Planet of the Ood

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191 – "Planet of the Ood"
Doctor Who episode
Planet of the Ood.jpg
An "uncultivated" Ood shows his hindbrain to the Doctor. The Ood are born with external hindbrains which are removed during processing to become subservient slaves.
Cast
Others
Production
Writer Keith Temple
Director Graeme Harper
Script editor Lindsey Alford
Producer Susie Liggat
Executive producer(s) Russell T Davies
Julie Gardner
Phil Collinson
Incidental music composer Murray Gold
Production code 4.2
Series Series 4
Length 45 minutes
Originally broadcast 19 April 2008
Chronology
← Preceded by Followed by →
"The Fires of Pompeii" "The Sontaran Stratagem"

"Planet of the Ood" is the third episode of the fourth series of British science fiction television series Doctor Who. It was broadcast on BBC One on 19 April 2008. It features the return of the Ood, who appeared in the second series episodes "The Impossible Planet" and "The Satan Pit".

The episode takes place in the year 4126 on the Ood-Sphere, the titular planet of the episode. The Doctor (David Tennant) and his companion Donna Noble (Catherine Tate) investigate Ood Operations, a company that is selling the Ood as a servant race, to discover the reason the Ood are happy to serve. When they find a group of unprocessed Ood, they become horrified at the alterations performed and resolve to free the Ood. The episode was well-received for its central theme of slavery.

Plot[edit]

The Doctor sets the TARDIS controls to random and materialises on a snowy alien planet. Outside, he and Donna find an injured Ood lying in the snow. Just before he dies, the Ood's eyes turn red and it makes a lunge for the Doctor and startles him with his ferocity. The Doctor surmises that the Ood was being influenced by a being near them. They find a nearby industrial complex called Ood Operations, a company that has been harvesting and selling the Ood as servants. The Doctor discovers that they are on the Ood-Sphere in the year 4126, close to the Sense-Sphere of the Sensorites. The "Red Eye" phenomenon begins affecting other Ood on the planet and several people are killed in the weeks before the Doctor arrived. The possessed Ood keep stating that "the circle must be broken". Ood Operations consider the phenomenon to be a disease similar to foot-and-mouth disease. The CEO of Ood Operations, Klineman Halpen, tells the Doctor the method of killing each time is identical: the victims are electrocuted by the Ood's translation spheres.

Throughout the episode, Donna becomes sympathetic to the Ood and is horrified by their enslavement. The Doctor also takes an interest in the Ood, noting that no species could naturally evolve to be servants. He and Donna travel through the complex and find a batch of uncultivated Ood. Instead of a translation sphere, they hold a "hindbrain" that gives them individuality. This hindbrain is being removed by the humans to make them subservient, and the Doctor rebukes Halpen for lobotomising the Ood. The Doctor and Donna are captured by Ood Operations' security force. Shortly after, the Ood begin a mass revolution and the complex is evacuated. The Doctor follows Halpen to a locked warehouse that contains a large brain, which is revealed to be the Ood's collective consciousness. The brain's control of the Ood is limited by a circle of pylons emitting a forcefield. Halpen plans to kill the brain and by extension all of the Ood, but is stopped by the Doctor, Donna, and Dr. Ryder. Dr. Ryder reveals that he is secretly an activist for "Friends of the Ood", and had slowly infiltrated the company to gain access to the pylons and lower their force field to cause the revolution. Halpen is outraged at his betrayal, so he throws Dr. Ryder into the brain, killing him. Halpen's personal Ood servant, Ood Sigma, has been using Halpen's hair loss medication to slowly convert Halpen into an Ood. Ood Sigma tells the Doctor and Donna that he will take care of Halpen.

The Doctor shuts down the pylons, freeing the Ood and allowing them to all rejoin in a telepathic collective. As the Doctor and Donna prepare to leave, Ood Sigma promises to include the "Doctor-Donna" in the Ood's song. He also tells the Doctor that his song will soon be ending.

