|Princess Ozma of Oz|
|First appearance||The Marvelous Land of Oz (1904)|
|Created by||L. Frank Baum|
|Aliases||Tippetarius or Tip|
|Gender||Female (as Ozma)
Male (as Tip)
|Occupation||Supreme ruler of Oz|
|Title||Queen (officially), Princess (more commonly)|
|Family||Pastoria (father) Lurline (mother) Ozana (first cousin) Ozga (cousin) Mist Maidens (cousins)|
|Children||N/A, though Jack Pumpkinhead thinks of himself as her son|
|Relatives||Queen Lurline's fairy band; L. Frank Baum said she descends from a long line of fairy queens|
She is the rightful ruler of Oz, and Baum indicated that she would reign in the fairyland forever, being immortal.
Baum described her physical appearance in detail, in The Marvelous Land of Oz: "Her eyes sparkled as two diamonds, and her lips were tinted like a tourmaline. All adown her back floated tresses of ruddy gold, with a slender jeweled circlet confining them at the brow." As originally illustrated by John R. Neill, she fit this description; however, in most subsequent Oz books, Ozma's hair became darker.
The classic books
While still an infant, Ozma, the baby daughter of the former King Pastoria of Oz, was given to the witch Mombi of the north by the Wizard of Oz. Mombi transformed Ozma into a boy and called him "Tip" (short for Tippetarius) in order to prevent the rightful ruler of Oz from ascending to the throne. Thus, Ozma spent her entire childhood with Mombi in the form of the boy Tip, and had no memory of ever having been a girl. During this time, Tip had managed to create Jack Pumpkinhead who was brought to life by Mombi's Powder of Life. In The Marvelous Land of Oz, Glinda the Good Sorceress discovered what had happened and forced Mombi to turn Tip back into Ozma; ever since then, the Princess has possessed the Throne of Oz (although many realms within Oz remained unaware of her authority).
In some of his last Oz books, namely The Tin Woodman of Oz and Glinda of Oz, L. Frank Baum indicated that Ozma has the appearance of a fourteen-year-old, and is therefore older than Dorothy Gale. By that point in time, Baum had also established that the inhabitants of Oz ceased to age, suggesting that Ozma would always appear to be a beautiful young girl.
Baum was not inclined to worry about strict continuity in his series, however, and so there were discrepancies in the origins and very nature of Ozma. In her initial appearances, she was portrayed as no more than a human princess, born shortly before the Wizard's arrival in Oz. Later in the series, Baum revealed that Ozma is actually a fairy, descending from "a long line of fairy queens" as per The Scarecrow of Oz. In The Magic of Oz, Glinda tells Dorothy that no one knows how old Ozma really is. And in Baum's final book, Ozma herself explains that she was in fact a member of the Fairy Queen Lurline's band when Lurline enchanted Oz and turned it into a fairyland.
Jack Snow attempted to reconcile Baum's disparate accounts in The Shaggy Man of Oz, which explains that the Fairy Queen Lurline had left the infant Ozma in the care of King Pastoria, making the Princess the adopted daughter of the last King of Oz. This does not gel with the version of Ozma's story which says she is an ageless fairy who has ruled Oz for centuries.
Ozma frequently encounters difficulties while ruling her kingdom. In The Lost Princess of Oz, for instance, the Fairy Princess is kidnapped, although her dearest friend Dorothy Gale comes to her rescue with a search party. Both Dorothy and Ozma are captured by the wicked Queen Coo-ee-oh in Glinda of Oz, while trying to stop a war between two races, but Glinda the Good Witch manages to save them with the help of the Three Adepts at Sorcery. In order to circumvent trouble, Ozma prohibits anyone other than the Wizard of Oz and Glinda from practicing magic in Oz unless they have a permit.
L. Frank Baum portrayed Ozma as an exceedingly benevolent and compassionate ruler, who never resorts to violence and who does not believe in destroying even her worst enemies. In Ozma of Oz, she even left Oz in order to rescue the Royal Family of Ev from the clutches of the Nome King, demonstrating that her kindness and concern extends far beyond her own kingdom. When the Nome King tried to conquer and destroy Oz in revenge, Ozma insisted on maintaining a pacifist disposition, which led to the Scarecrow's suggestion that Ozma's enemies be made to forget about their wicked intentions by drinking from the Fountain of Oblivion.
Furthermore, Ozma discontinued the use of money in Oz, and took systematic measures to ensure that all the citizens of Oz receive the land's resources in equal measure, without having to work harder than necessary.
According to the timeline of The Road to Oz, Ozma's birthday falls on the 21st day of the month of August.
Relationship with Dorothy
Ozma spent ten years as a boy and then became a girl. When she met Dorothy she immediately loved Oz's greatest heroine and by the sixth book she arranges, at Dorothy's request, for Dorothy and her family to move into the castle where the two end a lot of time walking hand in hand in the garden. In "The Lost Princess of Oz" the first page mentions that she loves Dorothy very much and by page two says that Dorothy is the only one allowed in Ozma's rooms at any time. The two embrace frequently.
Through the filters of the post-sexual revolution era, some people have tried to put a sexual spin on their relationship. But Dorothy is, ever and always, a child; Baum consistently describes her as a little girl. As for Ozma, though she may be thousands of years old, she chooses to live as a young girl, and in Ruth Plumly Thompson's book Kabumpo in Oz, Ozma declares that she has no interest in romance. To quote the book:
"Ruling the Kingdom of Oz takes almost all of Ozma's time and in any that is left she wants to play and enjoy herself like any other sensible little girl. For Ozma is only a little girl fairy after all."
