Queen Mary's Dolls' House
Queen Mary's Dolls' House is a doll's house built in the early 1920s, completed in 1924, for Queen Mary, the wife of King George V. The idea for building it originally came from the Queen's cousin, Princess Marie Louise, who discussed her idea with one of the top architects of the time, Sir Edwin Lutyens, at the Royal Academy Summer Exhibition of 1921. Sir Edwin agreed to construct the dolls' house and began preparations. Princess Marie Louise had many connections in the arts and arranged for the top artists and craftsmen of the time to contribute their special abilities to the house. As a result, the dolls' house has an amazing collection of miniature items that actually work: "There are shotguns that 'break and load' (and may even fire), monogrammed linens, ... 'electricity and lifts, a garage of cars with engines that run.'" It even has running water through its tiny pipes. It was created as a gift to Queen Mary from the people, and to serve as an historical document on how a royal family might have lived during that period in England.
It showcased the very finest and most modern goods of the period. Later the dolls' house was put on display to raise funds for the Queen's charities. It was originally exhibited at the British Empire Exhibition, 1924–1925, where more than 1.6 million people came to view it, and is now on display in Windsor Castle, at Windsor, Berkshire, England, as a tourist attraction, especially to people with an interest in miniature houses, furniture, and carpets.
It was made to a scale of 1:12 (one inch to one foot), is over three feet tall, and contains models of products of well-known companies of the time. It is remarkable for its detail and the detail of the objects within it, many of which are 1/12 replicas of items in Windsor Castle. These were either made by the companies themselves, or by specialist modelmakers, such as Twining Models of Northampton, England. The carpets, curtains and furnishings are all copies of the real thing, and even the light fittings are working. The bathrooms are fully plumbed, with a flushable toilet and miniature lavatory paper.
In addition, well-known writers wrote special books for the house's library, which were bound in scale size by Sangorski & Sutcliffe. Sir Arthur Conan Doyle contributed the short story "How Watson Learned the Trick", and the ghost-story writer M. R. James wrote "The Haunted Dolls' House". Other authors included J. M. Barrie, Thomas Hardy, Rudyard Kipling and W. Somerset Maugham. (George Bernard Shaw rebuffed the princess's request for a tiny volume of his work, and Sir Edward Elgar also refused to contribute.) Painters, including Eli Marsden Wilson, also provided miniature pictures. Even the bottles in the wine cellar were filled with the appropriate wines and spirits, and the wheels of motor vehicles were properly spoked. Queen Mary's purchases brought media attention to specialist furnishers such as Dorothy Rogers, who created needlework miniature carpets for the house. Even viewing a high quality photo of the interior will not reveal it is in fact a collection of miniatures.
There is a hidden garden revealed only when a vast drawer is pulled out from beneath the main building. This has replicas of greenery and garden implements and follows a traditional ornamental garden theme.
Notes and references
- Hartnett, Kevin (22 August 2014). "In a Queen’s Dollhouse, Why Are Tiny Toilets So Captivating?". Boston Globe. Retrieved 30 August 2014.
- Waclawiak, Karolina (Nov–Dec 2010). "Safe as Houses: An Ode to Britain's History in 1:12 Scale". The Believer. Retrieved 20 October 2013.
- The contents of the library were published in normal format in E. V. Lucas, ed., The Book of the Queen's Dolls' House Library (London: Methuen, 1924).
- Farquhar, Michael (2001). A Treasury of Royal Scandals. New York: Penguin Books. p.47. ISBN 0-7394-2025-9.
- Siegfried Sassoon reported that on 6 June 1922 Elgar told Lady Maud Warrender: "We all know that the King and Queen are incapable of appreciating anything artistic; they have never asked for the full score of my Second Symphony to be added to the Library at Windsor. But as the crown of my career I'm asked to contribute to a Doll's House for the Queen! I've been a monkey-on-a-stick for you people long enough. Now I'm getting off the stick. I wrote and said that I hoped they wouldn't have the impertinence to press the matter on me any further. I consider it an insult for an artist to be asked to mix himself up in such nonsense." (Kennedy, Michael . Portrait of Elgar. 2nd ed. London: Oxford University Press. p. 305.)
- Lambton, Lucinda (2010) THE QUEEN'S DOLLS' HOUSE: LONDON ENGLAND: Royal Collection Enterprise. pp. 79-80. ISBN 978 1 905686 26 1