Portal:R&B and Soul Music

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R&B and Soul Music

Showcasing the finer articles and information on Wikipedia's R&B, soul, and funk singers, musicians, bands, songs, and record labels.



Selected article

"Irreplaceable" is a song recorded by American singer-songwriter Beyoncé Knowles. The song was written by Beyoncé, Ne-Yo, Tor Erik Hermansen, Mikkel S. Eriksen, Espen Lind, Amund Bjørklund, and co-produced by Stargate and Beyoncé for her second solo album, B'Day (2006). Originally not created for her, Beyoncé re-arranged the demo presented by the producers—a country-turned-R&B-pop song. The lyrics refer to breaking up with an unfaithful man, part of Beyoncé and Ne-Yo's vision of creating a record that people could relate to, and was considered an anthem to female empowerment.

Following the less successful chart performances of "Déjà Vu" and "Ring the Alarm", "Irreplaceable" was released on December 5, 2006 in the United States as the album's third single, and the second single in most international music markets. "Irreplaceable" was a worldwide commercial and critical success, becoming Beyoncé's second best-selling single in her solo career after "Crazy In Love" and B'Day's most successful release. The single performed well on the U.S. Billboard Hot 100, remaining at the top spot for ten consecutive weeks. Certified as multi-platinum, "Irreplaceable" was one of the best-selling singles in 2007, and its addition to Beyoncé's achievements establishes her among the most successful female artists to date.

"Irreplaceable" was lauded by contemporary critics, citing its distinct production compared with most tracks featured on the album. The song won awards, including one during the 2007 Soul Train Music Award. The single's music video features the debut performance of Beyoncé's all-female band Suga Mama, and earned Beyoncé additional awards.

Selected picture

Selected biography

The Supremes were a successful American female singing trio. Active from 1959 until 1977, the Supremes performed, at various times, doo-wop, pop, soul, Broadway show tunes, and disco.

One of Motown Records' signature acts, The Supremes were the most successful African American musical act of the 1960s,[2] recording twelve American number-one hits between 1964 and 1969.[2] Many of these singles were written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.

Founded in Detroit, Michigan in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross and Betty McGlown, all from the Brewster-Douglass public housing project in Detroit,[3] were the sister act to The Primes (later known as The Temptations).[3] In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left in early 1962, and Ross, Ballard and Wilson carried on as a trio. Achieving success in the mid-1960s with Ross as lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967 and replaced Ballard with Cindy Birdsong. Ross left the group for a successful solo career in 1970 and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.

Selected sound

Charlie Patton singing the Delta blues-styled "Sreamin'and Hollerin' the Blues".

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Featured Articles

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Featured articles: "Baby Boy" · "Déjà Vu" · "Halo" · "Irreplaceable" · Janet Jackson · Michael Jackson · Mariah Carey · Sly & the Family Stone · Sons of Soul · The Supremes · Thriller · The Way I See It

Good articles: Afrodisiac · "Burn" · "Caught Up" · Christina Milian · Confessions · "Forgive Me" · FutureSex/LoveSounds · "Get Me Bodied" · "Green Light" · House of Music ·I Want You · LeToya Luckett · Let's Get It On · "Lose My Breath" · Maxwell's Urban Hang Suite · Modern Sounds in Country and Western Music · "My Boo" · My World · "Naughty Girl" · Nina Simone · Off the Wall · "Ring the Alarm" · Soul Food Taqueria · There's a Riot Goin' On · "Untitled (How Does It Feel)Voodoo · "We Belong Together" · "What Goes Around.../...Comes Around" · Winter in America · "Yeah!"


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  1. ^ Palmer, Robert (1981-05-21). Deep Blues: A Musical and Cultural History of the Mississippi Delta. Viking Adult. ISBN 978-0670495115. 
  2. ^ a b Unterberger, Richie (2005). The Supremes. In All Music Guide. Ann Arbor, MI: All Media Guide.
  3. ^ a b Wilson, Mary and Romanowski, Patricia (1986). Pg. 29–36.