Pointillism

Detail from Seurat's La Parade de Cirque (1889), showing the contrasting dots of paint used in pointillism.

Main article: Neo-impressionism

Pointillism /ˈpwɛntɨlɪzəm/ is a technique of painting in which small, distinct dots of pure color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term Pointillism was first coined by art critics in the late 1880s to ridicule the works of these artists, and is now used without its earlier mocking connotation. Neo-impressionism and Divisionism are also terms used to describe this technique of painting called pointillism.

Technique

The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. It is a technique with few serious practitioners today^{[citation needed]}, and is notably seen in the works of Seurat, Signac and Cross. However, see also Andy Warhol's early works, and pop art.

Paul Signac, Femmes au Puits, 1892, showing a detail with constituent colors.

Practice

The practice of Pointillism is in sharp contrast to the traditional methods of blending pigments on a palette. Pointillism is analogous to the four-color CMYK printing process used by some color printers and large presses that place dots of Cyan (blue), Magenta (red), Yellow, and Key (black). Televisions and computer monitors use a similar technique to represent image colors using Red, Green, and Blue (RGB) colors.

If red, blue, and green light (the additive primaries) are mixed, the result is something close to white light (see Prism (optics)). Painting is inherently subtractive, but pointillist colors often seem brighter than typical mixed subtractive colors. This may be partly because subtractive mixing of the pigments is avoided, and partly because some of the white canvas may be showing between the applied dots.

The painting technique used for pointillist color mixing is at the expense of the traditional brushwork used to delineate texture.

The majority of pointillism is done in oil paints. Anything may be used in its place, but oils are preferred for their thickness and tendency not to run or bleed.

Music

Pointillism also refers to a style of 20th-century music composition. Different musical notes are made in seclusion, rather than in a linear sequence, giving a sound texture similar to pointillism. This type of music is also known as punctualism or klangfarbenmelodie.

Notable artists

Vincent van Gogh, Self Portrait, 1887, using pointillist technique.

Maximilien Luce, Morning, Interior, 1890, using pointillist technique.

• Charles Angrand
• Chuck Close
• Henri-Edmond Cross
• Henri Delavallée
• Georges Lemmen
• Maximilien Luce
• Camille Pissarro
• John Roy
• Georges Seurat
• Paul Signac
• Vincent van Gogh
• Théo van Rysselberghe

Notable paintings

• A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat
• Bathing at Asnieres by Georges Seurat
• The Windmills at Overschie by Paul Signac
• Banks of Seine by Georges Seurat
• Une baignade, Asnières by Georges Seurat
• A Coastal Scene by Theo Van Rysselberghe
• Family in the Orchard by Theo Van Rysselberghe
• Countryside at Noon by Theo Van Rysselberghe
• Afternoon at Pardigon by Henri-Edmond Cross
• Rio San Trovaso, Venice by Henri-Edmond Cross
• The Seine in front of the Trocadero by Henri-Edmond Cross
• The Pine Tree at St. Tropez by Paul Signac
• Against the Enamel of Background Rhythmic with Beats and Angels by Paul Signac
• The Yellow Sail, Venice by Paul Signac
• Notre Dame Cathedral by Maximilien Luce
• Le Pont De Pierre, Rouen by Charles Angrand
• The Beach at Heist by Georges Lemmen
• Aline Marechal by Georges Lemmen
• Vase of Flowers by Georges Lemmen

Neo-pointillism

Neo-pointillism is a further development of pointillism. This style of art was born in the late 20th early 21st century.

Neo-pointillism artists

• Francois Mathieu

Gallery

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  Georges Lemmen, The Beach at Heist, c. 1891/2, Musée d'Orsay Paris

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  The Church at Eragny, Camille Pissarro, 1884. The Walters Art Museum.

See also

• Divisionism
• Micromontage, similar technique in music
• Neo-impressionism
• Punctualism (music)
• Stippling

External links

• Georges Seurat, 1859-1891, a full text exhibition catalog from The Metropolitan Museum of Art