Pwyll Pendefig Dyfed
|Pwyll Pendefig Dyfed|
|"Pwyll, Prince of Dyfed"|
|Author(s)||Unknown, generally believed to be a scribe from Dyfed.|
|Date||Earliest manuscript dates to 14th century; tale believed to be much older.|
|Subject||First branch of the Mabinogi. The reign of Pwyll, Prince of Dyfed and the birth of Pryderi.|
|Setting||Kingdom of Dyfed, Annwn|
|Personages||Pwyll, Rhiannon, Pryderi, Arawn, Teyrnon, Gwawl, Hyfaidd Hen|
Pwyll Pendefig Dyfed, "Pwyll, Prince of Dyfed," is a legendary tale from medieval Welsh literature and the first of the Four Branches of the Mabinogi. It tells of the friendship between Pwyll, prince of Dyfed, and Arawn, lord of the Otherworld, of the courting and marriage of Pwyll and Rhiannon and of the birth and disappearance of Pryderi. This branch introduces a number of storylines that reappear in later tales, including the alliance between Dyfed and Annwn, and the enmity between Pwyll and Gwawl ap Clud. Along with the other branches, the tale can be found the medieval Red Book of Hergest and White Book of Rhydderch.
Whilst hunting in Glyn Cuch, Pwyll, prince of Dyfed becomes separated from his companions and stumbles across a pack of hounds feeding on a slain stag. Pwyll drives the hounds away and sets his own hounds to feast, earning the anger of Arawn, lord of the otherworldly kingdom of Annwn. In recompense, Pwyll agrees to trade places with Arawn for a year and a day, taking on the lord's appearance and takes his place at Arawn's court. At the end of the year, Pwyll engages in single combat against Hafgan, Arawn's rival, and mortally wounds him with one blow and earns Arawn overlordship of all of Annwn. After Hafgan's death, Pwyll and Arawn meet once again, revert to their old appearance and return to their respective courts. They become lasting friends because Pwyll slept chastely with Arawn's wife for the duration of the year. As a result of Pwyll's successful ruling of Annwn, he earns the title Pwyll Pen Annwfn; "Pwyll, head of Annwn."
Some time later, Pwyll and his noblemen ascend the mound of Gorsedd Arberth and witness the arrival of Rhiannon, appearing to them as a beautiful woman dressed in gold silk brocade and riding a shining white horse. Pwyll sends his best horsemen after her, but she always remains ahead of them, though her horse never does more than amble. After three days, he finally calls out to her, and Rhiannon tells him she has come seeking him because she would rather marry him than her fiance, Gwawl ap Clud. A year after their meeting, Pwyll accidentally and foolishly promises Rhiannon to Gwawl, before managing to win her back through outwitting, bloodying and dishonouring his rival.
Under the advice of his noblemen, Pwyll and Rhiannon attempt to supply an heir to the kingdom and eventually a boy is born. However, on the night of his birth, he disappears while in the care of six of Rhiannon's ladies-in-waiting. To avoid the king's wrath, the ladies smear dog's blood onto a sleeping Rhiannon, claiming that she had committed infanticide and cannibalism through eating and "destroying" her child. Rhiannon is forced to do penance for her crime.
The child is discovered outside a stable by an ex-vassal of Pwyll's, Teyrnon, the lord of Gwent Is Coed. He and his wife claim the boy as their own and name him Gwri Wallt Euryn (English: Gwri of the Golden hair), for "all the hair on his head was as yellow as gold." The child grows to adulthood at a superhuman pace and, as he matures, his likeness to Pwyll grows more obvious and, eventually, Teyrnon realises Gwri's true identity. The boy is eventually reunited with Pwyll and Rhiannon and is renamed Pryderi, meaning "anxiety".
The tale ends with Pwyll's death and Pryderi's ascension to the throne.
A common feature in Celtic myths is fairy folk, or sidh. They could take many forms and sizes, but they would often appear human. They could change the appearance of things as well. Arawn being able to change his and Pwyll’s appearances implies that he was of the fairy folk. In fact, Annwn was a sort of fairy kingdom, or otherworld.
Rhiannon was likely also one of the fairy folk because of the illusion she created of her horse being always ahead of Pwyll’s knights even though it only ever seemed to amble. Fairies were known to have sexual relationships with humans from time to time. Sometimes these relationships were fleeting, but sometimes they were lasting, as was the case with Rhiannon and Pwyll. Because Rhiannon was a fairy, her son would have been half-fairy, which is why he was able to grow at a superhuman pace. It was also somewhat common for fairies to steal children, as with Rhiannon and Pwyll’s son.
Magic often plays a very important role in Celtic Literature. Pwyll, The Prince of Dyfed, is involved in many instances of magic throughout the Mabinogi. Shapeshifting is one example of magic of which Pwyll is a part. There is always one individual who holds the power to shape shift, and that power can change hands during different parts of the story. One example of this is in the first branch of the Mabinogi, the power to shift shapes lies with Arawn (the king of the Otherworld) and in the fourth branch, the power lies with Math and his nephew Gwydion. Some other examples of magic that involve Pwyll include the magic that surrounds his wife, Rhiannon. She rides a magical horse, who can outrun any other horse, including that of Pwyll. Rhiannon also has a bag which can never be filled unless a magical phrase is said in its presence.
In Celtic mythology, there were also several common themes and symbols. One was a cauldron that was never empty, like Rhiannon’s bag which can never be filled. Another one was a trip to a mysterious land, where the hero would have to perform impossible feats. Examples of this are when Pwyll went to Annwn to fight Hafgan and when he had to win Rhiannon back from Gwawl ap Clud. There were also sometimes seasonal contests such as Pwyll waiting a year to fight Hafgan or win back Rhiannon.
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- Gruffydd, W. J. Rhiannon: An Inquiry into the Origins of the First and Third Branches of the Mabinogi
- The Mabinogion. Davies, Sioned. 2005.
- Ashliman, D.L. "Fairy Lore: Introduction". World Folklore and Folklife. Greenwood Press. Retrieved 9 October 2013.
- "Celtic Mythology" (2009). Greenwood Encyclopedia of Folktales and Fairytales. Detroit: Greenwood Press. pp. 215–220.
- Daithi, O hOgain (2008). The Greenwood Encyclopedia of Folktales and Fairy Tales: "Celtic Tales". Westport, CT: Greenwood Press. pp. 171–176.