Plagiarism is the "wrongful appropriation" and "stealing and publication" of another author's "language, thoughts, ideas, or expressions" and the representation of them as one's own original work. The idea remains problematic with unclear definitions and unclear rules. The modern concept of plagiarism as immoral and originality as an ideal emerged in Europe only in the 18th century, particularly with the Romantic movement.
- 1 Etymology
- 2 Legal aspects
- 3 In academia and journalism
- 4 In the arts
- 5 In other contexts
- 6 See also
- 7 References
- 8 Works cited
- 9 Further reading
- 10 External links
In the 1st century, the use of the Latin word plagiarius (literally kidnapper) to denote stealing someone else's work was pioneered by Roman poet Martial, who complained that another poet had "kidnapped his verses." "Plagiary", a derivative of "plagiarus" was introduced into English in 1601 by dramatist Ben Jonson to describe someone guilty of literary theft.
The derived form plagiarism was introduced into English around 1620. The Latin plagiārius, "kidnapper", and plagium, "kidnapping", has the root plaga ("snare", "net"), based on the Indo-European root *-plak, "to weave" (seen for instance in Greek plekein, Bulgarian "плета" pleta, Latin plectere, all meaning "to weave").
Although plagiarism in some contexts is considered theft or stealing, the concept does not exist in a legal sense. "Plagiarism" is not mentioned in any current statute, either criminal or civil. Some cases may be treated as unfair competition or a violation of the doctrine of moral rights. The increased availability of intellectual property due to a rise in technology has furthered the debate as to whether copyright offences are criminal. In short, people are asked to use the guideline, "...if you did not write it yourself, you must give credit."
Plagiarism is not the same as copyright infringement. While both terms may apply to a particular act, they are different concepts, and false claims of authorship may constitute plagiarism regardless of whether the material is protected by copyright.
Copyright infringement is a violation of the rights of a copyright holder, when material whose use is restricted by copyright is used without consent. Plagiarism, in contrast, is concerned with the unearned increment to the plagiarizing author's reputation that is achieved through false claims of authorship. Thus, plagiarism is considered a moral offense against the plagiarist's audience (for example, a reader, listener, or teacher).
Plagiarism is also considered a moral offense against anyone who has provided the plagiarist with a benefit in exchange for what is specifically supposed to be original content (for example, the plagiarist's publisher, employer, or teacher). In such cases, acts of plagiarism may sometimes also form part of a claim for breach of the plagiarist's contract, or, if done knowingly, for a civil wrong.
In academia and journalism
Within academia, plagiarism by students, professors, or researchers is considered academic dishonesty or academic fraud, and offenders are subject to academic censure, up to and including expulsion. Many institutions use plagiarism detection software to uncover potential plagiarism and to deter students from plagiarizing. In journalism, plagiarism is considered a breach of journalistic ethics, and reporters caught plagiarizing typically face disciplinary measures ranging from suspension to termination of employment. Some individuals caught plagiarizing in academic or journalistic contexts claim that they plagiarized unintentionally, by failing to include quotations or give the appropriate citation. While plagiarism in scholarship and journalism has a centuries-old history, the development of the Internet, where articles appear as electronic text, has made the physical act of copying the work of others much easier.
Premised upon an expected level of learning/comprehension having been achieved, all associated academic accreditation becomes seriously undermined if plagiarism is allowed to become the norm within academic submissions.
For professors and researchers, plagiarism is punished by sanctions ranging from suspension to termination, along with the loss of credibility and perceived integrity. Charges of plagiarism against students and professors are typically heard by internal disciplinary committees, by which students and professors have agreed to be bound.
No universally adopted definition of academic plagiarism exists; however, this section provides several definitions to exemplify the most common characteristics of academic plagiarism.
According to Bela Gipp academic plagiarism encompasses:
"The use of ideas, concepts, words, or structures
without appropriately acknowledging the source
to benefit in a setting where originality is expected."
