Prince of Darkness (film)
|Prince of Darkness|
Theatrical release poster
|Directed by||John Carpenter|
|Produced by||Larry J. Franco|
|Written by||John Carpenter
(as Martin Quatermass)
|Music by||John Carpenter
|Cinematography||Gary B. Kibbe|
|Distributed by||Universal Studios
|Running time||102 minutes|
Prince of Darkness is a 1987 horror film directed, written and scored by John Carpenter. The film is the second installment in what Carpenter calls his "Apocalypse Trilogy", which began with The Thing (1982) and concludes with In the Mouth of Madness (1995).
A priest (Donald Pleasence) invites Professor Howard Birack (Victor Wong) and his students to join him in the basement of an abandoned Los Angeles church. He requires their assistance in investigating a mysterious cylinder containing a swirling green liquid. Among those present is Brian Marsh (Jameson Parker), a student in theoretical physics.
They decipher text found next to the cylinder which describes the liquid as the corporeal embodiment of the Anti-Christ. The liquid appears sentient, and broadcasts increasing complex streams of data. The academics use a computer to analyze the data, and find that it includes differential equations. Over a period of two days, small jets of liquid escape from the cylinder. Members of the group exposed to the liquid become possessed by the entity, which uses them against the others. Attempts to escape the building are thwarted by a mass of possessed street people who surround the building and barricade the doors from the outside. Two members of the research group are killed.
Birack and the priest theorize that the being within the cylinder is actually the offspring of an even more powerful force of evil, the "Anti-God", who is bound to the realm of anti-matter. The survivors find themselves sharing a recurring dream (apparently a tachyon transmission sent as a warning from the future year "one-nine-nine-nine") showing a shadowy figure emerging from the front of the church. The hazy transmission changes slightly with each occurrence of the dream, revealing progressively more detail. The narration of the transmission each time instructs the dreamer that they are witnessing an actual broadcast from the future, and they must prevent this possible outcome.
Eventually, the cylinder opens and the remaining liquid is absorbed into the body of student Kelly (Susan Blanchard), who transforms into the physical vessel of the Anti-Christ: a gruesomely disfigured being, with powers of telekinesis and regeneration. The Anti-Christ attempts to summon the Anti-God through a dimensional portal using a mirror, but the mirror is too small and the effort fails.
While the rest of the team is occupied fighting the possessed, Kelly finds a larger wall mirror and draws the Anti-God's hand through it. Marsh's lover, Catherine Danforth (Lisa Blount), is the only one free to act: she tackles Kelly, causing both of them to fall through the portal. The priest shatters the mirror, trapping Kelly, the Anti-God, and Danforth in the other realm. Danforth is seen briefly on the other side of the mirror reaching out to the portal before it closes. Immediately the possessed die, the street people wander away, and the survivors are rescued.
Marsh has the recurring dream again, except now Danforth, apparently possessed, is the figure emerging from the church. Marsh awakens and finds Danforth, gruesomely disfigured, lying in bed with him. This is still part of his dream, however, and he awakens screaming. Rising, he approaches his bedroom mirror, hand outstretched.
- Donald Pleasence as Priest
- Victor Wong as Professor Howard Birack
- Jameson Parker as Brian Marsh
- Lisa Blount as Catherine Danforth
- Dennis Dun as Walter
- Susan Blanchard as Kelly
- Anne Howard as Susan
- Ann Yen as Lisa
- Ken Wright as Lomax
- Dirk Blocker as Mullins
- Jessie Lawrence Ferguson as Calder
- Peter Jason as Dr. Leahy
- Robert Grasmere as Frank Wyndham
- Thom Bray as Etchinson
- Alice Cooper as Street Schizo
The movie was filmed in Los Angeles, California in 30 days. Carpenter became inspired while researching theoretical physics and atomic theory. He recalled, "I thought it would be interesting to create some sort of ultimate evil and combine it with the notion of matter and anti-matter." This idea, which would eventually develop into the screenplay for Prince of Darkness, was to be the first of a multi-picture deal with Alive Pictures, where Carpenter was allocated $3 million per picture and complete creative control.
