1968 | New Orleans Opera | New Orleans | |
| 1969 | 47 | Rigoletto | Verdi | Il Duca | 2 January 1969 | Hamburg State Opera | Hamburg |
| 48 | La forza del destino | Verdi | Don Alvaro | 18 January 1969 | Hamburg State Opera | Hamburg | |
| 49 | Manon | Massenet | Des Grieux | 20 February 1969 | Metropolitan Opera | New York | |
| 50 | Turandot | Puccini | Calaf | 16 July 1969 | Verona Arena | Verona | |
| 51 | Ernani | Verdi | Ernani | 7 December 1969 | Teatro alla Scala | Milan | |
| 1970 | 52 | Oberon | Weber | Hüon | March, 1970 | Bayerischer Rundfunk studio | Studio |
| 53 | La Gioconda | Ponchielli | Enzo | 14 May 1970 | Teatro Real | Madrid | |
| 54 | Roberto Devereux | Donizetti | Devereux | 15 October 1970 | New York City Opera | New York | |
| 1971 | 55 | Der Rosenkavalier | R. Strauss | Italian singer | March, 1971 | Studio | |
| 56 | I Lombardi alla prima crociata | Verdi | Oronte | July, 1971 | Royal Philharmonic, London |
Studio | |
| 57 | Luisa Miller | Verdi | Rodolfo | 4 November 1971 | Metropolitan Opera | New York | |
| 1972 | 58 | Giovanna d'Arco | Verdi | Carlo VII | August, 1972 | Studio | |
| 59 | Los Claveles | Serrano | Fernando | 1972 | Studio | ||
| 60 | La dolorosa | Serrano | Rafael | 1972 | Studio | ||
| 1973 | 61 | Francesca da Rimini | Zandonai | Paolo | 22 March 1973 | Metropolitan Opera | New York |
| 62 | L'Africaine | Meyerbeer | Vasco da Gama | 3 November 1973 | War Memorial Opera House | San Francisco | |
| 1974 | 63 | I Vespri Siciliani | Verdi | Arrigo | 9 April 1974 | Palais Garnier | Paris |
| 64 | Mefistofele | Boito | Faust | July, 1974 | Studio | ||
| 65 | Roméo et Juliette | Gounod | Roméo | 28 September 1974 | Metropolitan Opera | New York | |
| 66 | La fanciulla del West | Puccini | Dick Johnson | 26 November 1974 | Teatro Regio di Torino | Turin | |
| 1975 | 67 | La Navarraise | Massenet | Araquil | 1975 | Studio | |
| 68 | Otello | Verdi | Otello | 28 September 1975 | Hamburg State Opera | Hamburg | |
| 1976 | 69 | Gianni Schicchi | Puccini | Rinuccio | 1976 | Studio | |
| 70 | Louise | Charpentier | Julien | 1976 | Studio | ||
| 71 | Macbeth | Verdi | Macduff | 1976 | Studio | ||
| 72 | Die Meistersinger von Nürnberg | Wagner | Walther von Stolzing | March, 1976 | Studio | ||
| 73 | Le Cid | Massenet | Don Rodrigue | 8 March 1976 | Opera Orchestra of New York | Carnegie Hall, New York | |
| 74 | L'amore dei tre re | Montemezzi | Avito | July, 1976 | Studio | ||
| 1977 | 75 | L'elisir d'amore | Donizetti | Nemorino | 1977 | Studio | |
| 76 | Fedora | Giordano | Loris | 15 February 1977 | Gran Teatre del Liceu | Barcelona | |
| 77 | Werther | Massenet | Werther | 18 December 1977 | Bavarian State Opera | Munich | |
| 1978 | 78 | La damnation de Faust | Berlioz | Faust | January, 1978 | Studio | |
| 1979 | 79 | Le Villi | Puccini | Roberto | June, 1979 | Studio | |
| 80 | Requiem | Berlioz | Tenor part | June, 1979 | Studio | ||
| 81 | Béatrice et Bénédict | Berlioz | Bénédict | July, 1979 | Studio | ||
| 82 | Il Giuramento | Mercadante | Viscardo | 9 September 1979 | Vienna State Opera | Vienna | |
| 1980 | 83 | El Poeta | Torroba | José de Espronceda | 19 June 1980 | Teatro Real | Madrid |
| 1981 | 84 | Norma | Bellini | Pollione | 21 September 1981 | Metropolitan Opera | New York |