The definition by B. Gipp is an abridged version of Teddi Fishman's definition of plagiarism, which proposed five elements characteristic of plagiarism. According to T. Fishman, plagiarism occurs when someone:
- Uses words, ideas, or work products
- Attributable to another identifiable person or source
- Without attributing the work to the source from which it was obtained
- In a situation in which there is a legitimate expectation of original authorship
- In order to obtain some benefit, credit, or gain which need not be monetary
Furthermore, plagiarism is defined differently among institutions of higher learning and universities:
- Stanford sees plagiarism as the "use, without giving reasonable and appropriate credit to or acknowledging the author or source, of another person's original work, whether such work is made up of code, formulas, ideas, language, research, strategies, writing or other form."
- Yale views plagiarism as the "... use of another's work, words, or ideas without attribution," which includes "... using a source's language without quoting, using information from a source without attribution, and paraphrasing a source in a form that stays too close to the original."
- Princeton perceives plagiarism as the "deliberate" use of "someone else's language, ideas, or other original (not common-knowledge) material without acknowledging its source."
- Oxford College of Emory University characterizes plagiarism as the use of "a writer's ideas or phraseology without giving due credit."
- Brown defines plagiarism as "... appropriating another person's ideas or words (spoken or written) without attributing those word or ideas to their true source."
Sanctions for student plagiarism
In the academic world, plagiarism by students is usually considered a very serious offense that can result in punishments such as a failing grade on the particular assignment, the entire course, or even being expelled from the institution. Generally, the punishment increases as a person enters higher institutions of learning. For cases of repeated plagiarism, or for cases in which a student commits severe plagiarism (e.g., submitting a copied piece of writing as original work), suspension or expulsion is likely. A plagiarism tariff has been devised for UK higher education institutions in an attempt to encourage some standardization of this academic problem.
Since journalism relies on the public trust, a reporter's failure to honestly acknowledge their sources undercuts a newspaper or television news show's integrity and undermines its credibility. Journalists accused of plagiarism are often suspended from their reporting tasks while the charges are being investigated by the news organization.
The ease with which electronic text can be reproduced from online sources has lured a number of reporters into acts of plagiarism. Journalists have been caught "copying and pasting" articles and text from a number of websites.
Self-plagiarism (also known as "recycling fraud") is the reuse of significant, identical, or nearly identical portions of one's own work without acknowledging that one is doing so or without citing the original work. Articles of this nature are often referred to as duplicate or multiple publication. In addition there can be a copyright issue if copyright of the prior work has been transferred to another entity. Typically, self-plagiarism is only considered a serious ethical issue in settings where someone asserts that a publication consist of new material, such as in publishing or factual documentation. It does not apply to public-interest texts, such as social, professional, and cultural opinions usually published in newspapers and magazines.
In academic fields, self-plagiarism occurs when an author reuses portions of his own published and copyrighted work in subsequent publications, but without attributing the previous publication. Identifying self-plagiarism is often difficult because limited reuse of material is accepted both legally (as fair use) and ethically.
It is common for university researchers to rephrase and republish their own work, tailoring it for different academic journals and newspaper articles, to disseminate their work to the widest possible interested public. However, these researchers also obey limits: If half an article is the same as a previous one, it is usually rejected. One of the functions of the process of peer review in academic writing is to prevent this type of "recycling".
The concept of self-plagiarism
For example, Stephanie J. Bird argues that self-plagiarism is a misnomer, since by definition plagiarism concerns the use of others' material.
However, the phrase is used to refer to specific forms of unethical publication. Bird identifies the ethical issues of "self-plagiarism" as those of "dual or redundant publication." She also notes that in an educational context, "self-plagiarism" refers to the case of a student who resubmits "the same essay for credit in two different courses." As David B. Resnik clarifies, "Self-plagiarism involves dishonesty but not intellectual theft."
According to Patrick M. Scanlon
"Self-plagiarism" is a term with some specialized currency. Most prominently, it is used in discussions of research and publishing integrity in biomedicine, where heavy publish-or-perish demands have led to a rash of duplicate and "salami-slicing" publication, the reporting of a single study's results in "least publishable units" within multiple articles (Blancett, Flanagin, & Young, 1995; Jefferson, 1998; Kassirer & Angell, 1995; Lowe, 2003; McCarthy, 1993; Schein & Paladugu, 2001; Wheeler, 1989). Roig (2002) offers a useful classification system including four types of self-plagiarism: duplicate publication of an article in more than one journal; partitioning of one study into multiple publications, often called salami-slicing; text recycling; and copyright infringement.
