Portal:Speculative fiction
Speculative fiction is an umbrella term encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to both cutting edge, paradigm-changing and neotraditional works of the 21st century. Speculative fiction can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known, since ancient Greek dramatists such as Euripides whose play Medea seems to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure, and whose Hippolytus (play), narratively introduced by Aphrodite, Goddess of Love in person, is suspected to have displeased his contemporary audiences because he portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and similar names and is extensively noted in literary criticism of the works of William Shakespeare as when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid across time and space in the Fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation," the creative design and generation of lore, regarding such works as J.R.R. Tolkien's The Lord of the Rings. Such supernatural, alternate history and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profile Pohl's writing career began in the late 1930s. For the first fifteen years of his writing career, he used pseudonyms: Pohl's first published piece was a poem in the October, 1937 issue of Amazing Stories credited to "Elton Andrews." From 1939 to 1943, Pohl was the editor of two pulp magazines - Astonishing Stories and Super Science Stories. Stories by Pohl often appeared in these magazines, but never under his own name. Work written in collaboration with Cyril M. Kornbluth was credited to S.D. Gottesman or Scott Mariner; other collaborative work (with any combination of Kornbluth, Dirk Wylie or Robert A.W. Lownes) was credited to Paul Dennis Lavond. For Pohl's solo work, stories were credited to James MacCreigh (or, for one story only, Warren F. Howard.) In his autobiography, Pohl says that he stopped editing the two magazines at roughly the time of the German invasion of the Soviet Union in 1941. Regardless, works by "Gottesman," "Lavond," and "MacCreigh" continued to appear in various SF pulp magazines throughout the 1940s. Selected media.jpg) Gustave Doré's depiction of Canto VII of Dante's Inferno, the first part of the Divine Comedy. Here, we see the fourth circle (out of nine) of Hell, in which hoarders and wasters are forced to move around giant bags of gold, similar to the mythological story of Sisyphus. Allegorically, the Divine Comedy represents the journey of the soul towards God, with the Inferno describing the recognition and rejection of sin. (POTD) Selected workThe Silmarillion is a collection of J. R. R. Tolkien's mythopoeic works, edited and published posthumously by his son Christopher Tolkien in 1977, with assistance from Guy Gavriel Kay, who later became a noted fantasy writer. The Silmarillion, along with J. R. R. Tolkien's other works, forms a comprehensive, yet incomplete, narrative that describes the universe of Middle-earth within which The Hobbit and The Lord of the Rings take place. The Silmarillion comprises five parts. The first part, Ainulindalë, tells of the creation of Eä, the "world that is". Valaquenta, the second part, gives a description of the Valar and Maiar, the supernatural powers in Eä. The next section, Quenta Silmarillion, which forms the bulk of the collection, chronicles the history of the events before and during the First Age, including the wars over the Silmarils which gave the book its title. The fourth part, Akallabêth, relates the history of the Downfall of Númenor and its people, which takes place in the Second Age. The final part, Of the Rings of Power and the Third Age, is a brief account of the circumstances which led to and were presented in The Lord of the Rings. Selected quote
—Harold C. Deutsch (1904-1995), Introduction, What If? Strategic Alternatives of WWII (December 1997). Selected article The success of John Polidori's 1819 The Vampyre established the charismatic and sophisticated vampire of fiction as it is arguably the most influential vampire work of the early 19th century inspiring such works as Varney the Vampire and eventually Dracula. However, it is Bram Stoker's 1897 novel Dracula that is remembered as the quintessential vampire novel and which provided the basis of modern vampire fiction. The success of this book spawned a distinctive vampire genre, still popular in the 21st century, with books, films, video games, and television shows. The vampire is such a dominant figure in the horror genre that literary historian Susan Sellers places the current vampire myth in the "comparative safety of nightmare fantasy". Possible futuresPossible events in the future as suggested by science fiction:
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CategoriesAlternate history · Atlantis in fiction · Dystopian fiction · Fairy tales · Fantasy · Ghost stories · Gothic fiction · Horror · Invasion literature · Lists of speculative fiction-related award winners and nominees · Mythopoeia · Science fiction · Secret histories · Speculative fiction · Speculative fiction novels · Speculative fiction portals · Speculative fiction short stories · Speculative fiction writing circles · Utopian fiction · World building On this day...Film releases
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