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In computer graphics, procedural generation is generating content algorithmically rather than manually. In video games this means graphic content for a game can be created by the host computer, instead of prerendered artwork being included with the game package.
- 1 Overview
- 2 Contemporary application
- 3 Software examples
- 4 See also
- 5 References
- 6 External links
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The term procedural refers to the process that computes a particular function. Fractals, an example of procedural generation, express this concept, around which a whole body of mathematics—fractal geometry—has evolved. Commonplace procedural content includes textures and meshes. Sound is often procedurally generated as well and has applications in both speech synthesis as well as music. It has been used to create compositions in various genres of electronic music by artists such as Brian Eno who popularized the term "generative music".
While software developers have applied procedural generation techniques for years, few products have employed this approach extensively. Procedurally generated elements have appeared in earlier video games: The Elder Scrolls II: Daggerfall takes place on a mostly procedurally generated world, giving a world roughly twice the actual size of the British Isles. Soldier of Fortune from Raven Software uses simple routines to detail enemy models, while its sequel featured a randomly-generated level mode. Avalanche Studios employed procedural generation to create a large and varied group of tropical islands in great detail for Just Cause. "No Man's Sky," a game being developed by games studio Hello Games is all based upon Procedurally generated elements.
The modern demoscene uses procedural generation to package a great deal of audiovisual content into relatively small programs.
In recent years, there has been an increasing interest in procedural content generation within the academic game research community, especially among researchers interested in applying artificial intelligence methods to the problems of PCG. New methods and applications are presented annually in conferences such as the IEEE Conference on Computational Intelligence and Games and Artificial Intelligence and Interactive Digital Entertainment
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The earliest computer games were severely limited by memory constraints. This forced content, such as maps, to be generated algorithmically on the fly: there simply wasn't enough space to store a large amount of pre-made levels and artwork. Pseudorandom number generators were often used with predefined seed values in order to create very large game worlds that appeared premade.
Perhaps the first game to use a seed to generate the world is Richard Garriott's Akalabeth (1980); by using the same seed number, a player can always return to a given world. The Sentinel supposedly had 10,000 different levels stored in only 48 and 64 kilobytes. An extreme case was Elite, which was originally planned to contain a total of 248 (approximately 282 trillion) galaxies with 256 solar systems each. The publisher, however, was afraid that such a gigantic universe would cause disbelief in players, and eight of these galaxies were chosen for the final version. Other notable early examples include the 1985 game Rescue on Fractalus that used fractals to procedurally create in real time the craggy mountains of an alien planet and River Raid, the 1982 Activision game that used a pseudorandom number sequence generated by a linear feedback shift register in order to generate a scrolling maze of obstacles.
As computer hardware advanced and CDs became able to store thousands of times as much data than was possible in the early 80s, using procedural generation to build large worlds became unnecessary. Game content such as textures and character and environment models are often created by artists beforehand, so to keep the quality of content consistently high.
Storing unique designs in the game's memory, rather than producing multiple objects using similar guidelines allows a variety of detailed models that are each substantially different. However, when each model needs to be designed by hand, a limited number of objects will exist. Some initial approaches to procedural synthesis attempted to solve this problem by shifting the burden of content generation from the artists to programmers who can create code which automatically generates different meshes according to input parameters.
Although sometimes this still happens, what has been recognized is that applying a purely procedural model is often hard at best, requiring huge amounts of time to evolve into a functional, usable and realistic-looking method. Instead of writing a procedure that completely builds content procedurally, it has been proven[by whom?] to be much cheaper and more effective to rely on artist created content for some details. For example, SpeedTree is middleware used to generate a large variety of trees procedurally, yet its leaf textures can be fetched from regular files, often representing digitally acquired real foliage. Other effective methods to generate hybrid content are to procedurally merge different pre-made assets or to procedurally apply some distortions to them.
Supposing, however, a single algorithm can be envisioned to generate a realistic-looking tree, the algorithm could be called to generate random trees, thus filling a whole forest at runtime, instead of storing all the vertices required by the various models. This would save storage media space and reduce the burden on artists, while providing a similar level of immersion to the player. This method would require far more processing power, but since CPUs are constantly increasing in speed this is becoming less of a hurdle.
