Rachel Getting Married
|Rachel Getting Married|
Theatrical release poster
|Directed by||Jonathan Demme|
|Produced by||Jonathan Demme
Marc E. Platt
|Written by||Jenny Lumet|
Anna Deavere Smith
|Music by||Donald Harrison Jr.
|Editing by||Tim Squyres|
|Distributed by||Sony Pictures Classics|
|Running time||114 minutes|
Rachel Getting Married is a 2008 drama film directed by Jonathan Demme, and starring Anne Hathaway, Rosemarie DeWitt, Bill Irwin and Debra Winger. The film was released in the U.S. to select theaters on October 3, 2008. The film opened the 65th Venice International Film Festival. The film also opened in Canada's Toronto Film Festival on September 6, 2008. Hathaway received an Academy Award nomination for Best Actress for her performance in the film.
Kym (Anne Hathaway) is released from rehab for a few days so she can go home to attend the wedding of her sister Rachel (Rosemarie DeWitt). At home, the atmosphere is strained between Kym and her family members as they struggle to reconcile themselves with her past and present. Kym's father (Bill Irwin) shows intense concern for her well-being and whereabouts, which Kym interprets as mistrust. She also resents her sister's choice of her best friend Emma (Anisa George), rather than Kym, to be her maid of honor. Rachel, for her part, resents the attention her sister's drug addiction is drawing away from her wedding, a resentment that comes to a head at the rehearsal dinner, where Kym, amid toasts from friends and family, takes the microphone to offer an apology for her past actions, as part of her twelve-step program.
Underlying the family's dynamic is a tragedy that occurred years previously, which Kym retells at a Narcotics Anonymous meeting. As a teenager, Kym was responsible for the death of her young brother Ethan, who was left in her care one day; driving home from a nearby park, an intoxicated Kym had lost control of the car, driving over a bridge and into a lake, where her brother drowned.
The day before the wedding, as Rachel, Kym, and the other bridesmaids are getting their hair done, Kym is approached by a man whom she knew from an earlier stint in rehab. He thanks her for the strength she gave him through a story about having been molested by an uncle and having cared for her sister, who was anorexic. Rachel, hearing this, storms out of the hair salon. The story, it turns out, was all a lie — an apparent attempt by Kym to evade responsibility for her addiction.
The tension between the sisters comes to a head later that night at their father's house, when Kym comes home. Rachel reveals she has never forgiven Kym for their brother's death, and now makes the point that Kym's rehab has been a hoax since she has been lying about the cause of her problems. Kym finally admits responsibility for Ethan's death and reveals that she had been relapsing by going back on drugs in order to cope. She gets into her father's car and leaves.
Kym heads to the home of their mother Abby, hoping to find solace with her. However, a fight breaks out between them, when Kym asks Abby why she left Ethan in her care on the night of his death despite knowing that she was often on drugs. She makes the point on how better off it would've been if she had left him in Rachel's care. Abby tells Kym she left Ethan with her because "you were good with him" and that she thinks her sister is a hypocrite for her accusations. When Kym makes it clear she thinks her mother's decision was in part responsible for Ethan's death, Abby becomes furious and slaps Kym in the face. Kym hits her mother back and drives off in her father's car. While driving away, Kym begins sobbing uncontrollably because Abby has not accepted responsibility for her actions. She drives the car off the road and crashes into a boulder. Rather than summon help, she spends the night in the car while everyone at home worries about what has become of her.
The next morning, the day of the wedding, Kym's car is spotted by passing joggers, who call police. The police awaken her and give her a sobriety test, which she passes. She gets a ride home with the driver of the tow truck who is towing the wrecked car. She makes her way to Rachel's room, as Rachel prepares for the wedding. Seeing Kym's bruised face from a fight she had with their mother prompts her anger of the previous night to vanish, and Rachel tenderly bathes and dresses her sister.
Amid a festive Indian theme, Rachel and her fiancee are wed. Kym is the maid of honor, and is overcome with emotion as the couple exchanges their vows. Kym tries to enjoy herself throughout the wedding reception but continues to feel out of place and is nagged by the unresolved dispute with her mother. Ultimately, her mother leaves the party early, despite Rachel's effort to bring the two together, and the gulf between Kym and Abby is left unreconciled.
The next morning, Kym must return to rehab. As she is leaving, Rachel runs out of the house to hug her.
