Prophecy Productions

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Prophecy Productions
Founded 1996
Founder Martin Koller
Distributor(s) Soulfood (GER/AT), Alternative Distribution Alliance (US)
Genre Black metal, neofolk, gothic metal
Country of origin Germany
Location Zeltingen-Rachtig, Rhineland-Palatinate, Germany
Official website Prophecy Productions

Prophecy Productions is a German record label located in Zeltingen-Rachtig, founded by Martin Koller in 1996. It proclaims being a "label for eerie emotional music",[1] which roughly comprises artists with a dark metal, black metal, or neofolk background, but a unique and unconventional approach to music.

History[edit]

Since 1993, Martin Koller used the moniker Prophecy for his small, self-operated mail-order business. According to him, the actual birth of Prophecy Productions as a label was the release of the album A Wintersunset... by Empyrium. While this record was intended to be the sole release under the name of Prophecy, the success of it encouraged Koller to continue the label.[2]

Even in the early days, it was obvious that Prophecy took interest in single musicians' entire work and that some of the label's artists felt attached the label. In 1998, for example, Autumnblaze were signed, a new band with musicians from Paragon of Beauty, as well as Sun Of The Sleepless, the side project of Markus Stock from Empyrium. Throughout Prophecy's history, there are many more collaborations of that kind between the label and new projects or bands.

Also in 1998, the place of business was moved from Wittlich to nearby Zeltingen-Rachtig,[3] and a long-term cooperation was decided on with Markus Stock and his recording studio Klangschmiede Studio E to ensure a continuous high standard for Prophecy's music productions. In the same year, Prophecy put out Hallavedet, the first official release by progressive Folk band Tenhi. The Finnish group quickly became one of the most popular artists on Prophecy and is currently (as of December 2014) still signed to the label.

In 1999, Prophecy announced contracts with the established and renowned bands In the Woods... and Bethlehem. Those were two A&R-coups which put significantly more attention on the label and heightened its status.

The next groundbreaking signing was that of Dornenreich in 2000, whose label-debut Her von welken Nächten (2001) ranks amongst the most successful releases in Prophecy's history.[4] Likewise, Dornenreich have stayed loyal ever since and belong to the label's figureheads.

The year 2002 saw Prophecy emerge as a book publisher as well, the first release being the German translation of the book Lords of Chaos by Michael Moynihan and Didrik Søderlind. In 2005, they released the book Looking for Europe, a history of apocalyptic folk by Andreas Diesel and Dieter Gerten. In the meantime, Index Verlag continues the book-publishing business.

In 2003, The Vision Bleak were signed, who have played a major role in the label's history. For their debut The Deathship Has a New Captain, Prophecy succeeded in convincing renowned German actor and voice actor Otto Mellies of a collaboration. The band's second album Carpathia - A Dramatic Poem became one of the biggest sellers for the label.[4] With their third record The Wolves Go Hunt Their Prey, the group entered German Media Control charts for the first time.[5] The following albums Set Sail to Mystery and Witching Hour did this as well.

In 2007, Alcest were signed, who developed into Prophecy's most successful band as years went by. Alcest's ambitious fourth album Shelter was recorded on Iceland with Sigur Rós' producer Birgir Jón Birgisson and features Neil Halstead, leader of Shoegazing-veterans Slowdive, as guest musician. Shelter marks the so-far highest chart entry of a Prophecy-artist (as of Dezember 2014).[6] Amongst multiple entries in Germany, USA, Finland and Norway,[7] Alcest are the only band on the label who not only tour Europe and North America, but also South America, Asia and Australia. Alcest belong to the most prominent representers of Shoegaze metal. Due to their ongoing work with Alcest and groups such as Les Discrets or Lantlôs, Prophecy play a crucial role in this scene.

2010 saw the release of the compilation Whom the Moon a Nightsong Sings on Prophecy's sublabel Auerbach Tonträger as a double album putting together many established and new artists from the field of nature-related Folk music with exclusive songs. This sampler also announced the reunion of Empyrium, who were on temporary hiatus, in the shape of the track The Days Before the Fall.

Eventually, Empyrium put Prophecy into public awareness for the first time due to the label's economic success: In 2011, it was awarded with the so-called Silver Award by European independent label association IMPALA for the first three Empyrium-albums, meaning that they have sold 20.000 copies within Europe each.[8] One year later, Prophecy also received Impala Silver Awards for albums by Dornenreich, The Vision Bleak, Alcest and Sol Invictus.[9]

2014 was the first time Prophecy were featured with two releases simultaneously in the Media Control charts: Empyrium's The Turn of the Tides and 1994 - 2014, a vinyl boxset.[10]

Concept[edit]

On their admission, it is Prophecy's underlying idea to release "wayside atmospheric music which defies categorization."[11] Furthermore, the label is grounded on the three pillars constancy (long term collaborations with its artists, close relations to clients and fans), quality (lush editions with special production, layout and design) and community (multiple cooperations among Prophecy-artists, intimate relationship with fans).[11]

Due to their eye on musical talent and business ethos relying on constancy, Prophecy accompany many of their artists from their first records on and release the musicians' entire work.

