Portal:Arts
The Arts Portal
The arts are a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which as a description of a field usually means only the visual arts. The arts encompass visual arts, literary arts and the performing arts – music, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory. According to a recent suggestion, several forms of audio and visual arts (rhythmic singing and drumming on external objects, dancing, body and face painting) were developed very early in hominid evolution by the forces of natural selection in order to reach an altered state of consciousness. In this state, which Jordania calls battle trance, hominids and early human were losing their individuality, and were acquiring a new collective identity, where they were not feeling fear or pain, and were religiously dedicated to the group interests, in total disregards of their individual safety and life. This state was needed to defend early hominids from predators, and also to help to obtain food by aggressive scavenging. Ritualistic actions involving heavy rhythmic music, rhythmic drill, coupled sometimes with dance and body painting had been universally used in traditional cultures before the hunting or military sessions in order to put them in a specific altered state of consciousness and raise the morale of participants.
Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (i.e. Zeus' thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.
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The Greece Runestones comprise about 30 runestones containing information related to voyages made by Norsemen to "Greece", which referred to the Byzantine Empire. They were made during the Viking Age and until c. 1100. The stones were engraved in the Old Norse language with Scandinavian runes. All of the stones were found in modern-day Sweden, and the majority reside in Uppland (18 runestones) and Södermanland (7 runestones). Most of the stones were carved in memory of members of the Varangian Guard who never returned home, but a few stones mention men who returned with wealth. The only group of runestones that refer to expeditions abroad that are comparable in number are those that mention expeditions to England, the England Runestones. The stones vary in size from the small whetstone from Timans, to the boulder in Ed which is 18 m (59 ft) in circumference. Most of them are adorned with various runestone styles that were in use during the 11th century, and especially styles that were part of the Ringerike style (eight or nine stones) and the Urnes style (eight stones). The runestones have been continuously identified by scholars beginning with Johannes Bureus in the late 16th century, with many stones discovered during a national search for historic monuments in the late 17th century.
Featured picture"Join, or Die", a 1754 editorial cartoon by Benjamin Franklin, a woodcut showing a snake severed into eight pieces, with each segment labeled with the initials of a British American colony or region (not all colonies are represented). It was originally about the importance of colonial unity against France during the French and Indian War, and re-used in the years ahead of the American Revolution to signify unity against Great Britain. Did you know...
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El Lissitzky was a Russian artist, designer, photographer, teacher, typographer, and architect. He was one of the most important figures of the Russian avant-garde, helping develop suprematism with his friend and mentor, Kazimir Malevich, and designed numerous exhibition displays and propaganda works for the former Soviet Union. His work greatly influenced the Bauhaus, Constructivist, and De Stijl movements and experimented with production techniques and stylistic devices that would go on to dominate 20th century graphic design. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarised with his edict, "das zielbewußte Schaffen" (The task-oriented creation). In 1941 he produced one of his last known works — a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany.
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