| 1982 | 85 | La rondine | Puccini | Ruggero | 1982 | Studio | |
| 86 | Nabucco | Verdi | Ismaele | May, 1982 | Studio | ||
| 87 | Les Troyens | Berlioz | Enée | 26 September 1983 | Metropolitan Opera | New York | |
| 1986 | 88 | Die Fledermaus | J. Strauss | Alfred | April, 1986 | Studio | |
| 89 | Goya | Menotti | Goya | 15 November 1986 | Washington National Opera | Washington | |
| 1988 | 90 | Iris | Mascagni | Osaka | 1988 | Studio | |
| 91 | Tannhäuser | Wagner | Tannhäuser | April, 1988 | Studio | ||
| 1989 | 92 | Die Frau ohne Schatten | R. Strauss | Der Kaiser | March, 1989 | Studio | |
| 1990 | 93 | Man of La Mancha | Leigh | Don Quixote | June, 1990 | Studio | |
| 1991 | 94 | The Flying Dutchman | Wagner | Erik | February, 1991 | Studio | |
| 95 | Parsifal | Wagner | Parsifal | 14 March 1991 | Metropolitan Opera | New York | |
| 1992 | 96 | The Barber of Seville | Rossini | Figaro | February, 1992 | Studio | |
| 97 | El Gato Montés | Penella | Rafaele Ruiz | 7 August 1992 | Seville Opera | Seville | |
| 98 | Die Walküre | Wagner | Siegmund | 19 December 1992 | Vienna State Opera | Vienna | |
| 1993 | 99 | Stiffelio | Verdi | Stiffelio | 21 October 1993 | Metropolitan Opera | New York |
| 1994 | 100 | Doña Francisquita | Vives | Fernando | February, 1994 | Studio | |
| 101 | La Verbena de la Paloma | Bretón | Julian | April, 1994 | Studio | ||
| 102 | Il Guarany | Gomes | Pery | 5 June 1994 | Bonn Opera House | Bonn | |
| 103 | Idomeneo | Mozart | Idomeneo | 1 November 1994 | Metropolitan Opera | New York | |
| 104 | Hérodiade | Massenet | Jean | 8 November 1994 | War Memorial Opera House | San Francisco | |
| 1995 | 105 | Luisa Fernanda | Torroba | Javier | 1995 | Studio | |
| 106 | Simon Boccanegra (1881 version) |
Verdi | Adorno | 19 January 1995 | Metropolitan Opera | New York | |
| 1996 | 107 | La Tabernera del Puerto | Sorozábal | Leandro | 1996 | Studio | |
| 1997 | 108 | Simon Boccanegra (1857 version) |
Verdi | Adorno | 28 June 1997 | Royal Opera House | London |
| 109 | Divinas Palabras | Abril | Lucero | 18 October 1997 | Teatro Real | Madrid | |
| 1998 | 110 | Le prophète | Meyerbeer | Jean van der Leyden | 21 May 1998 | Vienna State Opera | Vienna |
| 111 | Faust Symphony | Liszt | Tenor part | June, 1998 | Studio | ||
| 112 | La Dolores | Bretón | Lázaro | July, 1998 | Studio | ||
| 1999 | 113 | Das Lied von der Erde | Mahler | Tenor part | February, 1999 | Studio | |
| 114 | Misa Tango | Bacalov | Tenor part | February, 1999 | Studio | ||
| 115 | The Queen of Spades | Tchaikovsky | Hermann | 18 March 1999 | Metropolitan Opera | New York | |
| 116 | Fidelio | Beethoven | Florestan | June, 1999 | Studio | ||
| 117 | Merlin | Albéniz | King Arthur | July, 1999 | Orquesta Nacional de España, Madrid |
Studio | |
| 118 | Margarita la tornera | Chapí | Don Juan de Alarcón | 11 December 1999 | Teatro Real | Madrid | |
| 2000 | 119 | La Gran Via | Chueca | Caballero de Gracía | January, 2000 | Studio | |
| 120 | The Merry Widow | Lehár | Danilo | 17 February 2000 | Metropolitan Opera | New York | |
| 121 | La battaglia di Legnano | Verdi | Arrigo | 30 June 2000 | Royal Opera House | London | |
| 2001 | 122 | La Revoltosa | Chapí | Felipe | January, 2001 | Studio | |