Continuity[edit]

The red eye phenomenon in the Ood is a symptom of them being possessed. In "The Impossible Planet" and "The Satan Pit" they were under the Beast's control.[1] In The End of Time, the eyes of the Ood turn red when they are possessed by the power of the bleeding time vortex. In "Death is the Only Answer", Albert Einstein is transformed into a red-eyed Ood. In "The Doctor's Wife", an Ood named Nephew is possessed but displays bright green eyes instead of red.

The Ood-Sphere is in the same solar system as the Sense-Sphere, the location for the 1964 serial The Sensorites;[2][3] the Sensorites and Ood are visually and mentally similar.[2][4]

Ood Sigma tells the Doctor his song is ending soon. This prophecy is repeated to him by Carmen in "Planet of the Dead". Ood Sigma is also briefly shown during "The Waters of Mars" as an apparition beckoning the Doctor. The prophecy is finally realised and Ood Sigma re-appears in The End of Time.

Production[edit]

We wanted to know more about the Ood's background. This time around, they're centre stage. The story is about them. Why they are the way they are. What makes them tick.

Keith Temple[1]

The episode was written by Keith Temple and directed by Graeme Harper. Executive producer Russell T Davies had envisioned the Ood's return because their previous appearance, the 2006 two-part story "The Impossible Planet" and "The Satan Pit", had been overshadowed by the appearance of the Devil. Davies subsequently provided Temple with a brief for the episode which included the term "ice planet" and the storyline of a business selling the Ood as a commodity.[1][5] Temple's drafts of the episode were described as "too dark" and "too old Doctor Who"; Temple stated on the episode's commentary that his early draft was "a six-part [serial] in 45 minutes".[5]

Temple and Davies thought that the episode was not a "fun reappearance" of an old monster; instead, they felt that there was "an actual story to tell".[6] Temple emphasised in his script that the Doctor overlooked the Ood under the shadow of the Devil, and the character had to see his shortcomings. Temple's script also emphasised the Ood's slavery; both Temple and lead actor David Tennant commented that the existence of a species born to serve was complicated, the latter stating complications with Richard Dawkins' "selfish gene" theory.[1][6] Donna's role in the episode was to further humanise the Doctor, and her opinion of the Ood changing from her initial disgust at their appearance to empathy for them was important to the episode and her character development.[6] Susie Liggat cited the writing as part of Doctor Who's importance—she thought the story about "liberating oppressed people" could be applied domestically or globally.[6]

The episode's antagonist, Klineman Halpen, is portrayed by Tim McInnerny. Davies considered his character—"a middle manager who's out of his depth"—a perfect villain.[1] Temple described him as "narcissistic", "preening" and "ruthless ... without sentiment".[1] McInnerny said "It's always nice to play a bastard... I'm glad Halpen's a three-dimensional bastard! That makes him interesting!".[1] Temple epitomised Halpen in a scene where he kills an operative for the activist group "Friends of the Ood"; Davies and Tennant felt that his "disgusting" and "gothic ... Edgar Allan Poe" fate would be undeserved otherwise.[6]

Filming for the episode took place in August 2007.[5] The opening and closing outdoor scenes were filmed in Trefil Quarry in the Brecon Beacons,[7] the external scenes of the complex in a cement factory, and scenes in the "battery farm" were filmed in a hangar at RAF Saint Athan.[5][6] CGI was used sparingly in production; the snow was paper snow adhered by water, and the Ood heads contained complex animatronics.[5][6] McInnerny wore a prosthetic mask with two layers for his transformation scene though the production team's best boy provided motion capture for the computer-generated profile of the appendages coming out of his mouth when this needed to be refilmed and McInnerny was unavailable.[6]

Reception[edit]

