Psychological novel

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A psychological novel, also called psychological realism, is a work of prose fiction which places more than the usual amount of emphasis on interior characterization, and on the motives, circumstances, and internal action which springs from, and develops, external action. The psychological novel is not content to state what happens but goes on to explain the motivation of this action. In this type of writing character and characterization are more important than usual, and they often delve deeper into the mind of a character than novels of other genres. The psychological novel can be called a novel of the "inner man," so to say. In some cases, the stream of consciousness technique, as well as interior monologues, may be employed to better illustrate the inner workings of the human mind at work. Flashbacks may also be featured. While these three textual techniques are also prevalent in "modernism," there is no deliberate effort to fragment the prose or compel the reader to interpret the text.

The Tale of Genji, written in 11th century Japan, has often been considered the first psychological novel.[1] In the west, the origins of the psychological novel can be traced as far back as Giovanni Boccaccio's 1344 Elegia di Madonna Fiammetta; that is before the term psychology was coined.

The first rise of the psychological novel as a genre is said to have started with the sentimental novel of which Samuel Richardson's Pamela is a prime example.

In French literature, Stendhal's The Red and the Black is often called[citation needed] an early psychological novel. Madame de La Fayette's The Princess of Cleves, dating back to the 17th century, is also considered[citation needed] an early precursor of the psychological novel. The modern psychological novel originated, according to The Encyclopedia of the Novel, primarily in the works of Nobel laureate Knut Hamsun – in particular, Hunger (1890), Mysteries (1892), Pan (1894) and Victoria (1898).[2]

In the literature of the United States, Henry James, Arthur Miller, and Edith Wharton are considered "major contributor[s] to the practice of psychological realism."[3]

References[edit]

  1. ^ Jorge Luis Borges, The Total Library:

    [The Tale of Genji, as translated by Arthur Waley,] is written with an almost miraculous naturalness, and what interests us is not the exoticism — the horrible word — but rather the human passions of the novel. Such interest is just: Murasaki's work is what one would quite precisely call a psychological novel. ... I dare to recommend this book to those who read me. The English translation that has inspired this brief insufficient note is called The Tale of Genji.

  2. ^ Logan, Peter Melville; George, Olakunle; Hegeman, Susan et al., eds. (2011). "Northern Europe". The Encyclopedia of the Novel, A–Li. Blackwell Publishing. p. 583. ISBN 978-1-4051-6184-8. Retrieved 6 February 2012. "The most significant novelist of the Scandinavian countries is Knut Hamsun, who almost singlehandedly created the modern psychological novel through the publication of four works that probe the human subconscious, Sult (1890, Hunger), Mysterier (1892, Mysteries), Pan (1894), and Victoria (1898)." 
  3. ^ N. Baym, et al. Eds. The Norton Anthology of American Literature: Shorter Seventh Edition, New York: W.W. Norton Co. 2008, p. 1697

George M. Johnson. Dynamic Psychology in Modernist British Fiction. Palgrave Macmillan, U.K., 2006.