Priyadarshan

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Priyadarshan
Portrait of Prolific Filmmaker Priyadarshan.jpg
Born Priyadarshan Soman Nair
(1957-01-30) 30 January 1957 (age 57)
Thiruvananthapuram, Kerala, India
Residence Chennai, Tamil Nadu, India
Nationality Indian
Ethnicity Keralite / Malayalee
Citizenship India
Alma mater Model School
University College
Occupation Film director, screenwriter, producer
Years active 1984 – present
Spouse(s) Lizy
Parents K. Soman Nair
Rajamma

Priyadarshan Soman Nair is an Indian film director, producer, and screenwriter. In a career spanning almost three decades, Priyadarshan has directed over 80 films in several Indian languages predominantly in Malayalam and Hindi languages, besides making 4 films in Tamil and 2 films in Telugu. Though he began his career in Malayalam cinema in 1984, Priyadarshan has been mainly active in Hindi cinema for 2001-2010. However, in 2013, he announced Rangrezz would be his last Hindi film for a while; and he is shifting focus to Malayalam Cinema.[1]

Best known for his comedy films, Priyadrshan has also tried his hand at action and thriller films from time to time. His collaborations with Mohanlal were highly popular in Malayalam cinema during the 1980s and 1990s, with films such as Poochakkoru Mookkuthi, Mazha Peyyunnu Maddalam Kottunnu, Thalavattam, Vellanakalude Nadu, Chithram, Vandanam, Kilukkam, ;Abhimanyu, Mithunam, Thenmavin Kombath, and Kala Pani. Actors he has worked with over several films include Kuthiravattam Pappu, Jagathy Sreekumar, Nedumudi Venu, Sreenivasan, Sukumari, Mukesh and Mammukoya.

Priyadarshan was one of the first directors in India to introduce rich color grading, clear sound and quality dubbing through his early Malayalam films. Upon entering Bollywood, he has mostly adapted stories from popular comedy films from Malayalam cinema, some from his own work and some from others. These include Hera Pheri, Hungama, Hulchul, Garam Masala, Bhagam Bhag, Chup Chup Ke, Dhol, and Bhool Bhulaiyaa. Actors he has worked with multiple times in Hindi cinema include Tabu, Paresh Rawal, Akshay Kumar, Akshaye Khanna, and Suniel Shetty.

In 2007, his Tamil film Kanchivaram won the National Film Award for Best Feature Film. The government of India honoured him by giving the Padma Shri in 2012 for his contribution towards the arts.[2]

Personal life[edit]

Priyadarshan fell in love with the famous film actress Lizy and got married in December 13, 1990.[3] After marriage, Lizy gave up acting and adopted the name Lakshmi for religious reasons.[4] After the birth of their son, Lizzy adopted the Hindu religion from Arya Samaj. Their daughter Kalyani is studying in New York and her son Siddharth is studying in San Francisco.[5]

Childhood and film debut[edit]

Born in Thiruvananthapuram, Kerala, Priyadarshan received his education at Government Model School and obtained an M.A. in Psychology from University College, Thiruvananthapuram. As the son of a college librarian, he was a voracious reader during his teenage years, and he started writing short plays and skits for Akashavani during his college days. He was influenced by the films of director P. Venu. His friends in those days included Mohanlal, M. G. Sreekumar, Suresh Kumar, Sanal Kumar, Jagadish, Maniyanpilla Raju and Ashok Kumar. It was then that Mohanlal got into movies. His friends followed him to Chennai, looking for a chance in movies. Priyadarshan, with the help of Mohanlal, got a few chances to work as assistant scriptwriter in a couple of movies and started writing scripts, with some turning into hits. Eventually, he had to come back to Kerala.[6]

In 1984, Priyadarshan, along with his close friends Suresh Kumar and Sanal Kumar, decided to produce a film as Shankar, the saleable hero, helped them in arranging finance from Thiruvenkadam, a top film financier. Mohanlal, who was by then a popular star, was selected as the parallel hero along with Shankar. Thus in 1984, Priyadarshan made his debut as director with Poochakkoru Mookkuthi, which was a surprise hit. A slapstick comedy film shot on a low budget, it completed a successful run of 100 days in Kerala theatres.