The screenplay was written by Jenny Lumet, the daughter of director Sidney Lumet and granddaughter of Lena Horne. Lumet, a junior high school drama teacher, has written four earlier screenplays, but this was the first to be produced. The film is directed by Jonathan Demme, and was shot in Stamford, Connecticut in a naturalistic style. The working title for the film was originally Dancing with Shiva.
Sidney Lumet himself approached Demme about his daughter Jenny's script. Demme has commented that he loved Jenny's flagrant disregard for the rules of formula, her lack of concern for making her characters likable in the conventional sense, and for what he considered to be her bold approach to truth, pain, and humor.
Filming took 33 days and occurred in late 2007.
- Anne Hathaway as Kym
- Rosemarie DeWitt as Rachel
- Bill Irwin as Paul
- Debra Winger as Abby
- Tunde Adebimpe as Sidney
- Mather Zickel as Kieran
- Anna Deavere Smith as Carol
- Anisa George as Emma
- Victoria Haynes as Victoria
- Jerome LePage as Andrew
- Carol-Jean Lewis as Sidney's Mother
- Fab 5 Freddy as Himself
- Robyn Hitchcock as Wedding Guest/Performer
- Sister Carol East as Wedding Guest
- Beau Sia as Wedding Czar
- Andre Blake as Inspired Stylist
- Roger Corman as Wedding Guest
- Tamyra Gray as Singing Friend
- Kyrah Julian as Sidney's Sister
- Roslyn Ruff as Rosa
- Sebastian Stan as Walter
Demme had wanted to work with Anne Hathaway ever since he spotted her in a crowd at a screening five years earlier. He immediately took her in consideration for the lead role. Hathaway later said of her first reading Lumet's script: "I was in my old apartment in the West Village Manhattan, just pacing back and forth between the kitchen table and the couch. I somehow wound up on the floor sobbing by the last page."
Demme was concerned about Debra Winger's interest in doing the film, but he pumped up his courage to ask her because they had met several times before at the Jacob Burns Center, a film center close to their homes. Winger later accepted the role of Abby.
Critical response 
The film received critical acclaim and appeared on many "Best Film of 2008" lists. Michael Phillips of the Chicago Tribune called the film "a triumph of ambience," and that Hathaway, DeWitt, Irwin and especially Winger are working at a very high level. Roger Ebert's four-star rating added, "apart from the story, which is interesting enough, 'Rachel Getting Married' is like the theme music for an evolving new age." Other critics praised Jonathan Demme. Andrew Sarris noted in the New York Observer "his career of cinematic good works" and Owen Gleiberman of Entertainment Weekly observed "a fight scene that's as raw as Ingmar Bergman and as operatic as Mildred Pierce" . . . and "Demme's finest work since The Silence of the Lambs.
Peter Travers of Rolling Stone noted that Rachel Getting Married is "a home run… [it goes] deep into the joy and pain of being human." A.O. Scott of The New York Times said that the film "has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare".
Many reviewers praised the film for its organic feel; Salon reviewer Stephanie Zacharek noted that "with 'Rachel Getting Married,' Demme has once again scaled back, making a picture that has some of the ease and warmth of his earlier movies, although it also feels stripped down and direct in a way that's new for Demme." USA Today proclaimed: "After a foray in documentary films, director Jonathan Demme has returned to narrative storytelling, assuming a decidedly cinéma vérité style that has echoes of Robert Altman. The film's greatest asset is the sense of cringing realism in portraying dinner parties and interpersonal encounters that can throw family members off-kilter." The Los Angeles Times noted:
Helping give this story its essential air of reality is the decision Demme and cinematographer Quinn made to shoot it as what they call "the most beautiful home movie ever made." The director chose not to plan shots in advance, instead giving Quinn (whose credits include Mira Nair's "Monsoon Wedding") the ability to respond in the moment to what was going on with the actors, and it's a tribute to his ability (and that of editor Tim Squyres) that his camera always seems to be in the right place at the right time.
Anne Hathaway won raves for her work as Kym. USA Today found her wonderful in the role and wrote "Her nervous laughter, edginess and quick temper blend convincingly with her need for attention and vulnerability." Newsweek commented: "Kym is a major pain in the ass, and Hathaway's raw, spiky performance makes no attempt to ingratiate. Yet she makes Kym's inner torment so palpable you can't help but feel for her, however insufferable she may be. It's a terrific performance…". Empire felt that "Kym is a peach of a role—she sleeps with the best man, fights with the maid of honor, quips, 'You're so thin, it's like you're Asian'—and Hathaway squeezes it for all the juice it's worth, making this raw-nerved, narcissistic Tasmanian Devil not just believable, but somehow likable." 