Self-plagiarism and codes of ethics
Some academic journals have codes of ethics that specifically refer to self-plagiarism. For example, the Journal of International Business Studies.
Other organizations do not make specific reference to self-plagiarism:
The American Political Science Association (APSA) published a code of ethics that describes plagiarism as "...deliberate appropriation of the works of others represented as one's own." It does not make any reference to self-plagiarism. It does say that when a thesis or dissertation is published "in whole or in part", the author is "not ordinarily under an ethical obligation to acknowledge its origins."
The American Society for Public Administration (ASPA) published a code of ethics that says its members are committed to: "Ensure that others receive credit for their work and contributions," but it makes no reference to self-plagiarism.
Factors that justify reuse
Pamela Samuelson, in 1994, identified several factors she says excuse reuse of one's previously published work, that make it not self-plagiarism. She relates each of these factors specifically to the ethical issue of self-plagiarism, as distinct from the legal issue of fair use of copyright, which she deals with separately. Among other factors that may excuse reuse of previously published material Samuelson lists the following:
- The previous work must be restated to lay the groundwork for a new contribution in the second work.
- Portions of the previous work must be repeated to deal with new evidence or arguments.
- The audience for each work is so different that publishing the same work in different places is necessary to get the message out.
- The author thinks they said it so well the first time that it makes no sense to say it differently a second time.
Samuelson states she has relied on the "different audience" rationale when attempting to bridge interdisciplinary communities. She refers to writing for different legal and technical communities, saying: "there are often paragraphs or sequences of paragraphs that can be bodily lifted from one article to the other. And, in truth, I lift them." She refers to her own practice of converting "a technical article into a law review article with relatively few changes—adding footnotes and one substantive section" for a different audience.
Samuelson describes misrepresentation as the basis of self-plagiarism. She also states "Although it seems not to have been raised in any of the self-plagiarism cases, copyrights law's fair use defense would likely provide a shield against many potential publisher claims of copyright infringement against authors who reused portions of their previous works."
Plagiarism is presumably not an issue when organizations issue collective unsigned works since they do not assign credit for originality to particular people. For example, the American Historical Association's "Statement on Standards of Professional Conduct" (2005) regarding textbooks and reference books states that, since textbooks and encyclopedias are summaries of other scholars' work, they are not bound by the same exacting standards of attribution as original research and may be allowed a greater "extent of dependence" on other works. However, even such a book does not make use of words, phrases, or paragraphs from another text or follow too closely the other text's arrangement and organization, and the authors of such texts are also expected to "acknowledge the sources of recent or distinctive findings and interpretations, those not yet a part of the common understanding of the profession."
In the arts
Plagiarism and the history of art
Through all of the history of literature and of the arts in general, works of art are for a large part repetitions of the tradition; to the entire history of artistic creativity belong plagiarism, literary theft, appropriation, incorporation, retelling, rewriting, recapitulation, revision, reprise, thematic variation, ironic retake, parody, imitation, stylistic theft, pastiches, collages, and deliberate assemblages. There is no rigorous and precise distinction between practices like imitation, stylistic plagiarism, copy, replica and forgery. These appropriation procedures are the main axis of a literate culture, in which the tradition of the canonic past is being constantly rewritten.
Ruth Graham quotes T.S. Eliot—"Immature poets imitate; mature poets steal. Bad poets deface what they take."—she notes that despite the "taboo" of plagiarism, readers seem to often forgive the past excesses of historic literary offenders.
Praisings of artistic plagiarism
Sterne's Writings, in which it is clearly shewn, that he, whose manner and style were so long thought original, was, in fact, the most unhesitating plagiarist who ever cribbed from his predecessors in order to garnish his own pages. It must be owned, at the same time, that Sterne selects the materials of his mosaic work with so much art, places them so well, and polishes them so highly, that in most cases we are disposed to pardon the want of originality, in consideration of the exquisite talent with which the borrowed materials are wrought up into the new form.