A different problem is that it is not easy to develop a good algorithm for a single tree, let alone for a variety of species (compare sumac, birch, maple). An additional caveat is that assembling a realistic-looking forest could not be done by simply assembling trees because in the real world there are interactions between the various trees which can dramatically change their appearance and distribution.
In 2004, a PC first-person shooter called .kkrieger was released that made heavy use of procedural synthesis: while quite short and very simple, the advanced video effects were packed into just 96 Kilobytes. In contrast, many modern games have to be released on DVDs, often exceeding 2 gigabytes in size, more than 20,000 times larger. Naked Sky's RoboBlitz used procedural generation to maximize content in a less than 50MB downloadable file for Xbox Live Arcade. Will Wright's Spore also makes use of procedural synthesis.
In 2008, Valve Software released Left 4 Dead, a first-person shooter based on the Source engine that utilized procedural generation as a major game mechanic. The game featured a built-in artificial intelligence structure, dubbed the "Director," which analyzed player statistics and game states on the fly to provide dynamic experiences on each and every playthrough. Based on different player variables, such as remaining health, ammo, and number of players, the A.I. Director could potentially create or remove enemies and items so that any given match maintained an exciting and breakneck pace. Left 4 Dead 2, released in November 2009, expanded on this concept, introducing even more advanced mechanics to the A.I. Director, such as the ability to generate new paths for players to follow according to their individual statuses.
One indie game that makes extensive use of procedural generation is Minecraft. In the game the initial state of the world is mostly random (with guidelines in order to generate Earth-like terrain), and new areas are generated whenever the player moves towards the edges of the world. This has the benefit that every time a new game is made, the world is completely different and will need a different method to be successful, adding replay value.
Another indie game that relies heavily on procedural generation is Dwarf Fortress. Before the player starts a game a whole fantasy world is generated, complete with its terrain, history, notable characters, and monsters.
As in video games, procedural generation is often used in film to rapidly create visually interesting and accurate spaces. This comes in a wide variety of applications.
One application is known as an "imperfect factory," where artists can rapidly generate a large number of similar objects. This accounts for the fact that, in real life, no two objects are ever exactly alike. For instance, an artist could model a product for a grocery store shelf, and then create an imperfect factory that would generate a large number of similar objects to populate the shelf.
MASSIVE is a high-end computer animation and artificial intelligence software package used for generating crowd-related visual effects for film and television. It was developed to automatically generate fighting armies of hundreds of thousands of soldiers for Peter Jackson's The Lord of the Rings films.
Noise is extremely important to procedural workflow in film, the most prolific of which is Perlin noise (though a more recent development that often produces more visually-pleasing results is Simplex noise). Noise refers to an algorithm that generates a patterned sequence of pseudorandom numbers.
- Art of Illusion, an open source and free 3D modeler, has an internal node-based procedural texture editor.
- CityEngine, a procedural 3D modeling software, specialized in city modeling.
- Filter Forge, an Adobe Photoshop plugin for designing procedural textures using node-based editing.
- Grome, popular terrain and outdoor scenes modeler for games and simulation software.
- Houdini, a procedural 3D animation package. A free version of the software is available.
- Softimage, a 3D computer graphics application that allows node-based procedural creation and deformation of geometry.
- SpeedTree, a middleware product for procedurally generating trees.
- Terragen, a landscape generation software. Terragen 2 permits procedural generation of an entire world.
Games that use procedural generation
- The Sentinel (1986) - Used procedural generation to create 10,000 unique levels.
- Darwinia (2005) - Has procedural landscapes that allowed for greatly reduced game development time.
Space simulations with procedural worlds and universes
- Elite (1984) - Everything about the universe, planet positions, names, politics and general descriptions, is generated procedurally; Ian Bell has released the algorithms in C as Text Elite.
- Exile (1988) - Game levels were created in a pseudorandom fashion, as areas important to gameplay were generated.
- Frontier: Elite II (1993) - Much as the game Elite had a procedural universe, so did its sequel.
- Mankind (1998) - a MMORTS where everything about the galaxy, systems names, planets, maps and resources is generated procedurally from a simple tga image.