| 2002 | 123 | Sly | Wolf-Ferrari | Christopher Sly | 1 April 2002 | Metropolitan Opera | New York |
| 2003 | 124 | Luisa Fernanda | Torroba | Vidal Hernando | 18 June 2003 | Teatro alla Scala | Milan |
| 125 | Nicholas and Alexandra | Drattell | Rasputin | 14 September 2003 | Los Angeles Opera | Los Angeles | |
| 2004 | 126 | Tristan und Isolde | Wagner | Tristan | December, 2004 | EMI Abbey Road Studio 1, London |
Studio |
| 2005 | 127 | Cyrano de Bergerac | Alfano | Cyrano | 13 May 2005 | Metropolitan Opera | New York |
| 2006 | 128 | The First Emperor | Tan | Emperor Qin | 21 December 2006 | Metropolitan Opera | New York |
| 2007 | 129 | Iphigénie en Tauride | Gluck | Oreste | 27 November 2007 | Metropolitan Opera | New York |
| 2008 | 130 | Tamerlano | Handel | Bajazet | 26 March 2008 | Teatro Real | Madrid |
[edit] Major opera house and festival debut
| Year[26] | Opera house / Festival | Opera |
|---|---|---|
| 1967 | Hamburg State Opera | Tosca |
| Vienna State Opera | Don Carlo | |
| 1968 | Metropolitan Opera | Adriana Lecouvreur |
| 1969 | Verona Arena | Turandot |
| San Francisco Opera | La bohème | |
| Teatro alla Scala | Ernani | |
| 1970 | Teatro Real | La Gioconda |
| Edinburgh Festival | Missa Solemnis | |
| 1971 | Royal Opera House | Tosca |
| 1972 | Bavarian State Opera | La bohème |
| 1973 | Paris Opéra | Il trovatore |
| 1975 | Salzburg Festival | Don Carlo |
| 1992 | Bayreuth Festival | Parsifal |
[edit] Awards and honors
Domingo has received numerous awards[27] and honors,[28] including:
[edit] Grammy Award
- 1971: Principal Soloist for Best Opera Recording for Verdi: Aida
- 1974: Principal Soloist for Best Opera Recording for G. Puccini: La bohème
- 1983: Principal Soloist for Best Opera Recording for Verdi: La traviata
- 1984: Principal Soloist for Best Opera Recording for Bizet: Carmen
- 1984: Best Latin Pop Performance for Always in my Heart (Siempre en mi corazon)
- 1988: Principal Soloist for Best Opera Recording for Wagner: Lohengrin
- 1990: Best Classical Vocal Performance for Carreras-Domingo-Pavarotti in Concert
- 1992: Principal Soloist for Best Opera Recording for Strauss: Die Frau ohne Schatten
- 2000: Best Mexican-American Performance for 100 years of Mariachi
[edit] Latin Grammy Award
- 2000: Best Classical Album for T. Breton: La Dolores
- 2001: Best Classical Album for I. Albéniz: Merlin
- 2008: "Best Classical Album" for various composers Pasión Española[29]
[edit] Government and organization honors
- Austria
- Österreichisches Ehrenzeichen für Wissenschaft und Kunst 1. Klasse
- Kammersänger und Ehrenmitglied der Wiener Staatsoper
- Goldenes Ehrenzeichen für Verdienste um das Land Wien – 2007
- France
- Ordre national de la Légion d'honneur
- Chevalier de la Légion d'honneur
- Commandeur Arts et Lettres
- Grande Médaille de la Ville de Paris
- Commandeur de la Légion d’Honneur – March 2002
- Great Britain
- Honorary Knight Commander of the Order of the British Empire (KBE) – October 2002
- Spain
- Real Orden de Isabel la Católica
- Premio Príncipe de Asturias (1991)
- Gran Cruz de la Orden del Mérito Civil – September 2002
- Sweden
- Birgit Nilsson Prize, inaugural recipient (2009)[30][31][32]
- USA
- Kennedy Center Honors – December 2000
- The presidential Medal of Freedom – July 2002
- Other countries
- Orden del Águila Azteca, (Mexico).
