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"Renaissance man" redirects here. For use as a title of cultural works, see Renaissance Man.
For other uses, see Polymath (disambiguation).
Leonardo da Vinci is regarded as a "Renaissance man" and is one of the most recognizable polymaths.

A polymath (Greek: πολυμαθής, polymathēs, "having learned much")[1] is a person whose expertise spans a significant number of different subject areas; such a person is known to draw on complex bodies of knowledge to solve specific problems. The term was first used in the seventeenth century; the related term, polyhistor, is an ancient term with similar meaning.[2]

The term is often used to describe great thinkers of the Renaissance and the Enlightenment who excelled at several fields in science and the arts. In the Italian Renaissance, the idea of the polymath was expressed by Leon Battista Alberti (1404–1472), in the statement that "a man can do all things if he will."[3] Embodying a basic tenet of Renaissance humanism that humans are limitless in their capacity for development, the concept led to the notion that people should embrace all knowledge and develop their capacities as fully as possible. This was expressed in the term "Renaissance man" which is often applied to the gifted people of that age who sought to develop their abilities in all areas of accomplishment: intellectual, artistic, social and physical. This term entered the lexicon during the twentieth century and has now been applied to great thinkers living before and after the Renaissance.

Renaissance ideal: the Renaissance man[edit]

"Renaissance man" was first recorded in written English in the early 20th century.[4] It is now used to refer to great thinkers living before, during, or after the Renaissance. Leonardo da Vinci has often been described as the archetype of the Renaissance man, a man of "unquenchable curiosity" and "feverishly inventive imagination".[5]

Many notable polymaths lived during the Renaissance period, a cultural movement that spanned roughly the 14th through to the 17th century and that began in Italy in the late Middle Ages and later spread to the rest of Europe. These polymaths had a rounded approach to education that reflected the ideals of the humanists of the time. A gentleman or courtier of that era was expected to speak several languages, play a musical instrument, write poetry, and so on, thus fulfilling the Renaissance ideal. The idea of a universal education was essential to achieving polymath ability, hence the word university was used to describe a seat of learning. At this time universities did not specialize in specific areas but rather trained students in a broad array of science, philosophy, and theology. This universal education gave them a grounding from which they could continue into apprenticeship toward becoming a Master of a specific field.

During the Renaissance, Baldassare Castiglione, in his guide The Book of the Courtier, described how an ideal courtier should have polymathic traits.[6] Castiglione's guide stressed the kind of attitude that should accompany the many talents of a polymath, an attitude he called sprezzatura. A courtier should have a detached, cool, nonchalant attitude, and speak well, sing, recite poetry, have proper bearing, be athletic, know the humanities and classics, paint and draw and possess many other skills, always without showy or boastful behavior, in short, with sprezzatura. The many talents of the polymath should appear to others to be performed without effort, in an unstrained way, almost without thought.

In some ways, the gentlemanly requirements of Castiglione recall the Chinese sage, Confucius, who far earlier depicted the courtly behavior, piety and obligations of service required of a gentleman. The easy facility in difficult tasks also resembles the effortlessness inculcated by Zen, such as in archery where no conscious attention, but pure spontaneity, produces better and more noble skill. For Castiglione, the attitude of apparent effortlessness should accompany great skill in many separate fields. In word or deed the courtier should "avoid affectation ... (and) ... practice ... a certain sprezzatura ... conceal all art and make whatever is done or said appear to be without effort and almost without any thought about it".[6][7]

This Renaissance ideal differed slightly from the polymath in that it involved more than just intellectual advancement. Historically (roughly 1450–1600) it represented a person who endeavored to "develop his capacities as fully as possible" (Britannica, "Renaissance Man") both mentally and physically.

When someone is called a "Renaissance man" or "Renaissance woman" today, it is meant that, rather than simply having broad interests or superficial knowledge in several fields, he or she possesses a more profound knowledge and a proficiency, or even an expertise, in at least some of those fields.[8]

Today, the expression "Renaissance man" is usually used to describe a person with intellectual or scholastic proficiency and not necessarily the more universal learning implied by Renaissance humanism. Some dictionaries use the term "Renaissance man" to describe someone with many interests or talents,[9] while others give a meaning restricted to the Renaissance and more closely related to Renaissance ideals.

