Please to See the King

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Please To See The King
Studio album by Steeleye Span
Released March 1971
Recorded Late 1970
Sound Techniques, Chelsea, London
Genre Electric folk
Length 41:39
Label B&C (UK)
Big Tree (US)

Mooncrest (1st UK reissue)
Chrysalis (UK & US reissue)
Producer Sandy Roberton
Steeleye Span chronology
Hark! The Village Wait
(1970)
Please To See The King
(1971)
Ten Man Mop, or Mr. Reservoir Butler Rides Again
(1971)
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars[1]

Please To See The King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait, brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present--The Very Best of Steeleye Span.

The title of the album is derived from the "Cutty Wren" ceremony. A winter wren in a cage is paraded as if it were a king. This rite was carried out on December 26, Saint Stephen's Day, and is connected to early Christmas celebrations. The song "The King", appearing on the album, addresses this, and is often performed as a Christmas carol. Steeleye returned to this subject on Live at Last with "Hunting the Wren" and on Time with the song "The Cutty Wren". The custom of Wrenboys is mostly associated with Ireland, but it has been recently revived in England.

All songs appearing on the original album are traditional. "The False Knight on the Road" is one of the Child Ballads (#3), and concerns a boy's battle of with the devil in a game of riddles. Hart and Prior had already recorded a version of the song on their album 'Summer Solstice'. "The Lark in the Morning", one of their more popular songs, has the same title as a different song about a lusty ploughboy, though there are strong similarities. This version was collected by Ralph Vaughan Williams. "Boys of Bedlam", a variant of Tom o' Bedlam", is told from the perspective of a member of a lunatic asylum. Carthy and Prior open the song by singing into the back of banjos, producing a muffled effect. The band uses the earliest printed version of the song, from Wit and Mirth, or Pills to Purge Melancholy by Thomas d'Urfey.

Melody Maker made this their folk album of the year. Music journalist Colin Irwin in his book "In Search of Albion" describes it as one of his favourite folk-rock albums. It reached number 45 in the UK album charts, originally on B & C Records but before the year was out the rights were acquired by Mooncrest Records who re-released it the same year, with different cover art. It was issued in the US at the same time on Big Tree, when the small label was distributed by Ampex. It sold poorly and was deleted quite soon after release. Remaining copies were bought up by a couple of the 'cut-out' distributors and by that time, the band had signed with Chrysalis and the cut out original sold very well. When stock ran out, poor quality bootleg copies started to turn up in huge quantities.

Musically, this was their most electric, dense recording, with loud guitars and strong looping bass lines and no drums. In 2006, Castle Music re-issued the album as a double-CD with numerous additional tracks taken from radio and TV appearances (the sound on these additional tracks have unfortunately poor sound quality).

Personnel[edit]

Produced by Sandy Roberton.

Track listing[edit]

Original album released by B&C Records CAS 1029 in 1971 and re-issued by Mooncrest Records CREST 8 in 1974:

  1. "The Blacksmith"
  2. "Cold Haily, Windy Night"
  3. "Jigs: Bryan O'Lynn / The Hag With The Money"
  4. "Prince Charlie Stuart"
  5. "Boys of Bedlam"
  6. "False Knight On The Road"
  7. "The Lark In The Morning"
  8. "Female Drummer"
  9. "The King"
  10. "Lovely on the Water"

Additional track on Mooncrest re-issue CREST 005 (vinyl) and CRESTCD 005 (CD) in 1991:

11. "Rave On!"

Additional tracks on the Castle Music re-issue CMQDD 1253 in 2006:

BBC "Top Gear" session rec. June 23, 1970

11. "The Blacksmith"
12. "Female Drummer"
13. "Rave On!"
14. "I Was a Young Man"
15. "The Lark in the Morning"

BBC "Stuart Henry Show" session July 23, 1970

16. "The King"
17. "Prince Charlie Stuart"
18. "The Bold Poachers"

Additional tracks on the Castle Music re-issue CMQDD 1253 bonus CD in 2006:

BBC "Folk on 1" session October 17, 1970

01. "College Grove / Silver Spear"
02. "Lay Down Your Weary Tune"
03. "False Knight on the Road"
04. "Jigs: Hitler's Downfall / The Hag with the Money"
05. "Female Drummer (Mk I)"
06. "Wee Weaver"
07. "Reel"

BBC "Stuart Henry Show" session February 4, 1971

08. "Female Drummer (Mk II)"
09. "General Taylor
10. "Farther Along"
11. "Two Reels"

BBC "Top Gear" session March 27, 1971

12. "Let's Dance"
13. "Bring 'em Down / A Hundred Years Ago"
14. "The Lark in the Morning"

BBC TV (date unknown)

15. "The King"
16. "Jigs: Bryan O'Lynn / The Hag with the Money"
17. "The Blacksmith"

Bonus tracks[edit]

Rave On! (Buddy Holly / Hardin) is an a cappella version of a Buddy Holly song. It was meant as a prank to mock Ashley's solemnity, but he ended up liking it. In 2006, Castle Music re-issued the album with the 10 original tracks and 25 bonus tracks, on 2 CDs. The bonus tracks were all poorly recorded tapes of live BBC radio broadcasts (3 from TV). Only six of these were tracks not already available in good studio versions although the arrangements are different on some. The song "I Was a Young Man" is very different from the version on "Battle of the Field" by The Albion Country Band. The song "Gallant Poacher" was also on that album. Steeleye Span's bonus track version is very similar. "College Grove/Silver Spear" is a pair of jigs by Peter Knight. "Lay Down Your Weary Tune" is a Dylan song, sung a cappella. "Farther Along" is a traditional gospel-blues song, also sung a cappella. "Let's Dance" is obviously a companion-piece to "Rave On". It is the well-known hit by Chris Montez. "Bring 'Em Down/A Hundred Years Ago" is a pair of sea shanties. Incidentally, "Hitler's Downfall" is actually the instrumental "Bryan O'Lynn", already available in a studio recording.

References[edit]