- Capo dell’Ordine "Al Merito della Repubblica Italiana" Grande Ufficiale (Italy)
- Grã-Cruz da Ordem do Infante D. Henrique (Portugal)
- Cavalliere, Sovrano Militare Ospedaliero di San Giovanni di Gerusalemme di Rode e di Malta
- Order of the Cedars (Lebanon) (2004)
- NPO
- Unicef Socio de Honor (UNICEF)
[edit] Honorary Doctorates
- Royal Northern College of Music, England (1982)
- Philadelphia College of Performing Arts, USA (1982)
- Oklahoma City University, USA (1984)
- Universidad Complutense de Madrid, Spain (1989)
- New York University, USA (1990)
- Georgetown University, USA (1992)
- Washington College of Chestertown, USA (2000)
- Anáhuac University, Mexico (2001)
- Chopin Music Academy, Poland (2003)
- Oxford University, England (2003)
[edit] Other entertainment awards and appreciation
- A star on the Hollywood Walk of Fame – 1993 (Location: Domingo, Placido LT 7000 Hollywood Blvd)[33]
- A star on the Kunstmeile (Art Mile) in Vienna (2008)
- Sociedad General de Autores Española (Best Lyric Singer of the Year 1997) for his role in the world premiere of "Divinas Palabras" (1997)
- Association of Argentinian Music Critics (Best Male Singer in 1997) for “Samson and Dalila" (1997)
- Baltika Grand Prix for Outstanding Achievement (June 1998)
- American Latina Media Arts (ALMA) Awards (Outstanding Performances By An Individual or Act in A Variety) (1998)
- Hispanic Heritage Award for Arts (September 1999)
- Great Prize of the International Music Press (September 2000)
- The Ella Award (2002)
- Opera News Award for distinguished achievement, inaugural recipient, 2005
- Classical BRIT Awards (2006) (Critics' Award for Tristan und Isolde and Lifetime Achievement Award)[34][35]
- Domingo was named "The King of singers" in BBC Music Magazine for April 2008 issue. He was voted as the greatest tenor in history by 16 renowned opera critics in a quest to find the world top 20 operatic tenors. The headline of the page stated "The king of the singers – The critics number 1 choice. Domingo is that rarest vocal phenomena, a tenor who uses his voice in the service of re-creating great art, and not as a thrilling end in itself." [36] [37][38][39]
- BAMBI award in 1985 and 2008[40]
- In 2009 Domingo was appointed the inaugural Washington Ambassador to the Arts by Guide for the Arts.[41]
[edit] Writings
| Date | Title | Publisher | ISBN | Pages | Author(s) |
|---|---|---|---|---|---|
| Sept 1983 |
My First Forty Years | Alfred A. Knopf | ISBN 0394523296 | 256 | Plácido Domingo |
| Dec 1994 |
Opera 101: A Complete Guide to Learning and Loving Opera |
Hyperion | ISBN 0786880252 | 494 | Fred Plotkin, Plácido Domingo (intro) |
| July 1997 |
Christmas With Plácido Domingo: Trumpets Sound And Angels Sing |
Alfred Publishing Company | ISBN 0895243210 | 80 | Plácido Domingo, Milton Okun (editor) |
| July 1997 |
Bajo el cielo español (Under the Spanish Sky) |
Warner Brothers Publications | ISBN 0769200249 | 84 | Plácido Domingo (Recorder), Carol Cuellar (Compiler) |
| March 1999 |
Plácido Domingo — Por Amor | Hal Leonard Corporation | ISBN 0711972583 | 104 | Plácido Domingo |
| March 2003 |
Plácido Domingo (Great Voices Series): My Operatic Roles |
Baskerville Publishers, Incorporated | ISBN 1880909618 | 319 | Helena Matheopoulos, Plácido Domingo |
| March 2007 |
Leoncavallo: Life and Works | Rowman & Littlefield Publishers, Inc | ISBN 0810858738 ISBN 0810858800 |
349 351 |
Konrad Claude Dryden, Plácido Domingo (intro) |
| Dec 2007 |
So When Does the Fat Lady Sing? | Hal Leonard Corporation | ISBN 1574671626 | 173 | Michael Walsh, Plácido Domingo (intro) |
[edit] Humanitarian works and initiatives
- On 4 March 2006, Domingo sang at the Gala Benefit Concert, "A Night For New Orleans" at the New Orleans Arena to help rebuilding the city after it was hit by Hurricane Katrina. At the gala, he made a statement, "If music be the food of love", is "MUSIC IS THE VOICE OF HOPE!" [44] [45]. On 23 March 2008, the New Orleans City Council named the city theatre's stage in the Mahalia Jackson Theatre in Louis Armstrong Park, the "Plácido Domingo stage" as the honour for his contribution at the Gala Benefits Concert. The Gala collected $700,000 for the city recovery fund[46].