Executive producer Shep Gordon was also manager to singer Alice Cooper, and suggested Cooper record a song for the picture. Carpenter also cast Cooper as one of the homeless zombies. Cooper allowed the "impaling device" from his stage show to be used in the film in the scene where Cooper's character kills Etchinson. The song Cooper wrote for the film, also titled "Prince of Darkness", can be heard briefly in the same scene playing through Etchinson's headphones.
Carpenter cast people that he had worked with previously, including Victor Wong and Donald Pleasence. It was Peter Jason's first film for Carpenter, and would afterward become a Carpenter regular.
The film was shot with wide-angle lenses, which combined with anamorphic format to create a lot of distortion.
Carpenter wrote the screenplay but was credited as "Martin Quatermass", which along with the name of Professor Birack's institution ("Kneale University") was an homage to British film and television writer Nigel Kneale and his best-known character, Bernard Quatermass. The story features elements associated with Kneale, including a confrontation with ancient evil (Quatermass and the Pit and The Quatermass Conclusion), messages from the future (The Road), and the scientific investigation of the paranormal (The Stone Tape). Kneale was displeased with the homage, fearing that viewers might believe that he had something to do with the film. He had written the original screenplay for the 1982 film Halloween III: Season of the Witch for Carpenter, but he insisted that his name be removed from the credits after director Tommy Lee Wallace made extensive changes to the script without his approval.
Carpenter returned to the idea of ancient clerical secrets in Vampires.
The poster for Prince of Darkness was created and designed by Henry Rosenthal, who worked for print production vendor Rod Dyer.
Prince of Darkness was poorly received critically upon release. In his review for the Washington Post, Richard Harrington wrote, “At one point Pleasence vows that 'it's a secret that can no longer be kept.' Here's another: 'The Prince of Darkness stinks.' It too deserves to be shut up in a canister for 7 million years". Liam Lacey, in his review for the Globe and Mail, wrote, “There is no character really worth caring about, no sympathy to any of these characters. The principal romantic couple, Jameson Parker and Lisa Blount, are unpleasant enough to create an unfortunate ambivalence about their eternal destinies”. In his review for the New York Times, Vincent Canby called the film a "surprisingly cheesy horror film to come from Mr. Carpenter, a director whose work is usually far more efficient and inventive." The movie currently holds a 57% rating on Rotten Tomatoes based on 23 reviews. In Leonard Maltin's annual publication "TV Movie Guide," the film is given a "BOMB" rating. In 2004, Jim Emerson wrote that Prince of Darkness was an undervalued horror film: "What makes me goose-pimply about Prince of Darkness is its goofy-but-ingenious central conceit and its truly Surrealistic imagery, some of which could have sprouted out of Buñuel and Dali's Un Chien Andalou."
In 1988 the film was nominated for a Saturn Award for best music, and won the Critics Award at the Avoriaz Fantastic Film Festival.
On 24 September 2013, the film was released by Shout Factory! as a Blu-ray Disc/DVD combo pack as part of the Scream Factory line up.
Like most of Carpenter's films, Prince of Darkness went on to have a cult following.
- Boulenger, pp. 201
- Boulenger, pp. 204
- Murray, Andy (2006). Into the Unknown: The Fantastic Life of Nigel Kneale (paperback). London: Headpress. p. 158. ISBN 1-900486-50-4.
- Harrington, Richard (October 28, 1987). "Darkness: Let Satan Sleep". Washington Post. pp. D15.
- Lacey, Liam (October 26, 1987). "After Starman, Prince is painful". Globe and Mail.
- Canby, Vincent (October 23, 1987). "Prince of Darkness". New York Times. p. 26.
- Emerson, Jim (October 14, 2004). "The critics were horrified!!!! 4 undervalued scary movies on DVD". RogerEbert.com. Retrieved 2011-01-12.
- Boulenger, Gilles (2003). John Carpenter Prince of Darkness. Los Angeles: Silman-James Press. ISBN 1-879505-67-3.
- Prince of Darkness at the Internet Movie Database
- Prince of Darkness at AllMovie
- Prince of Darkness at Box Office Mojo
- Prince of Darkness at Rotten Tomatoes
- Prince of Darkness at theofficialjohncarpenter.com
- Prince of Darkness at Trailers from Hell