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Ballet

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Ballet technique refers to the method by which ballet steps are performed or taught. Technique may also refer more generally to a dancer's training and ability. The core technique of ballet has only minor regional variations globally. Various training methods have been devised, these produce a different physicality of performance and aesthetic results. Ballet (especially classical ballet) puts great emphasis on the method and execution of movement.

Ballet technique can refer to the foundational principles and steps on which ballet steps are built. These foundational principles and steps include "pulling up" (a popular term used to describe proper posture and lifting the muscles so as to increase turnout, quantity and quality of turns, and proper alignment), posture, pointing the toe, and flexibility.

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Edouard Borovansky (24 February 1902 - 18 December 1959) was a Czech-Australian ballet dancer, choreographer and director. After touring with Anna Pavlova's company, he and his wife settled in Australia where they established the Borovansky Ballet company. This company provided the foundation for modern ballet in Australia and was subsequently used as the basis for the first national Australian ballet company, the Australian Ballet which was established in 1962.

In 1932 he joined the Ballet Russe de Monte Carlo. His notable roles with this company were the Strong Man in Le Beau Danube, Polkan in Le Coq d'Or and the Shopkeeper of La Boutique fantasque.

Borovansky choreographed several works for his company, including Vltava, Terra Australis and The Black Swan. Terra Australis was the first all-Australian ballet and focused on the subject of Australia's colonisation by white settlers.

In the news




  • The Vienna State Opera Ballet will be performing Giselle from the 7 - 21 December. The main roles will be performed by Maria Yakovleva, Gregor Hatala and Kirill Kourlaev.




  • The South African Ballet Theatre opened their Christmas season on 21 November 2008 with Rock-a-Tutu. This work was choreographed by Ian von Memerty and Thandi Brewster and premiered in Pretoria in 2004. The company is accompanied by a live band, two singers (including former Idols Finalist Wafeeq Saffodien) and narrator Carl Beukes from Isidingo.





  • On the 24 August 2008, 989 ballet dancers in Cape Town set a new Guinness World Record for the World's Biggest Ballet Class, held at Canal Walk. A previous record was attained in 2003 with 530 dancers at the same venue.


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Ballerina Jocelyn Vollmar en pointe
Credit: Ballerina Jocelyn Vollmar en pointe, photograph published by Borovansky Ballet, Australia, 1947

Dancing en pointe is the act of standing on the tips of the toes while performing steps from ballet. It requires strength and skill and is a central part of a female ballet dancer's training and repertoire.l

Did you know?

'Billy Elliot the Musical, is a stage musical with music and lyrics by Sir Elton John. It began as a movie of the same title in 2000. The story is set in Durham, England during the 1980s miners strike. Billy (the son of a miner) has to undergo various hardships after discovering a love of dance. He eventually wins a place at the Royal Ballet School and the film ends with a view into the future, where we see the adult Billy (Adam Cooper) performing the lead role in Matthew Bourne's production of the ballet Swan Lake.

The stage musical opened in 2005 at the Victoria Palace Theatre in London's West End, costing an estimated £5.5 million. An Australian production opened at the Capitol Theatre, Sydney in 2007 and a Broadway production opened at the Imperial Theatre, New York City in 2008. A new production is planned in Seoul, South Korea. In London, the dream sequence in Act II features Barnaby Meredith, a graduate of the Royal Ballet School, who danced with Dutch National Ballet prior to joining the cast of the musical. The New York production features Stephen Hanna of the New York City Ballet.

This balletomane highly recommends this show for adults and children over the age of l0 or 12. (Be mindful of some British expressions of annoyance not commonly used American English)

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