Polly of the Circus

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Polly of the Circus
Directed by Alfred Santell
Produced by Marion Davies
Written by Laurence E. Johnson (dialogue)
Margaret Mayo (play)
Music by William Axt
Cinematography George Barnes
Edited by George Hively
Distributed by Metro-Goldwyn-Mayer
Release dates
  • February 27, 1932 (1932-02-27)
Running time
69 minutes
Country United States
Language English
Budget $438,000[1]
Box office $700,000[1]

Polly of the Circus is a 1932 American MGM drama film directed by Alfred Santell and starring Marion Davies and Clark Gable.


When a traveling circus arrives in a small town, trapeze artist Polly Fisher (Marion Davies) is outraged to find that clothing has been added to posters of her to hide her moderately skimpy costume. She goes to see the man she mistakenly holds responsible, Reverend John Hartley (Clark Gable). He denies being the censor, but their relationship gets off to a rocky start.

When a heckler distracts Polly during her performance, she falls 50 feet (15 m) to the ground. John Hartley has her brought to his nearby house. The doctor advises against moving her. As she recuperates, Polly and John fall in love and marry. She willingly gives up the circus for him.

John's uncle, Bishop James Northcott (C. Aubrey Smith), questions the wisdom of the union, and John's congregation rebels at having an ex-circus performer as their minister's wife. As a result, he is fired and cannot obtain another church position because of his marriage.

Seeing how miserable her husband is, Polly goes to plead for the bishop's help, but he remains unmoved. When she tells Northcott she is willing to give John up, the clergyman tells her that a divorced minister is just as unacceptable. Polly sees only one way out - as a widower, John could return to the church. She pretends that she has tired of her husband and returns to the circus, planning to have a fatal "accident". However, Northcott has a change of heart. When he goes to tell the couple, Polly has already left. Northcott guesses what she intends to do. He and John speed to the circus's next stop and arrive just in time to save Polly.


First film adaptation of the play[edit]

An earlier silent film version of the same Margaret Mayo play was made in 1917, the first film by Goldwyn Pictures. It was shot in Fort Lee, New Jersey at Universal Studios when it and many other early film studios in America's first motion picture industry were based there at the beginning of the 20th century.[2][3][4]

Box Office[edit]

According to MGM records the film earned $530,000 in the US and Canada and $170,000 elsewhere resulting in a profit of $20,000.[1]


  1. ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study .
  2. ^ Koszarski, Richard (2004), Fort Lee: The Film Town, Rome, Italy: John Libbey Publishing -CIC srl, ISBN 0-86196-653-8 
  3. ^ "Studios and Films". Fort Lee Film Commission. Retrieved 2011-05-30. 
  4. ^ Fort Lee Film Commission (2006), Fort Lee Birthplace of the Motion Picture Industry, Arcadia Publishing, ISBN 0-7385-4501-5 

External links[edit]