Planet of the Ood was the most watched programme in its timeslot, with 7.5 million viewers. The episode was the second most-watched programme of the day, beaten by Britain's Got Talent, and was the twelfth most watched programme of the week. The episode's Appreciation Index was 87 (considered Excellent).[8][9]

Scott Matthewman, writing for The Stage, gave a mixed review of the episode. He thought that "pretty much the only surprise in the way the humans who made up the Ood Corporation were presented came as PR girl Solana (Ayesha Dharker) escaped with the Doctor and Donna, only to betray their position by calling for the guards," and "the revelation that Ryder (Adrian Rawlins) has been working to infiltrate the Corporation is thrown away... as quickly as it is revealed."[10] However, he thought Donna was becoming "fast ... one of the strongest and most well-rounded companions in the series’ history", and "there were some nice interpretations of the Ood’s natural development".[10] Caitlin Moran of The Times thought the episode was "really really good ... – one that will have you staring at your screen and asking, once again, 'How can something so good be happening so early on a Saturday night, in my own front room?'".[11] She enjoyed the scene where the Doctor and Donna talk about slaves in contemporary culture, saying that Tate "really, really isn’t that bad when she says ["We don't have slaves."]".[11] Ben Rawson-Jones of Digital Spy gave the episode five stars out of five. Rawson-Jones opened his review by saying "Doctor Who can occasionally transcend the properties of a mere family television show to reach out and give viewers a poignant, beautiful epiphany and greater sense of the world they inhabit," citing Donna's reaction on seeing the uncultivated Ood as the moving part of the episode.[12] He thought the episode as a whole "exemplifies just how powerful and emotive Doctor Who can be when writing, direction and performance are all harmonious and complete their own Ood-like circle", and was appreciative of the acting.[12] The episode's only flaw was when Donna said "Why do you say 'Miss'? Do I look single?", but was otherwise "an extremely impressive, contemplative examination of the abhorrent nature of humanity".[12]

References[edit]

  1. ^ a b c d e f g Arnopp, James; Spilsbury, Tom (April 2008). "Gallifrey Guardian: Series Four Episode 3: Planet of the Ood: Ood Awakening!". Doctor Who Magazine (Tunbridge Wells, Kent: Panini Comics) 394: 10–11. 
  2. ^ a b "Doctor Who Watch". Radio Times (BBC) (19–25 April 2008): pp 8–9. April 2008. 
  3. ^ The Sensorites. Doctor Who. 1964-06-20–1964-08-01. BBC. BBC1.
  4. ^ "Planet of the Ood: Fact File". Doctor Who microsite. BBC. Retrieved 2008-04-19. 
  5. ^ a b c d e Liggat, Susie; Kasey, Paul; Temple, Keith (2008-04-19). Planet of the Ood (Podcast; MP3). BBC. 
  6. ^ a b c d e f g h "Oods and Ends". Doctor Who Confidential. Season 4. Episode 3. 2008-04-19. BBC. BBC Three.
  7. ^ "Walesarts, Trefil Quarry, Tredegar". BBC. Retrieved 2010-05-30. 
  8. ^ "Planet of the Ood - AI and Digital Ratings". Outpost Gallifrey. 2008-04-21. Archived from the original on 24 September 2008. Retrieved 2008-04-23. 
  9. ^ "Weekly Viewing Summary w/e 20 April 2008". BARB. 2008-04-16. Retrieved 2008-04-16. 
  10. ^ a b Matthewman, Scott (2008-04-19). "Doctor Who 4.3: Planet of the Ood". TV Today. The Stage. Retrieved 2008-04-22. 
  11. ^ a b Moran, Caitlin (2008-04-19). "Catherine Tate as Doctor Who's new assistant? She's not that bad". The Times. Retrieved 2008-04-22. 
  12. ^ a b c Rawson-Jones, Ben (2004-04-19). "S04E03: 'Planet of the Ood'". Cult: Doctor Who - Review. Digital Spy. Retrieved 2008-04-22. 

External links[edit]

Reviews[edit]