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The Kinks were an English rock band formed in Muswell Hill, North London, by brothers Ray and Dave Davies in 1964. Categorized in the United States as a British Invasion band, The Kinks are recognized as one of the most important and influential rock acts of the era. Their music was influenced by a wide range of genres, including rhythm and blues, British music hall, folk, and country. The group initially consisted of Ray Davies (lead vocals, rhythm guitar), Dave Davies (lead guitar, vocals), Pete Quaife (bass guitar, backup vocals), and Mick Avory (drums and percussion). The Davies brothers were the only permanent members, with several personnel changes occurring throughout the band's 32 year run. Avory left in 1984, the result of a dispute with Dave Davies, and was replaced on drums by Bob Henrit. John Dalton played bass for part of 1966 after Quaife was injured in a car accident, and joined as a full-time member when Quaife left to set up his own band in 1969. Dalton remained until the late 1970s, when he was replaced by Jim Rodford. The Kinks were accompanied by various keyboardists, most notably Nicky Hopkins (for studio sessions only), from 1965 to 1968, and John Gosling, from 1970 to 1978.
The Kinks first came to prominence in 1964 with their third single, "You Really Got Me", written by Ray Davies. It became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Between the mid-1960s and early 1970s, the group released a string of commercially and critically successful singles and LPs, and gained a reputation for songs and concept albums reflecting English culture and lifestyle, fuelled by Ray Davies' observational writing style. Albums such as Face to Face, Something Else, The Kinks Are the Village Green Preservation Society, Arthur, Lola versus Powerman and the Moneygoround, and Muswell Hillbillies, along with their accompanying singles, are considered among the most influential recordings of the period. The band's subsequent theatrical concept albums met with less success, but the band experienced a revival during the new wave era—groups such as The Jam, The Knack, and The Pretenders covered their songs, helping to boost The Kinks' record sales. In the 1990s, Britpop acts such as Blur and Oasis cited the band as a major influence. The Kinks broke up in 1996, a result of the commercial failures of their last few albums and creative tension between the Davies brothers.
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Lola Versus Powerman and the Moneygoround, Part One, alternatively titled Kinks Part One: Lola Versus Powerman and the Moneygoround, is a concept album by British rock band The Kinks, recorded and released in 1970.
The album is a satirical look at the various facets of the music industry, including song publishers ("Denmark Street"), unions ("Get Back in Line"), the press and the hit-making machine ("Top of the Pops"), accountants and business managers ("The Moneygoround") and the road ("This Time Tomorrow"). Musically, Lola Versus Powerman is varied, contrasting gentle ballads like "Get Back in Line" and "A Long Way From Home" against hard rock songs like "Rats" and "Powerman", with "Denmark Street" and "The Moneygoround" paying homage to the English music hall tradition.
It came during a period of transition for the band, as not only members of their lineup changed, but their look and musical style changed as well. It was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making Lola Versus Powerman and the Moneygoround a "comeback" album. It contained two hit singles, "Lola", which reached the top 10 in the US and UK, and "Apeman", which peaked at number five in the UK.
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"You Really Got Me" is a rock song written by Ray Davies and performed by his band, The Kinks. It was released as the group's third single, in August 1964, and reached Number 1 on the UK singles chart the following month, staying there for two weeks. It was the group's breakthrough hit, and established them as one of the top British Invasion acts in the United States, reaching Number 7 there later in the year. It was later included on the Kinks' debut album, The Kinks. The Rolling Stone magazine placed the song at number 82 on their list of list of the 500 greatest songs of all time and at number 4 on their list of the "The 100 Greatest Guitar Songs of All Time". In early 2005, the song was voted the best British song of the 1955-1965 decade in a BBC radio poll. In March 2005, Q magazine placed it at number 9 in its list of the 100 Greatest Guitar Tracks. In 2009 it was named the 57th Greatest Hard Rock Song by VH1.
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