Portal:Aesthetics

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Aesthetics

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Aesthetics (also spelled æsthetics) is commonly known as the study of sensory or sensori-emotional values; sometimes called judgments of sentiment and taste.[1] More broadly, scholars in the field define aesthetics as "critical reflection on art, culture and nature."[2][3] Aesthetics is a subdiscipline of axiology, a branch of philosophy, and is closely associated with the philosophy of art.[4] Aesthetics studies new ways of seeing and of perceiving the world.[5]

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RuPaul regularly capitalizes on his camp appeal through TV and movie cameo appearances.
Camp is an aesthetic sensibility wherein something is appealing because of its bad taste and ironic value. When the usage appeared, in 1909, it denoted: ostentatious, exaggerated, affected, theatrical, effeminate, and homosexual behaviour, and, by the middle of the 1970s, the definition comprised: banality, artifice, mediocrity, and ostentation so extreme as to have perversely sophisticated appeal. [6] American writer Susan Sontag's essay “Notes on ‘Camp’ ” (1964) emphasised its key elements as: artifice, frivolity, naïve middle-class pretentiousness, and ‘shocking’ excess.

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Hegel portrait by Schlesinger 1831.jpg
Georg Wilhelm Friedrich Hegel (German pronunciation: [ˈɡeɔʁk ˈvɪlhɛlm ˈfʁiːdʁɪç ˈheːɡəl]) (August 27, 1770 – November 14, 1831) was a German philosopher, and with Johann Gottlieb Fichte and Friedrich Wilhelm Joseph Schelling, one of the creators of German Idealism. Hegel influenced writers of widely varying positions, including both his admirers (Bauer, Feuerbach, Marx, Bradley, Dewey, Sartre, Küng, Kojève, Žižek), and his detractors (Schelling, Kierkegaard, Schopenhauer, Nietzsche, Peirce, Russell). Hegel developed a comprehensive philosophical framework, or "system", to account in an integrated and developmental way for the relation of mind and nature, the subject and object of knowledge, and psychology, the state, history, art, religion, and philosophy. In particular, he developed a concept of mind or spirit that manifested itself in a set of contradictions and oppositions that it ultimately integrated and united, such as those between nature and freedom, and immanence and transcendence, without eliminating either pole or reducing it to the other. His influential conceptions are of speculative logic or "dialectic," "absolute idealism," "Spirit," negativity, sublation (Aufhebung in German), the "Master/Slave" dialectic, "ethical life," and the importance of history.

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Baumgarten appropriated the word aesthetics, which had always meant sensation, to mean taste or "sense" of beauty. In so doing, he gave the word a different significance, thereby inventing its modern usage. The word had been used differently since the time of the ancient Greeks to mean the ability to receive stimulation from one or more of the five bodily senses.

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Requested articles: aesthetic experience · aesthetic judgment · aesthetic properties · philosophy of art (currently a redirect) · artistic form · artistic style (currently a redirect) · artistic value · nature of art · ontology of art · concrete object (currently a redirect) · Rapture (aesthetics) · reception (currently a disambiguation page with no aesthetics)

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  1. ^ Zangwill, Nick. "Aesthetic Judgment", Stanford Encyclopedia of Philosophy, 02-28-2003/10-22-2007. Retrieved 07-24-2008.
  2. ^ Kelly (1998) p. ix
  3. ^ Review by Tom Riedel (Regis University)
  4. ^ Bruyn, Professor Severyn T. "Art and Aesthetics in Action", Boston College, 2002. Retrieved 07-22-2008.
  5. ^ Freeman, Lindsey (Phd) Remembering Debord cannon-beach.net
  6. ^ Webster's New World Dictionary of the American Language, 1976 edition, sense 6, [Slang, orig., homosexual jargon, Americanism] banality, mediocrity, artifice, ostentation, etc. so extreme as to amuse or have a perversely sophisticated appeal
  7. ^ Clement Greenberg, “On Modernist Painting”.

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