- In 1986, he performed at benefit concerts to raise funds for the victims of 1985 Mexico City earthquake and released an album of one of the events. On 21 August 2007, as recognition to his support to 1985 Mexico City earthquake victims as well as his artistic works, a statue in his honor, made in Mexico City from keys donated by the people, was unveiled. The statue is the work of Alejandra Zúñiga, is two meters tall, weighs about 300 kg (660 lbs) and is part of the "Grandes valores" (Great values) program.[47][48].
- Domingo supports the Hear the World initiative as an ambassador to raise awareness for the topic of hearing and hearing loss.[49]
- In 1993 he founded Operalia, The World Opera Competition, an international opera competition for talented young singers. The winners get the opportunities of being employed in opera ensembles around the world.[50] Domingo has been instrumental in giving many young artists encouragement, (and special attention) as in 2001, when he invited New York tenor, Daniel Rodriguez to attend the Vilar/Domingo Young Artists program to further develop his operatic skills.
- On 21 December 2003, Domingo made a performance in Cancún to benefit the Ciudad de la Alegria Foundation, the foundation that provides assistance and lodging to people in need, including low-income individuals, orphans, expectant mothers, immigrants, rehabilitated legal offenders, and the terminally ill.[51]
- On 27 June 2007, Domingo and Katherine Jenkins performed in a charity concert in Athens to raise funds to aid the conflict in Darfur. The concert was organized by Medecins Sans Frontieres/Doctors Without Borders.[52]
- In 2 October 2007, Domingo joins several other preeminent figures in entertainment, government, the environment and more, as the one of receivers of the BMW Hydrogen 7, designed in the mission to build support of hydrogen as a viable substitute to fossil fuels.[53]
- On 17 January 2009 he performed with the New Orleans Opera directed by Robert Lyall in a gala reopening of New Orleans' Mahalia Jackson Theatre for the Performing Arts. The master of ceremonies was New Orleans native Patricia Clarkson.[54]
[edit] See also
- List of recordings by Plácido Domingo
- The Three Tenors
- Christmas in Vienna I, II, III, and VI
- Domingo sings and conducts Tchaikovsky
- Grammy Award for Best Opera Recording
- Category:Plácido Domingo albums
[edit] References
- ^ Encyclopedia Britannica, Encyclopedia of World Biography, Thomson Gale, 2006, The Concise Grove Dictionary of Music, Oxford University Press, 1994, Warrack, J. and West, E. The Oxford Dictionary of Opera, OUP, 1992 all give the year of birth as 1941.
- ^ 128 opera roles.Retrieved 30 December 2008
- ^ More repertoire than any tenor from SonyClassical
- ^ More repertoire than any tenor from dc-opera.org
- ^ Birth place
- ^ American Masters . Placido Domingo | PBS
- ^ Metropolitan Opera International Radio Broadcast Information Center — 2007–08 Broadcasts
- ^ Curtain closes on unforgettable Beijing Games
- ^ Domingo and Chinese singer Song perform together at Beijing Olympics closing
- ^ Beijing 2008: Singers Domingo and Song perform
- ^ Domingo's 40th Anniversary with The MET
- ^ Placido Domingo Ferrer, Baritone, 80 — New York Times
- ^ Pepita Embil Domingo; Soprano and Tenor's Mother, 76 — New York Times
- ^ Domingo biography at bookrags.com
- ^ His son José from first marriage
- ^ Date of marriage
- ^ His two sons with Marta Ornelas
- ^ Placido Domingo. 2003. ISBN 1880909618. http://books.google.com/books?id=7KX7tCrpfD8C&pg=PA16&lpg=PA16&dq=Pl%C3%A1cido+Domingo+New+Jersey+teaneck&source=web&ots=GXQiSteXh5&sig=ceID13PbQe1LcbtR0AiQhRo2OBE&hl=en&sa=X&oi=book_result&resnum=4&ct=result. "... the New Jersey suburb of Teaneck"
- ^ "Domingo: Iron man of opera", The Cincinnati Post, 23 September 1998. Accessed 7 August 2007. "Domingo vividly recalls his Met debut — four days earlier than planned. His parents were visiting him and his wife, Marta, in Teaneck, N.J., and they'd just sat down to dinner when the phone rang and Rudolf Bing's voice inquired, 'How are you feeling, Placido?'"
