Portal:Theatre
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Theatre (Greek "theatron"), enjoys the distinction of two spellings: in British English, "theatre" and in American English, "theater". There is no technical distinction between the meanings of the two spellings, however most theatre artists prefer the English spelling because it creates a historical nod to the ancient Greek term theatron. Some also use the American spelling to designate a theatre building and the English term to reference the art itself, as in the "art of theatre."
Theatre is that branch of the performing arts concerned with the creation of stories or narratives for (or with) an audience using combinations of acting, speech, gesture, music, dance, object manipulation, sound and spectacle — indeed, any one or more elements of the other performing arts. In addition to standard narrative dialogue style, theatre takes such forms as opera, musicals, ballet, mime, kabuki, classical Indian dance, Chinese opera, mummers' plays, and pantomime.
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Sylvia is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. Sylvia is a typical classical ballet in many respects, yet it has many interesting features which make it unique. Sylvia is notable for its mythological Arcadian setting, creative choreographies, expansive sets, great influence on the arts and, above all, its remarkable score. The ballet's origins are in Tasso's 1573 poem "Aminta," which describes the basic plot of Delibes' work. Jules Barbier and Baron de Reinach adapted this for the Paris Opera. This piano arrangement was composed in 1876 and the orchestral suite was done in 1880. When Sylvia premiered on June 14, 1876 at the Palais Garnier, it went largely unnoticed. In fact, the first seven productions of Sylvia were not successful. It was the 1952 revival, choreographed by Sir Frederick Ashton, that popularized the ballet.
Featured pictureLithograph of the Assassination of Abraham Lincoln. From left to right: Henry Rathbone, Clara Harris, Mary Todd Lincoln, Abraham Lincoln, and John Wilkes Booth. In this month
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Anton Chekhov was a Russian physician, short story writer, and playwright. His brief playwriting career produced four classics of the repertoire, while his best short stories are held in high esteem by writers and critics. Chekhov practised as a doctor throughout his literary career: "Medicine is my lawful wife," he once said, "and literature is my mistress". Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov’s last two plays, The Three Sisters and The Cherry Orchard. These four works present a special challenge to an acting ensemble, and they also challenge audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text". Not everyone appreciated that challenge: Leo Tolstoy reportedly told Chekhov, "You know, I cannot abide Shakespeare, but your plays are even worse". Tolstoy did, however, admire Chekhov's short stories. Chekhov had at first written stories only for the money, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later exploited by Virginia Woolf and other modernists, combined with a disavowal of the moral finality of traditional story structure.
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