In a 1914 film created by Baum's film company, The Patchwork Girl of Oz, Ozma, played by Jessie May Walsh, appears briefly to preside over Ojo's trial. At the beginning of this film, as well as Baum's His Majesty, the Scarecrow of Oz, Ozma's smiling countenance (being the face of Vivian Reed) appears.
Shirley Temple, having reportedly been considered for the role of Dorothy Gale in the 1939 movie musical The Wizard of Oz but passed over in favor of Judy Garland, eventually went Garland one better. She portrayed Princess Ozma in a 1960 television production of The Marvelous Land of Oz, in which she also portrayed Tip.
Christopher Passi cameoed as Ozma after portraying Tip for the duration of a filmed stage version of The Marvelous Land of Oz by Thomas W. Olson, Gary Briggle, and Richard Dworsky in 1981 by The Children's Theatre Company and School of Minneapolis.
In the direct-to-video animated short Dorothy meets Ozma of Oz, an abridged but faithful adaptation of the book Ozma of Oz, Ozma's lovely voice is provided by either Nancy Chance or Sandra J. Butcher (the credits do not specify).
Sometime later, Ozma was portrayed by Emma Ridley in 1985's Return to Oz (which was a blending of elements from the books Ozma of Oz and The Marvelous Land of Oz). Ridley fit Baum's original description of Ozma.
In the Japanese animated series The Wonderful Wizard of Oz, Ozma's transformation into Tip was so thorough that, despite bearing almost no physical resemblance whatever to Tip, she is a tomboy for a long while and only well into the last story arc of the series comes into her own as a princess.
Ozma also appears in the Russian animated Adventures of the Emerald City: Princess Ozma (2000) based on The Marvelous Land of Oz as well as in the 1987 Canadian Dorothy Meets Ozma of Oz based on Ozma of Oz and a 2005 direct to video CGI version of The Patchwork Girl of Oz where she is voiced by Lisa Rosenstock.
In Lost in Oz, an unaired 2002 pilot for a WB drama show, Ozma appeared as a young, helpless girl kept eternally young by the Wicked Witch of the West. The main characters of that show rescued her and returned her to the good witch. However, throughout the show, she does not have any lines.
Ozma and Tip
In Windham Classics' adaptation of the Oz books, Tip is made monarch of Oz and no reference at all is made to Ozma.
Jack Snow, Melody Grandy, and Scott Andrew Hutchins have all made divergent attempts to bring Tip back alongside Ozma. Snow's device, which Hutchins followed as if canon, was that Tip seized his life from Ozma, but that Glinda and the Wizard were able to restore them both and make them siblings. Grandy made the characters totally unrelated through the use of a "Switcheroo Spell", with Ozma unrelated to Tippetarius and therefore suitable as a possible love interest. Snow's story, "A Murder in Oz" (1956) was rejected by Ellery Queen's Mystery Magazine and published in The Baum Bugle. Grandy's The Disenchanted Princess of Oz has been published by Tails of the Cowardly Lion and Friends. Hutchins's Tip of Oz, heavily mulling over ideas such as Pastoria-as-tailor and the execution of Mombi in The Lost King of Oz and similar material in The Giant Horse of Oz, received a one-paragraph citation in Eldred v. Ashcroft, and remains unpublished under the Copyright Term Extension Act.
In other works
The character of Ozma has not fared too well in stories conjured by writers who have little or no appreciation for her better qualities.
In the Vertigo comic book series Fables, Ozma appears as one of the magicians and witches led by Frau Totenkinder. She first appears as an unnamed blonde girl, but in a one page comic handed out at the 2009 Comic-Con she is seen to be wearing a belt resembling the Magic Belt from the Oz books and mentions she is "not so young." She is also wearing large flowers in her hair, similar to the depiction of Ozma in the books. Later, in issue #87 (October 2009) Frau Totenkinder actually addresses her as "sweet little Ozma." Later on, she is proven to be Ozma, and to be a powerful enough witch to lead the Fable community's magic-users, after Frau Totenkinder leaves unexpectedly.
Tip makes a cameo appearance In Son of a Witch, the second volume of "The Wicked Years", Gregory Maguire's revisionist take on Oz. Liir (son of Elphaba, the Wicked Witch of the West) briefly encounters Tip and Mombi (the latter unnamed, but with a description matching Baum's and leading the four-horned cow mentioned on the first page of The Marvelous Land of Oz). Tip suggests to Mombi that she sell him to Liir, but Liir replies, "I don't buy children.... I can't save anyone. You have to save yourself."
Tip and Mombi (pointlessly respelled "Mombey" by Maguire) play a larger role In Out of Oz, the fourth and final volume of "The Wicked Years". In Out of Oz, Tip first appears as a runaway in the city of Shiz and is befriended by Rain (daughter of Liir and granddaughter of Elphaba), and flees the city with her. Later, when Liir is abducted by thugs in Mombey's employ (and transformed into an elephant), Tip returns to Mombey hoping to secure Liir's release. Near the novel's conclusion, Tip and Rain are reunited and have just finished making love while Mombey performs a spell called "To Call the Lost Forward", in order to return Liir to his proper form; the spell inadvertently also returns Tip to his true form (Ozma) and restores Rain's natural green skin. Although the circumstances of the spell are quite different from those in The Marvelous Land of Oz, details of it closely resemble Baum's description and the illustration of Mombi's spell by John R. Neill. In Maguire's version of Oz, Mombey has kept Ozma in the form of the boy Tip for almost a century.
|Monarch of Oz||Succeeded by