Related terms[edit]

Aside from "Renaissance man" as mentioned above, similar terms in use are Homo Universalis (Latin) and Uomo Universale (Italian), which translate to "universal person" or "universal man". The related term generalist – contrasted with a specialist – is used to describe a person with a general approach to knowledge.

Medieval German polymath Hildegard of Bingen, shown dictating to her scribe in an illumination from Liber Scivias

The term Universal Genius is also used, with Leonardo da Vinci as the prime example again. The term seems to be used especially when a person has made lasting contributions in at least one of the fields in which he was actively involved, and when he had a universality of approach.

When a person is described as having "encyclopedic knowledge", he or she exhibits a vast scope of knowledge. This designation may be anachronistic, however, in the case of persons such as Eratosthenes whose reputation for having encyclopedic knowledge pre-dates the existence of any encyclopedic object.

Polymath and polyhistor compared[edit]

Many dictionaries of word origins list these words as synonyms or as words with very similar meanings. Thomas Moore took the words as corresponding to similarly erudite "polys" in his poem "The Devil Among Scholars":[10]

Off I fly, careering far

In chase of Pollys, prettier far
Than any of their namesakes are
—The Polymaths and Polyhistors,

Polyglots and all their sisters.

According to the Oxford English Dictionary, the words mean practically the same; "the classical Latin word polyhistor was used exclusively, and the Greek word frequently, of Alexander Polyhistor", but polymathist appeared later, and then polymath. Thus today, regardless of any differentiation they may have had when originally coined, they are often taken to mean the same thing.[citation needed]

In sports[edit]

In Britain, phrases such as "polymath sportsman", "sporting polymath", or simply "polymath" are occasionally used in a restricted sense to refer to athletes who have performed at a high level in several very different sports, rather than to those gifted in many fields of study. One whose accomplishments are limited to athletics would not be considered a "polymath" in the usual sense of the word. An example is Howard Baker, who was called a "sporting polymath" by the Encyclopedia of British Football for winning high jump titles and playing cricket, football, and water polo.[11]

See also[edit]

References and notes[edit]

  1. ^ The term was first recorded in written English in the early seventeenth century Harper, Daniel (2001). "Online Etymology Dictionary". Retrieved 2006-12-05. 
  2. ^ Far from suggesting or implying a distinction -- such as, a distinction between math and history, -- the terms "polymath" and "polyhistor" are [very nearly] synonyms (as indicated by the similarities in their Wiktionary entries, -- polymath and polyhistor -- and as discussed in more detail in the Polymath#Polymath_and_polyhistor_compared section).
  3. ^ [1]
  4. ^ Harper, Daniel (2001). "Online Etymology Dictionary". Retrieved 2006-12-05. 
  5. ^ Gardner, Helen (1970). Art through the Ages. pp. 450–456. 
  6. ^ a b Castiglione, Baldassare. The Book of the Courtier: The Singleton Translation, ed. D. Javitch, (New York: Norton, 2002, 32).
  7. ^ D'Epiro, Peter and Desmond Pinkowish, Mary. Sprezzatura. (New York, Anchor Books, 2001).
  8. ^ "va=Renaissance man — Definition from the Merriam-Webster Online Dictionary". M-w.com. Retrieved 2012-04-06. 
  9. ^ "Oxford concise dictionary". Askoxford.com. Retrieved 2012-04-06. 
  10. ^ The Complete Poems of Sir Thomas Moore by Thomas Moore, Project Gutenberg.
  11. ^ Cox, Richard (2002). Encyclopedia of British Football. Routledge. ISBN.  p. 15

Further reading[edit]

  • Frost, Martin, "Polymath: A Renaissance Man"
  • Grafton, A, 'The World of the Polyhistors: Humanism and Encyclopedism’, Central European History, 18: 31–47. (1985)
  • Jaumann, Herbert, "Was ist ein Polyhistor? Gehversuche auf einem verlassenen Terrain," Studia Leibnitiana, 22 (1990), 76-89
  • Mirchandani, Vinnie, The New Polymath: Profiles in Compound-Technology Innovations", John Wiley & Sons, 2010
  • Waquet, F, (ed.) 'Mapping the World of Learning: The ‘Polyhistor’ of Daniel Georg Morhof' (2000)

External links[edit]