Proper Cantonese pronunciation
||This article may be expanded with text translated from the corresponding article in the Chinese Wikipedia. (June 2011)|
||This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (December 2008)|
- Jyutping is used as the pronunciation guide in this article
From year 1980s onwards, the proper Cantonese pronunciation has been much promoted in Hong Kong, with the scholar Richard Ho as its iconic campaigner. The very idea of "proper" pronunciation of Cantonese Chinese is very controversial, since there is no such a thing as "mispronunciation" in descriptive linguistics.
Origins and influences
The promotion of "proper" Cantonese Chinese pronunciation is partly a reaction to the so-called "lazy sound" (懶音 laan5 jam1) adopted by the younger generations. The "lazy" pronunciations, or sound changes include:
- merge of initial n- and l-, for example, pronouncing 男 (naam4) as 藍 (laam4)
- merge of initial ng- and dark-toned null/glottal onsets, for example, pronouncing 愛 (oi3) as ngoi3
- loss of initial ng- on light-toned words, for example, pronouncing 我 (ngo5) as o5
- omission of the labialisation -w- of gw- or kw-, for example, pronouncing 國 (gwok3) as 角 (gok3)
- confusing the final consonants -k and -t, for example, pronouncing 塞 (sak1) as 失 (sat1).
- confusing the final consonants -n and -ng, for example, pronouncing 冷 (laang5) as 懶 (laan5)
- confusing the vowelized consonants m and ng, for example, pronouncing 吳 (ng4) as 唔 (m4)
TV and radio programs, including game shows, have been made to promote the proper pronunciation. The campaign has also influenced the local media. Some news reporters and masters of ceremonies in Hong Kong have adopted the "proper" pronunciations.
The "proper" readings promoted by Richard Ho are based on the fanqie spelling of Guangyun, an ancient rime dictionary reflecting the sounds of Middle Chinese. Ho states that, Cantonese Chinese phonology being the descendant of the Guangyun system, there are highly regular correspondences between the sounds of Middle Chinese and those of modern Cantonese Chinese. He also holds that the "flat" (平) and "sharp" (仄) tonal distinction in Middle Chinese is the most important feature from which modern Cantonese Chinese should not deviate, especially when reciting ancient literature (Ho 1995:151). He allows exceptions in some cases of colloquial speech, but not in any cases in reading ancient literature (ibid. 152).
Ho's approach to pronunciation is prescriptive. For instance, talking about the "wrong" pronunciation of final consonants of the youth, he says:
|“||In general, today's youth pronounce the final consonants in the wrong way because they have since childhood imitated unconsciously the wrong pronunciations of the broadcasters and artists, and those of their seniors and friends. Fortunately, there are still some families who insist on proper pronunciation. Therefore, the wrong pronunciations have not spreaded (sic) to the whole society, and there is still a ray of hope to right the wrongs. (現在，一般年輕人錯誤的韻尾發音，主要是從小不自覺模仿播音員、藝員、長輩或朋輩的錯誤發音所造成的。幸好有些家庭堅守發音要正確的原則，這種錯誤發音才不至於擴散到整個社會，使撥亂反正仍有一線希望。) (Ho 2001:33)||”|
He expresses his attitude towards sound changes, when talking about the gradual merge of [n-] and [l-] initials in Cantonese Chinese:
|“||Regarding sound changes, we can study them objectively. When the changes are fixed, there is no need to restore them. Now if [n-] and [l-] have already merged, there is nothing we can do about it. But the fact is [n-] has yet to disappear in Cantonese Chinese. More and more people are pronouncing [n-] as [l-] only because of the bad influences of some language teachers and broadcasters, who inadvertently made the mistake. We still can, and should, correct the error. (我們研究語音的變化，可以客觀地研究變化的現象。變化定了，也無須刻意去回復舊觀。所以，如果現在粵音[n-]已和[l-]相混，那也沒辦法。但目前情況卻非如此，[n-]在粵音中並未消失。越來越多人所以把[n-]讀成[l-]，只不過是一些把[n-]讀成[l-]的語文教師和廣播員無意中造成的不良影響而已。現在要改正過來是絕對可以的，也是我們應該盡力去做的。) (Ho 1995:154-155)||”|
A major critic of Ho's approach is Wang Tingzhi. He calls Ho's prescriptive pronunciations "demonic". One of his concerns is that Cantonese Chinese comprises six historical strata, not just the one represented by the Guangyun. (Wang 2005)
Ever since the arguments made around the correct way of pronouncing Chinese characters in Cantonese Chinese, different media companies in China have used their own interpretation of the correct pronunciations when broadcasting.
Hong Kong TV stations
In the year of 1981, Hong Kong TV stations followed the majority rule in terms of the correct pronunciation. At the time, the most common pronunciation for "Time" (Chinese: 時間) was to say the last character with the same pronunciation as the word "time rape" (Chinese: 時姦) in China. The shocking effect from this was realized when kindergarten kids started talking about a show "The friends time" as "The friend's rape time" due to slightly different pronunciations. After that incident, the TV stations started to realize the importance of the correct way of pronouncing characters to avoid misinterpretations.
Effects on Cantonese Chinese pronunciation
Many still argue about the variations in Cantonese Chinese pronunciation across different regions, some are too informal while others have other flaws. It is still a major topic that people discuss to date.
- Richard Ho (1995), 《粤音敎學紀事》 (Records of the Career of My Cantonese Chinese Pronunciation Teaching), Hong Kong: T. T. Ng Chinese Language Research Centre.
- _____(2001), 《粤音自學提綱》 (An Outline for the Self-study of Cantonese Chinese Pronunciation), Hong Kong: Hong Kong Education Publishing Company.
- Wang Tingzhi (2005), 〈請勿謀殺廣東話〉 (‘Please Don't Murder Cantonese Chinese’), Wen Wei Po, October 21, 2005.
- (Chinese) Cantonese Culture Promotion Society, an anti-"proper pronunciation" organization, with related articles criticizing the idea of "proper pronunciation"
- (Chinese) The Association for the Promotion of Proper Cantonese Pronunciation
- (Chinese) A TV show of TVB promoting the "proper" pronunciation and the "proper" characters
- A Chinese Syllabary Pronounced According to the Dialect of Canton  by Wong Shik Ling, a pronunciation guide of Cantonese Chinese championed by Richard Ho