Stylistic direction and sub-labels[edit]

Even with their first releases, Prophecy displayed an extraordinary amount of stylistical diversity. Empyrium's A Wintersunset... offered tuneful, romantic Metal with Folk influences, Nox Mortis' Im Schatten des Hasses obscure Doom Metal, Penitent's Melancholia a combination of Dark Wave and Neoclassical dark wave, Oberon's Oberon avantgardistic Pop, and Nærvær's Nærvær psychedelic acoustic music. This diversity and unpredictability have always been cherished by the label and became its trademark. Thanks to its unconventional and selective approach when it comes to signing artists as well as the resulting originality of the music published, Prophecy have grown to be a "quality label"[12][13][14][15] among media and fans alike.

In order to help customers, press and distribution partners to classify Prophecy's stylistically diverse repertoire, the sub-labels Lupus Lounge and Auerbach Tonträger were founded in 2003. While Lupus Lounge primarily is a platform for cooperation with musicians rooted in extreme Metal, Auerbach Tonträger is principally devoted to styles of music that, because of predominantly acoustic arrangements and a more tranquil nature, can be described as contemporary folk in the widest sense of the word.

Even though one can see a focus on unconventional, atmospheric Metal and melancholic, nature-related acoustic music in Prophecy's artist roster, the label's palette encompasses genres such as Progressive Rock, Pop, Indie Rock, Shoegaze, Singer-songwriter, Electronica, Neofolk, Ambient or Neoclassic.

Prophecy Konzertnächte and further live activities[edit]

In 1999, Prophecy Productions organised their first label festival under the name "Prophecy Konzertnacht" (concert night). It took place on November 20 in Leiwen at the river Moselle and featured concerts by Paragon Of Beauty, Nox Mortis and the so-far only one by Sun Of The Sleepless. In May 2001, another batch of concert nights followed in Zweibrücken, Bielefeld and Erfurt, where Dornenreich, Blazing Eternity and Mysterium played. The until now last Prophecy concert night coincided with the label's tenth anniversary in 2006 and took place in Zeltingen-Rachtig. There, Dornenreich gave their first concert in four years, and The Vision Bleak offered one of their rare performances with the classical ensemble The Shadow Philharmonics.

Also, Prophecy has been organising tours since 2001 (for Dornenreich, The 3rd and the Mortal, Antimatter, The Vision Bleak and Bethlehem, amongst others), not to forget impressive one-off concerts of Empyrium in Christuskirche Bochum and Passionskirche Berlin.

Roster[edit]

Current Prophecy Productions bands[edit]

Current Lupus Lounge bands[edit]

Current Auerbach Tonträger bands[edit]

Past Prophecy Productions bands[edit]

See also[edit]

References[edit]

  1. ^ Prophecy Productions homepage. Retrieved 2010-07-13.
  2. ^ metal.de: Article on occasion of Prophecy's tenth anniversary (in German). Retrieved 2010-07-13.
  3. ^ volksfreund.de: "Geburtstag in der 'Plattenfirma'" from Trierischer Volksfreund (in German). Retrieved 2010-07-13.
  4. ^ a b The album has been awarded with an Impala Silver Award in 2012, see vut.de: Impala Sales Award-Preisträger 2012 (in German). Retrieved 2014-12-05.
  5. ^ musicline.de: Chart trace The Vision Bleak (in German). Retrieved 2014-12-05.
  6. ^ musicline.de: Chart trace Alcest (in German). Retrieved 2014-12-05.
  7. ^ en.prophecy.de: Chart successes of Prophecy releases. Retrieved 2014-12-05.
  8. ^ impalamusic.org: IMPALA announces Europe's best selling independent artists. Retrieved 2014-12-05.
  9. ^ vut.de: Impala Sales Award-Preisträger 2012 (in German). Retrieved 2014-12-05.
  10. ^ en.prophecy.de: Empyrium: Double chart entry for "The Turn Of The Tides" and "1994 – 2014" in Germany. Retrieved 2014-12-05.
  11. ^ a b en.prophecy.de: Prophecy label profile. Retrieved 2014-12-05.
  12. ^ lordsofmetal.nl: V/A: Whom the Moon a Nightsong Sings (review). Retrieved 2014-12-05.
  13. ^ musikreviews.de: Klimt1918: Just In Case We’ll Never Meet Again (review) (in German). Retrieved 2014-12-05.
  14. ^ amazon.de: Elend: Winds Devouring Men (customer review) (in German). Retrieved 2014-12-05.
  15. ^ amazon.de: Nucleus Torn: Nihil (customer review) (in German). Retrieved 2014-12-05.

External links[edit]