In other contexts
Plagiarism on the Internet
Free online tools are becoming available to help identify plagiarism, and there are a range of approaches that attempt to limit online copying, such as disabling right clicking and placing warning banners regarding copyrights on web pages. Instances of plagiarism that involve copyright violation may be addressed by the rightful content owners sending a DMCA removal notice to the offending site-owner, or to the ISP that is hosting the offending site.
- Abuse of information
- Academic dishonesty
- The Anxiety of Influence
- Appropriation (art)
- Article spinning
- Contract cheating
- Copyright infringement
- Credit (creative arts)
- Document theft
- Essay mill
- Fair use
- Joke thievery
- Journalism scandals (plagiarism, fabrication, omission)
- List of plagiarism incidents
- Multiple publication
- Musical plagiarism
- Personal boundaries
- Plagiarism detection
- Scientific misconduct
- Source criticism
- Swipe (comics)
- An Uncommon Story, literary memoir by Ivan Goncharov
- From the 1995 Random House Compact Unabridged Dictionary:
use or close imitation of the language and thoughts of another author and the representation of them as one's own original work
- From the Oxford English Dictionary:
the wrongful appropriation or purloining and publication as one's own, of the ideas, or the expression of the ideas… of another
- u  quotation: (p.40) "The boundaries between permissible and impermissible, imitation, stylistic plagiarism, copy, replica and forgery remain nebulous."
- Haywood (1987) p.109, quoting Arnau
- Eco (1987) p.202, quoting Arnau
- Lynch (2002)
- Green, Stuart P. (2002). "Plagiarism, Norms, and the Limits of Theft Law: Some Observations on the Use of Criminal Sanctions in Enforcing Intellectual Property Rights". Hastings Law Journal 54 (1). SSRN 315562.
- Valpy, Francis Edward Jackson (2005) Etymological Dictionary of the Latin Language, p.345 entry for plagium, quotation: "the crime of kidnapping."
- "Online Etymology Dictionary". Retrieved April 24, 2011.
- Lands, Robert (1999) Plagiarism is no Crime published by The Association of Illustrators (AOI), December 1999. Quotation:
Plagiarism may be a taboo in academia, but in art is almost essential.
- Gabriel, Trip (1 August 2010). "Plagiarism Lines Blur for Students in Digital Age". The New York Times.
- Susan D. Blum, My Word!: Plagiarism and College Culture (2010)
- Cully, P. Plagiarism avoidance in academic submissions. Dublin Institute of Technology, 2013. Full PDF available for download at: http://arrow.dit.ie/bescharcoth/4/
- Kock, N (July 1999). "A case of academic plagiarism". Communications of the ACM 42 (7): 96–104. doi:10.1145/306549.306594.
- Kock, N., Davison, R. (December 2003). "Dealing with plagiarism in the information systems research community: a look at factors that drive plagiarism and ways to address them". MIS Quarterly, 27 (4): 511–32.
- Clarke, Roger (2006). "Plagiarism by academics: More complex than it seems". Journal of the Association for Information Systems 7 (1): 91–121. ISSN 1536-9323.
- Gipp, Bela (2014). "Citation-based Plagiarism Detection: Detecting Disguised and Cross-language Plagiarism using Citation Pattern Analysis". Springer Vieweg. ISBN 978-3-658-06393-1. p.10
- Fishman, Teddi (Sep. 28-30 2009). ""We know it when we see it is not good enough: toward a standard definition of plagiarism that transcends theft, fraud, and copyright"". Proceedings of the 4th Asia Pacific Conference on Educational Integrity. p.5
- "What is Plagiarism". Stanford University. 2012-07-27.
- "What is Plagiarism". Yale College. 2012-07-27.
- "Defining and Avoiding Plagiarism: The WPA Statement on Best Practices". Princeton University. 2012-07-27
- "Student Honor Code". Emory: Oxford College. 2012-07-27.
- "What is plagiarism?". Brown University Library. 2012-07-27
- Zinie Chen Sampson (August 11, 2008). "Students expelled from U.Va. shipboard program for plagiarism". HamptonRoads.com. Retrieved December 13, 2011.