- Fuel (2009) - Generates an open world through procedural techniques
- GRID 2 (2013) - Features a system dubbed "LiveRoutes" that dynamically changes the track by changing the corner layout on a given circuit lap-by-lap.
- Cube World - Often compared to Minecraft for procedurally generated voxel worlds explored by players, containing randomly generated dungeons, including underground caverns and over-world castles, as well as separate biomes such as grasslands, snowlands, deserts, and oceans.
- Captive (1990) - Generates (theoretically up to 65,535) game levels procedurally
- Diablo (1996) and Diablo II (2000) - Both use procedural generation for level design.
- Dwarf Fortress - Procedurally generates a large game world, including civilization structures, a large world history, interactive geography including erosion and magma flows, ecosystems which react with each other and the game world. The process of initially generating the world can take up to half an hour even on a modern PC, and is then stored in text files reaching over 100MB to be reloaded whenever the game is played.
- Gauntlet (2014) 
- roguelike games are popular for using procedural generation.
Large procedurally generated worlds
- Minecraft - The game world is procedurally generated as the player explores it, with the full size possible stretching out to be nearly eight times the surface area of the Earth before running into technical limits.
- Starbound - The game's procedural generation will allow players to explore over four hundred quadrillion unique planets, as well as find procedurally generated weapons and armor.
- Noctis (2000)
- .kkrieger (2004)
- Synth (video game) (2009) - 100% procedural graphics and levels
Games with miscellaneous procedural effects
- The Elder Scrolls III: Morrowind (2002) - Water effects are generated on the fly with procedural animation by the technique demonstrated in NVIDIA's "Water Interaction" demo.
- Galactic Arms Race (2010) - Evolves unique particle system weapons based on past player choices using a custom version of the NEAT evolutionary algorithm.
||This "see also" section may contain an excessive number of suggestions. Please ensure that only the most relevant suggestions are given and that they are not red links, and consider integrating suggestions into the article itself. (November 2014)|
- Emergent gameplay
- Artificial Creativity
- Procedural modeling
- Procedural texture
- Procedural animation
- Scenery generator
- Cellular automata
- Display hack
- Digital morphogenesis
- Perlin noise
- Simplex noise
- Random map
- Random dungeon
- Generative Modelling Language
- Generative art
- Synth video game
- Shape grammar
- Fractal landscape
- Diamond-square algorithm
- Iterated function system
- "How does one get started with procedural generation?". stack overflow.
- Brian Eno (June 8, 1996). "A talk delivered in San Francisco, June 8, 1996". inmotion magazine. Retrieved 2008-11-07.
- Maher, Jimmy (2011-12-18). "Akalabeth". The Digital Antiquarian. Retrieved 9 July 2014.
- Francis Spufford (October 18, 2003). "Masters of their universe". Guardian.
- Ian Bell's Text Elite Page
- The Frontier Galaxy
- Jim Rossignol (February 24, 2009). "Interview: Codies on FUEL". rockpapershotgun.com. Retrieved 2010-03-06.
- Hernandez, Patricia (July 18, 2013). "I Can't Stop Playing Cube World". Kotaku. Retrieved July 19, 2013
- Nutt, Christian (2014-05-21). "'Roguelikes': Getting to the heart of the it-genre". Gamasutra. Retrieved 2014-08-30.
- "NVIDIA Water Interaction Demo". NVIDIA. 2003. Retrieved 2007-10-08.
- "Galactic Arms Race : Evolving the Shooter", Game Developer Magazine, April 2010.
- "Experimental Video Game Evolves Its Own Content".
- The Future Of Content - Will Wright keynote on Spore & procedural generation at the Game Developers Conference 2005. (registration required to view video).
- Ken Perlin's Discussion of Perlin Noise
- Procedural Content Generation Wiki: a community dedicated to documenting, analyzing, and discussing all forms of procedural content generation.
- Procedural Trees and Procedural Fire in a Virtual World: A white paper on creating procedural trees and procedural fire using the Intel Smoke framework
- A Real-Time Procedural Universe a tutorial on generating procedural planets in real-time
- Search-based procedural content generation: a taxonomy and survey