From 1984 to 1987[edit]

Priyan continued his fine form for slapstick comedy with the successful Odaruthammava Aalariyam and he later made Onnanam Kunnil Oradi Kunnil and the Mammootty-Shankar family thriller Parayanumvayya Parayathirikkanumvayya. Then he made Punnaram Cholli Cholli, his first film without Mohanlal. His successful stinct continued with Boeing Boeing and Aram + Aram = Kinnaram, both doing wonderful business. He was later criticised for making Rakkuyilin Ragasadassil, a film which was supposed to be made with Shankar and Menaka and many said the lead pair Mammootty & Suhasini was miscast and in spite of hit songs, the film flopped. But Mazha Peyyunnu Maddalam Kottunnu, Ayalvasi Oru Daridravasi and Dheem Tharikida Thom became hits underlining his consistency. Priyan was accepted as a serious director with the highly successful tragic family drama Thalavattam. His Tamil entry was unlucky as the film Chinnamanikkuyile remained unreleased, nevertheless his Cheppu was a success.

From 1988 to 1998[edit]

1988 was a landmark year in Priyadarshan's career. He directed Vellanakalude Nadu, based on a script by Sreenivasan, with Mohanlal in the leading role. This film revolved around corruption, land mafia and other social issues. This film ended up becoming the biggest hit in Priyadarshan's career to that point. Then came Aryan, an action film based on the Mumbai underworld, which completed 150 days in theatres. Chithram, Priyadarshan's all-time biggest hit, was also released in 1988. Chithram completed 405 days in theatres and created new records in collections, until they were broken by Kilukkam in 1991. Oru Muthassi Katha and Mukunthetta Sumitra Vilikkunnu completed his 5 releases of 1988. However, he could n't deliver hits in 1990 with Kadathanadan Ambadi and Akkareyakkareyakkare. In the year 1991, Priyadarshan brought out Kilukkam, loosely based on Roman Holiday, with Mohanlal, Jagathi Sreekumar and Revathi in lead roles. Kilukkam broke several collection records and is still considered one of the best films from the Priyadarshan-Mohanlal team. His next three films, Abhimanyu (1991), Advaitham (1992), and Thenmavin Kombathu (1994) successfully completed 100 days in theatres. Both Midhunam (1993) and Minnaram (1994) were able to make good response in cinemas. Meanwhile, Priyadarshan was invited by Shri. M. Karunanidhi to direct a film for his son's production house. Priyadarshan thus made his Tamil debut with Gopura Vasalile . In 1991 he also made a Telugu film Nirnayam when Nagarjuna approached him to remake his Malayalam film Vandanam in Telugu. In the year 1992, Priyadarshan made his debut in Bollywood with Muskurahat, again remake of his own Malayalam film Kilukkam which ended up as a disastrous flop. In 1993, he made a comeback in Hindi with Gardish, an adaptation of the Malayalam film Kireedom, written by A. K. Lohithadas. Priyadarshan successfully added ingredients required for Hindi audiences and the film was a huge hit, opening the doors of Bollywood to him. In 1994, Priyadarshan directed his second and last Telugu film till date, Gandeevam, starring Balakrishna. He was also assigned the direction of the Miss World 1996 event that was held in Banglore, which made him a known face around the country. In 1996, Priyadarshan came up with his dream project, Kalapani, an epic period film based on Indian struggle for Independence. With Mohanlal, Tabu, Prabhu Ganesan and Amrish Puri in main roles and outstanding music by Ilaiyaraja, Kalapani took Priyadarshan's career path to new heights. This film, which was originally filmed in Malayalam, was also dubbed and released in Tamil, Telugu and Hindi simultaneously. Kalapani brought him several awards for the first time in his career. In 1997, Priyadarshan directed two films, Chandralekha in Malayalam and Virasat a Hindi adaptation of Bharathan's Tamil film Thevar Magan, both super hits. The success of Virasat made Priyadarshan a household name in Hindi cinema.