- Tennant, Peter; Rowell, Gill (2009–2010). "Benchmark Plagiarism Tariff" (PDF). plagiarism advice.org. iParadigms Europe. Retrieved 9 August 2013.
- "Journalism". Famous Plagiarists.com / War On Plagiarism.org. Archived from the original on 26 February 2007. Retrieved 9 August 2013.
- Dellavalle, Robert P.; Banks, Marcus A.; Ellis, Jeffrey I. (September 2007). "Frequently asked questions regarding self-plagiarism: How to avoid recycling fraud". Journal of the American Academy of Dermatology 57 (3): 527. doi:10.1016/j.jaad.2007.05.018. PMC 2679117. PMID 17707155.
- Rebecca Attwood. "Allow me to rephrase, and boost my tally of articles". Times Higher Education. 3 July 2008.
- Hexham, Irving (2005). "The Plague of Plagiarism: Academic Plagiarism Defined". UCalgary.ca.
- Samuelson, Pamela (August 1994). "Self-plagiarism or fair use?". Communications of the ACM 37 (8): 21–5. doi:10.1145/179606.179731.
- Broome, M (November 2004). "Self-plagiarism: Oxymoron, fair use, or scientific misconduct?". Nursing Outlook 52 (6): 273–4. doi:10.1016/j.outlook.2004.10.001. PMID 15614263.
- Andreescu, Liviu (November 2012). "Self-Plagiarism in Academic Publishing: The Anatomy of a Misnomer". Science and Engineering Ethics. doi:10.1007/s11948-012-9416-1.
- Bird, SJ (October 2002). "Self-plagiarism and dual and redundant publications: what is the problem? Commentary on 'Seven ways to plagiarize: handling real allegations of research misconduct'". Science and Engineering Ethics 8 (4): 543–4. doi:10.1007/s11948-002-0007-4. PMID 12501723.
- See Resnik, David B. (1998). The Ethics of Science: an introduction, London: Routledge. p.177, notes to chapter six, note 3. Online via Google Books
- Scanlon, PM (2007). "Song from myself: an anatomy of self-plagiarism". Plagiary 2 (1): 1–11. Retrieved 2010-08-02.
- Lorraine Eden. "JIBS Code of Ethics". Journal of International Business Studies. Retrieved 2010-08-02.
- "ACM Policy and Procedures on Plagiarism". June 2010.
- American Political Science Association (2008). "A Guide to Professional Ethics in Political Science". Second Edition. Section 21.1. ISBN 1-878147-05-6.
- American Society for Public Administration. "ASPA's Code of Ethics".
- "Statement on Standards of Professional Conduct". American Historical Association. 2005-01-06. Retrieved 2009-04-16.
- Eco (1990) p. 95 quotation:
Each of the types of repetition that we have examined is not limited to the mass media but belongs by right to the entire history of artistic creativity; plagiarism, quotation, parody, the ironic retake are typical of the entire artistic-literary tradition.
Much art has been and is repetitive. The concept of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the "modern" avant-garde (at the beginning of this century) challenged the Romantic idea of "creation from nothingness," with its techniques of collage, mustachios on the Mona Lisa, art about art, and so on.
- Alfrey (2000)
- Genette  note 3 to ch. 7, p. 433. quotation:
"transposition"... all the other possible terms (rewriting, rehandling, remake, revision, refection, recasting, etc.)
- Steiner (1998) pp. 437, 459 quotation:
(p. 437) There is between 'translation proper' and 'transmutation' a vast terrain of 'partial transformation'. The verbal signs in the original message or statement are modified by one of a multitude of means or by a combination of means. These include paraphrase, graphic illustration, pastiche, imitation, thematic variation, parody, citation in a supporting or undermining context, false attribution (accidental or deliberate), plagiarism, collage, and many others. This zone of partial transformation, of derivation, of alternate restatement determines much of our sensibility and literacy. It is, quite simply, the matrix of culture.
(p. 459) We could, in some measure, at least, come closer to a verifiable gradation of the sequence of techniques and aims, which leads from literal translation through paraphrases, mimesis, and pastiche to thematic variation. I have suggested that this sequence is the main axis of a literate culture, that a culture advances, spiralwise, via translations of its own canonic past.
