Q&A (film)

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Q & A
Q&A film poster.jpg
Theatrical release poster
Directed by Sidney Lumet
Produced by Burtt Harris
Arnon Milchan
Written by Sidney Lumet
Edwin Torres (book)
Starring Nick Nolte
Timothy Hutton
Armand Assante
Luis Guzmán
Music by Rubén Blades
Cinematography Andrzej Bartkowiak
Edited by Richard P. Cirincione
Distributed by TriStar Pictures
Release dates
  • April 27, 1990 (1990-04-27) (U.S.)
Running time 132 min.
Language English
Budget $6,000,000
Box office $11,207,891

Q & A is a 1990 crime film co-written and directed by Sidney Lumet, based on a novel by New York judge Edwin Torres. It stars Nick Nolte, Timothy Hutton and Armand Assante.

Plot[edit]

In New York City, Tony Vasquez, a habitual Puerto Rican offender linked to the gangs' world of the city, is killed in front of an after hours Latin club by Lt. Mike Brennan after being called by a police informant, Roger Montalvo. The Lieutenant deposits a gun used in a prior murder near the corpse, and records the names of some of those present to support his self-defense. The Chief of Police Kevin Quinn, assigns the case to Deputy Attorney Aloysius "Al" Francis Reilly, a young lawyer with a past as a police officer and son of a well-known cop who died in service. Reilly collects the deposition of Brennan, who claims to have been acting on a tip from an informant and was forced to shoot Vasquez after being threatened with a gun.

The case seems simple but senior DA Leo Bloomenfeld, friend and mentor of Al, points out inconsistencies in the report and advises him to not close the investigation but look into Tony's past. Al calls in some of the witnesses: Larry Pesch, an Italian thug linked to the Mafia, who inexplicably was in a club usually exclusive to Puerto Ricans; Roberto; and Bobby Tex, aka Texador, a drug dealer, and his girlfriend Nancy Bosch.

Al, along with detectives Sam "Chappie" Chapman and Luis Valentin, has doubts about the dynamics of the event. Knowing the environment of the Puerto Rican underworld, he provokes Bobby Tex, along with Tony, who were once members of an old gang disbanded twenty years earlier. They tell Al that Brennan deliberately lured Vasquez into a trap and killed him, but do not explain why. This revelation leads Al to investigate Brennan, in spite of Quinn's warnings, who would like to close quickly the case, and Chappie's reluctance, as Chappie is one of Mike's old partners and his good friend.

The questioning also unearths a past emotional bond between Al and Nancy. She ended their relationship years ago after interpreting Al's reaction of surprise as racist when she introduced him to her father, a black man. Two years after their last meeting, Al is distraught seeing Nancy in the company of Bobby Tex. HE tries to rekindle their past romance, but she rejects him because with Bobby, she feels loved, protected and accepted.

Investigations reveal a link between Quinn and Brennan, while the latter goes on the trail of Montalvo, the only witness who can disprove his testimony of self-defense. Brennan tries threatening Valentin and bribing Chappie for help in finding Montalvo and shutting him up. Meanwhile, Bobby Tex is "invited" by the Mafia to step aside, as Brennan's support is still useful to them. Bobby, in turn, begins looking for Montalvo to use as leverage against Brennan. At the same time he begins to shut down his business in order to retire to private life with Nancy.

Bobby finds Montalvo before Brennan, and together they leave for Puerto Rico, where the smuggler owns a mansion and a yacht. Here he is joined by Al, called secretly to give him an important information about the case. Al, after informing Bloomenfeld, goes to the island, where it is revealed that Quinn was once part of Bobby's gang, and took part in a murder. Brennan appears to be hunting down all of the gang's old members on Quinn's orders, with the intention of erasing his past so as to fulfill his political ambitions. Brennan is forced to go along with it because Quinn is holding an abuse of authority charge over him.

Even the Mafia intends to close accounts with both Bobby and Brennan, whose position is becoming increasingly untenable. They first make a failed attempt to kill Bobby, who has announced his retirement. In the meantime the Lieutenant is able to find Montalvo's lover, the transgender José Malpica, and kills him after listening to a message from Montalvo on his answering machine that reveals where he is hiding. Brennan goes to Puerto Rico and, kills Montalvo on his boat. He then slices the boat's fuel line and waits for Bobby to arrive. A phone call made by Al saves Nancy at the last moment, but Bobby is killed in the subsequent explosion.

Al procures an arrest warrant for Brennan but fails to catch him at the airport. He returns to the DA's office to find Brennan waiting for him. Brennan reveals the truth about Al's father to Al and shoots Chappie when he tries to intervene. Breannan is then shot dead by another officer.

