Portal:Aesthetics

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Aesthetics

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Aesthetics (also spelled æsthetics) is commonly known as the study of sensory or sensori-emotional values; sometimes called judgments of sentiment and taste.[1] More broadly, scholars in the field define aesthetics as "critical reflection on art, culture and nature."[2][3] Aesthetics is a subdiscipline of axiology, a branch of philosophy, and is closely associated with the philosophy of art.[4] Aesthetics studies new ways of seeing and of perceiving the world.[5]

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Postmodern art is a term used to describe an art movement which was thought to be in contradiction to some aspect of modernism, or to have emerged or developed in its aftermath. In general movements such as Intermedia, Installation art, Conceptual Art and Multimedia, particularly involving video are described as postmodern. The traits associated with the use of the term postmodern in art include bricolage, use of words prominently as the central artistic element, collage, simplification, appropriation, depiction of consumer or popular culture and Performance art.

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Friedrich Wilhelm Nietzsche (October 15, 1844 – August 25, 1900) (German pronunciation: [ˈfʁiːdʁɪç ˈvɪlhəlm ˈniːtʃə]) was a nineteenth-century German philosopher and classical philologist. He wrote critical texts on religion, morality, contemporary culture, philosophy, and science, using a distinctive German language style and displaying a fondness for metaphor and aphorism. Nietzsche's influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. His style and radical questioning of the value and objectivity of truth have resulted in much commentary and interpretation, mostly in the continental tradition, and to a lesser extent in analytic philosophy. His key ideas include the interpretation of tragedy as an affirmation of life, an eternal recurrence (which numerous commentators have re-interpreted), a rejection of Platonism, and a repudiation of both Christianity and egalitarianism (especially in the form of democracy and socialism).

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Baumgarten appropriated the word aesthetics, which had always meant sensation, to mean taste or "sense" of beauty. In so doing, he gave the word a different significance, thereby inventing its modern usage. The word had been used differently since the time of the ancient Greeks to mean the ability to receive stimulation from one or more of the five bodily senses.

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Requested articles: aesthetic experience · aesthetic judgment · aesthetic properties · philosophy of art (currently a redirect) · artistic form · artistic style (currently a redirect) · artistic value · nature of art · ontology of art · concrete object (currently a redirect) · Rapture (aesthetics) · reception (currently a disambiguation page with no aesthetics)

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  1. ^ Zangwill, Nick. "Aesthetic Judgment", Stanford Encyclopedia of Philosophy, 02-28-2003/10-22-2007. Retrieved 07-24-2008.
  2. ^ Kelly (1998) p. ix
  3. ^ Review by Tom Riedel (Regis University)
  4. ^ Bruyn, Professor Severyn T. "Art and Aesthetics in Action", Boston College, 2002. Retrieved 07-22-2008.
  5. ^ Freeman, Lindsey (Phd) Remembering Debord cannon-beach.net
  6. ^ Clement Greenberg, “On Modernist Painting”.

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