- Arnau  quotation: (p. 40) "The boundaries between permissible and impermissible, imitation, stylistic plagiarism, copy, replica and forgery remain nebulous."
- Graham, Ruth (January 7, 2014). "Word Theft". Poetryfoundation.org. Retrieved 2014-01-09.
- Mark Ford Love and Theft London Review of Books Vol. 26 No. 23 · 2 December 2004 pages 34–35 | 4103 words
- Oliver Goldsmith The vicar of Wakefield: a tale, Volume 5 p.xviii
- Jones, Del (August 1, 2006). "Authorship gets lost on Web". USA Today.
- Welch, Maura (May 8, 2006). "Online plagiarism strikes blog world". The Boston Globe.
- "Apple accused of copyright wrongs" CNET
- "Copyscape Searches For Scraped Content" WebProNews
- Alfrey, Penelope (February 2000) "Petrarch's Apes: Originality, Plagiarism and Copyright Principles within Visual Culture". MIT Communications Forum.
- Arnau, Frank  The art of the faker
- Derrida, Jacques, Roudinesco, Élisabeth  (2004) De Quoi Demain, English translation 2004 by Jeff Fort as For what tomorrow—: a dialogue, ch.4 Unforeseeable Freedom
- Blum, Susan D. My Word!: Plagiarism and College Culture (2010)
- Eco, Umberto (1987) Fakes and Forgeries in Versus, Issues 46–48, republished in 1990 in The limits of interpretation pp. 174–202
- Eco, Umberto (1990) Interpreting Serials in The limits of interpretation, pp. 83–100, excerpt; link unavailable
- Gérard Genette (1982) Palimpsests: literature in the second degree 
- Haywood, Ian (1987) Faking it
- Hutcheon, Linda (1985). "3. The Pragmatic Range of Parody". A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York: Methuen. ISBN 0-252-06938-2.
- Joachimides, Christos M. and Rosenthal, Norman and Anfam, David and Adams, Brooks (1993) American art in the 20th century: painting and sculpture 1913–1993
- Lynch, Jack (2002) The Perfectly Acceptable Practice of Literary Theft: Plagiarism, Copyright, and the Eighteenth Century, in Colonial Williamsburg: The Journal of the Colonial Williamsburg Foundation 24, no. 4 (Winter 2002–3), pp. 51–54. Also available online since 2006 at Writing World.
- Paull, Harry Major (1928) Literary ethics: a study in the growth of the literary conscience Part II, ch.X Parody and Burlesque pp. 133–40 (public domain work, author died in 1934)
- Royal Shakespeare Company (2007) The RSC Shakespeare – William Shakespeare Complete Works, Introduction to the Comedy of Errors
- Ruthven, K. K. (2001) Faking Literature
- Spearing, A. C. (1987) Introduction section to Chaucer's The Franklin's Prologue and Tale
- Spearing, A. C. (1989) Readings in medieval poetry
- Steiner, George (1998) After Babel, ch.6 Topologies of culture, 3rd revised edition
- von Grunebaum, G. E. (October 1944). "The Concept of Plagiarism in Arabic Theory". Journal of Near Eastern Studies 3 (4): 234–53. doi:10.1086/370723. JSTOR 542996.
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- American Historical Association, "Statement on Standards of Professional Conduct" (2005)
- What is the price of plagiarism? A The Christian Science Monitor
- The Assessment in Higher Education web site's plagiarism page contains links to a variety of resources (articles, books, cheat sites, etc.).
- "Plagiary: Cross-disciplinary Studies in Plagiarism, Fabrication, and Falsification." journal: Journal website and online archive
- The Plagiarism Advisory Service Provides advice and guidance to UK and International learning institutions.
- Copyright Infringement archive at UCLA School of Law
- Citation Plagiarism
- Vu: A Database of Duplicate Citations in the Scientific Literature
- Stanley Fish (August 9, 2010). "Plagiarism Is Not a Big Moral Deal". The New York Times.
- Stanley Fish (August 16, 2010). "The Ontology of Plagiarism: Part Two". The New York Times.