Al is summoned by Quinn, who informs him that he is aware of his activities, but the Department of Justice is going to hush up the incident to avoid embarrassment. When Al threatens to go to the papers, Bloomenfeld tells him that he has ways of preventing that as well, and in turn threatens to leak evidence of misconduct on the part of his late father, which would deny his mother a service pension.

Al, humiliated, defeated and betrayed by the man who he has always believed an honest administrator of justice, trashes his desk and resigns from the DA's office, disillusioned by a corrupt system that he had sworn to enforce. At last he tries to find Nancy, hiding out on an island near Puerto Rico. He knows she does not love him but asks to stay close to her, with the hope that one day everything will return as before.

Cast[edit]

Production[edit]

To prepare for his role in the film, Timothy Hutton went on squad-car runs with NYPD officers in order to get an idea of the challenges they faced on the streets. Hutton said, "in many cases the hands of the officer on the street are tied".[1] Nick Nolte put on 40 lbs. for the film because he felt that the character he played required it: "Just the sheer mass of brutality. I felt that would be the right kind of thing. He had to be on the edge of his own dissipation".[2]

Reception[edit]

Roger Ebert gave the film three-and-a-half stars out of four and wrote, "It is fascinating the way this movie works so well as a police thriller on one level, while on other levels it probes feelings we may keep secret even from ourselves".[3] In his review for The New York Times, Vincent Canby wrote, "Great little scenes overshadow bigger, more important ones. Characters come and go at speed. Watching the movie is an entertaining ride, but when it is over it is difficult to remember where, exactly, one has been".[4]

Rolling Stone magazine's Peter Travers wrote, "Lumet tries to cram too much in ... But he's onto something, and you can sense his excitement. This is Lumet's boldest film in years -- a combustible drama with a vivid, shocking immediacy. The director is back at the top of his game".[5]

In his review for the Washington Post, Hal Hinson praised Nick Nolte's performance: "This actor doesn't flinch in the least from his character's unsavoriness; instead he seems to glory in his crumpled suits and unwashed hair, as if they were a kind of spiritual corollary. Nolte gives Brennan a kind of monumental brutishness -- he makes him seem utterly indomitable".[6]

USA Today gave the film two-and-a-half stars out of four and wrote, "Overkill ultimately wears Q & A down, despite two bravura performances and some Hutton understatement that's adequate to the task. So, too, does unrelenting sordidness, a deadly love angle and a score (Ruben Blades) almost as awful as Cy Coleman's sabotage of Lumet's Family Business".[7]

In his review for the Globe and Mail Rick Groen praised Armand Assante's performance: "in a role that could easily descend into cliche - the crook with a moral code - Assante does his best work to date, always keeping on the safe side of the stereotype".[8] Newsweek magazine's David Ansen wrote, "Nolte, with a big paunch and a walrus mustache, is a truly dangerous presence here; he uses his threatening body and a high, strained voice to stunning, scary effect. Like the movie, Nolte really gets in your face and, for a long time afterwards, sticks in you craw".[9]

Entertainment Weekly gave the film an "A-" rating and Owen Gleiberman wrote, "Q & A is a major film by one of our finest mainstream directors. As both a portrait of modern-day corruption and an act of sheer storytelling bravura, it is not to be missed".[10]

References[edit]

  1. ^ Van Gelder, Lawrence (April 13, 1990). "At the Movies". The New York Times. p. 8. 
  2. ^ Mitchell, Sean (April 26, 1990). "Nolte Gets Away with Murder". Toronto Star. pp. B1. 
  3. ^ Ebert, Roger (April 27, 1990). "Q & A". Chicago Sun-Times. Retrieved 2009-09-03. 
  4. ^ Canby, Vincent (April 27, 1990). "Nick Nolte as a Corrupt Detective". The New York Times. Retrieved 2009-09-03. 
  5. ^ Travers, Peter (April 11, 2001). "Q & A". Rolling Stone. Retrieved 2009-09-03. 
  6. ^ Hinson, Hal (April 27, 1990). "Q & A". Washington Post. Retrieved 2009-09-03. 
  7. ^ Clark, Mike (April 27, 1990). "Forceful acting tries to answer a questionable script". USA Today. pp. 9D. 
  8. ^ Groen, Rick (April 27, 1990). "Q&A". Globe and Mail. 
  9. ^ Ansen, David (May 7, 1990). "The Melting Pot Boils Over". Newsweek. p. 65. 
  10. ^ Gleiberman, Owen (April 27, 1990). "Q&A". Entertainment Weekly. Retrieved 2009-12-11. 

External links[edit]