- ^ Dobnik, Verena via Associated Press. "The Three Tenors return in drag for Domingo", Newsday, 28 September 2008. Accessed 29 September 2008. "Of Domingo's 126 career roles, he sang 45 at the Met since his debut on 28 September 1968. On that night, he drove himself from home in Teaneck, N.J., warming up in the car at the top of his lungs while a nearby motorist laughed. I asked him, 'Where are you going?', and he said, 'the Met.' And I said, 'Don't laugh, you are going to be hearing me.'"
- ^ Home in Acapulco from his biography by Helena Matheopoulos
- ^ Vacation home in Acapulco from Aarp.org
- ^ http://www.modul100v2.de/apfelbiss/196/files/20081211211144AmoreInfinitoPromotion.pdf Amore Infinito details
- ^ Emmy award 1993
- ^ Repertoire list
- ^ Opera house debut
- ^ Grammy awards
- ^ Special Honours
- ^ http://www.grammy.com/latin/9_latin/ Latin Grammy Award for Best Classical Album
- ^ http://www.birgitnilssonprize.org/
- ^ http://www.google.com/hostednews/ap/article/ALeqM5gnKgONUaOdkBKuQoBQL3kfuwG3AQD96FFTOG0
- ^ http://www.contactmusic.com/news.nsf/article/domingo%20awarded%201%20million%20prize_1095650
- ^ Domingo's hall of fame location
- ^ BRIT award 2006
- ^ Domingo dominates Classical Brits from BBC news
- ^ BBC Music Magazine, April 2008 issue, pp. 32–34
- ^ http://www.bbc.co.uk/pressoffice/bbcworldwide/worldwidestories/pressreleases/2008/03_march/music_magazine_domingo.shtml Review from BBC Press Office
- ^ http://www.bbcmagazinesbristol.com/newsread.asp?id=40904 Review from BBCMagazine website
- ^ http://www.bbcmusicmagazine.com/viewIssue.asp?id=964 BBC Music Cover page for April 2008 issue
- ^ http://www.placidodomingo.com/inhalt.php?id=2752&menu_level=1&id_mnu=2752&id_kunden=196 BAMBI Award on 27 November 2008 in Offenburg, Germany
- ^ "Placido Domingo named Ambassador", press release 13 July 2009
- ^ USA Today
- ^ Renaissanceresearch.blogspot.com
- ^ "If music be the food of love", is "MUSIC IS THE VOICE OF HOPE!"
- ^ A Night For New Orleans
- ^ New Orleans theatre named for opera singer Placido Domingo
- ^ Statue report by Elpais.com
- ^ Statue unveiled from Plácido Domingo website
- ^ Hear the world website
- ^ Domingo Operalia website
- ^ Performance in Cancún to benefit the Ciudad de la Alegria Foundation
- ^ Charity concert in Athens to raise funds to aid the conflict in Darfur
- ^ Received BMW Hydrogen 7
- ^ Theodore P. Mahne, "Star Emcee Patricia Clarkson Shares in the Excitement over Tonight's Opera Gala" in Times-Picayune (New Orleans), 2009 January 17, pp. C1, C3.
[edit] External links
| Wikimedia Commons has media related to: Plácido Domingo |
- Official website
- Plácido Domingo International Operalia Opera Singer Contest
- World Tour Homepage
- Discography on EMI Classics website
- Discography on DG Classics website
- Opera is expensive, singers are cheap, Plácido Domingo about too small Operas, Casting-Singers as Paul Potts and the humility before a great career (Interview by Nahuel Lopez in German, Frankfurter Allgemeine Sonntagszeitung, 17 March 2009)
- Interview with Domingo from The Guardian, 10 July 2005
- Biography at the Kennedy Center
- Plácido Domingo's video of concerts and Opera from YouTube.com
- Guardian article detailing his switch to baritone.