1998 to present[edit]

In the year 1998, Priyadarshan directed three films, Saat Rang Ke Sapne, remake of his own Thenmavin Kombathu, then Doli Saja Ke Rakhna, with story adapted from Fazil's Aniyathi Pravu and Kabhi na Kabhi, but all three bombed at the box office. Priyadarshan joined with Mammooty after a long gap in 1999 for Megham. During this period Priyadarshan received a couple of offers from Chiranjeevi and Nagarjuna, actors of Telugu industry to direct them; but declined them and moved on to his next Hindi project. In 1999, Hera Pheri was released in Hindi, which for once and all changed the destiny of Priyadarshan in Bollywood. Hera Pheri, an adaptation of the Malayalam film Ramjirao Speaking (1989), was a huge hit at the box office. Starring Sunil Shetty, Akshay Kumar, Tabu and Paresh Rawal, this film is now considered a landmark in the history of Hindi cinema. The film also gave birth to the Priyadarshan-Akshay Kumar team, which in later years produced several hits. After Hera Pheri, Paresh Rawal became another regular face in Priyadarshan films. This film was followed by a series of films in Hindi including Yeh Teraa Ghar Yeh Meraa Ghar, Hungama, Hulchul, Garam Masala, and Kyon Ki. In the year 2000, Priyadarshan directed Snegithiye starring Tabu and Jyothika, with story adapted from the Marathi film Bindhaast, an experimental film with all female characters, which was critically well received. Originally planned to be made in Malayalam as Raakilipattu, the film due to unknown reason released first in Tamil, while the Malayalam as well as the dubbed Hindi version, Friendship, released only seven years later in 2007.[7][8][9] During this period, legendary actor Kamal Haasan was working on his ambitious film, Anbe Sivam. After finishing the script, Kamal Haasan approached Priyadarshan to direct the film. The pre-production commenced; but after some differences of opinion between the director and the actor; Priyadarshan opted out from the project before the first schedule. This sudden setback led to the whole crew to run out of their schedules. Hence, the producers after convincing Kamal Haasan, quickly roped in Sundar.C to direct the film. Priyadarshan's two films in Malayalam, Kilichundan Mampazham and Vettom released in 2003 and 2004 respectively, were commercial disappointments, which made him concentrate more in Bollywood. But at the same time, in Hindi, Priyadarshan continued his successful run with Chup Chup Ke, Bhagam Bhag, Malamaal Weekly, Dhol, Bhool Bhulaiyaa, De Dana Dan and Mere Baap Pehle Aap. But his subsequent films Billu, Bumm Bumm Bole, Khatta Meeta, Aakrosh and Tezz failed to live up to the expectations. His most recent release Rangrezz also failed at the box-office.

In the meantime, Priyadarshan stunned everyone with Kanchivaram, an offbeat film that revolved around the weavers in Kanchipuram. Prakash Raj, who played the central character, won the National Film Award for Best Actor in 2008. Kanchivaram also won accolades at several film festivals.

Priyadarshan returned to Malayalam films directing the Mohanlal starrer, Arabeem Ottakom P. Madhavan Nayarum in Oru Marubhoomikkadha. His last Malayalam film Geethaanjali starring Mohanlal as Dr. Sunny Joseph, became a failure.

Now he is on the way for his upcomming film 'Aamayum Muyalum' a comic thriller starring (Jayasurya, Nedumudi Venu, Innocent, and Pia Bajpayi)

Awards[edit]

Priyadarshan has won awards both from the State and Central government for his movies. His offbeat film Kanchivaram was adjudged the best feature film at the 2007 National Film Awards. He made a multilingual film titled Kaalapani (originally made in Malayalam), which told the story of freedom fighters in the jail at Andaman and Nicobar Islands; it starred Mohanlal, Tabu, Prabhu Ganesan and Amrish Puri, and received four National Film Awards, including awards for Santosh Sivan (cinematography) and Sabu Cyril (art direction).

Civilian Awards

National Film Awards:

Kerala State Film Awards:

Asianet Film Awards:

Jaihind TV Film Awards:

  • 2010 – Jaihind Rajat Mudra Award

Filmography[edit]

References[edit]

External links[edit]