Top ten lists 
The film appeared on many critics' top ten lists of the best films of 2008.
The music-loving director Demme invited musicians to compose the score live on set, to support the film's storyline.
"For the longest time," Demme has said, "I've had this desire to provide the musical dimension of a movie without traditionally scored music. I thought: wait a minute; in the script, Paul [father of the bride] is a music-industry bigwig, Sidney's a record producer, many of his friends will be gifted musicians, so of course there would be non-stop music at this gathering. We have music playing live throughout the weekend, but always in the next room, out on the porch or in the garden."
Throughout the unconventional filming and loosely staged scenes, a New York–based Middle Eastern ensemble, including the Palestinian musician Zafer Tawil, and Iraqi Amir ElSaffar, who played the score of Demme's documentary Man from Plains, compose the score on set. Always present at the filming, the musicians had the freedom – and were encouraged – to play whenever they were inspired to, and to ignore the camera.
According to Demme on the DVD, during filming of a dramatic scene, Hathaway complained about the music interfering with the mood, to which Demme responded "Tell her to do something about it!" Hathaway, in that scene, responded by improvising the line, "Can you tell them to knock it off?!" to which another actor not heavily involved in the scene went off-screen and told the band to stop.
Well-known acting faces mingle anonymously on-screen with musicians, artists, dancers and acting-novice friends of the director. Among them are the New Orleanian saxophonist Donald Harrison Jr., and the Brooklyn-based TV on the Radio's lead singer Tunde Adebimpe.
Singer-songwriter Robyn Hitchcock plays a wedding guest. At the ceremony Hitchcock, at the request of his old friend Demme, performs the song "America" from his 1982 album Groovy Decay. He also plays "Up To Our Nex", written for the movie. "It's my micro-encapsulation of the movie. The song is trying to be a voice in Kym's head . . . " Filmed in one take at the wedding party, he is spontaneously joined by the hip-hop star Fab 5 Freddy, and the dancehall singers Sister Carol, ElSaffar and Tawil.
|“||My memory of the whole thing is of being at a real wedding, although without the alcohol. A lot was shot in real time and the end result was the whole thing seemed as if it really had happened. It's as real as it gets. By the time I did 'Up To Our Nex' in the tent I had 15 people. Amir did a horn arrangement and Demme's son Brooklyn Demme was on electric guitar. We hadn't all played together before. The line between reality and fiction – it was a door you could walk in and out of as much as you liked. The idea that they are just playing live, that's the beauty of it. The thing I really liked about the music in the movie is that it all happens in real time. The moments of real tension in the film are not signposted by the score. It's not telling you how you're going to react when the music comes. The music is very organic, not manipulative.||”|
For Demme, it was about creating evocative music in the moment.
Awards and nominations 
|Academy Awards||Best Actress||Anne Hathaway||Nominated|
|Austin Film Critics Association||Best Actress||Anne Hathaway||Won|
|Broadcast Film Critics Association Awards||Best Actress||Anne Hathaway||Won|
|Best Cast||Acting Ensemble||Nominated|
|Chicago Film Critics Association Awards||Best Actress||Anne Hathaway||Won|
|Best Supporting Actor||Bill Irwin||Nominated|
|Best Supporting Actress||Rosemarie DeWitt||Nominated|
|Best Original Screenplay||Jenny Lumet||Nominated|
|Dallas-Fort Worth Film Critics Association Awards||Best Actress||Anne Hathaway||Won|
|Detroit Film Critics Society||Best Actress||Anne Hathaway||Nominated|
|Best Supporting Actress||Rosemarie DeWitt||Nominated|
|Best Newcomer||Rosemarie DeWitt||Nominated|
|EDA Annual Achievement Awards||Best Ensemble Cast||Won|
|Best Woman Screenwriter||Jenny Lumet||Won|
|Golden Globe Awards||Best Actress—Drama||Anne Hathaway||Nominated|
|Gotham Awards||Breakthrough Actor||Rosemarie DeWitt||Nominated|
|Best Ensemble Cast||Anne Hathaway, Rosemarie DeWitt, Bill Irwin
Tunde Adebimpe, Anna Deavere Smith
Anisa George, Debra Winger
|Houston Film Critics Society||Best Actress||Anne Hathaway||Won|
|Independent Spirit Awards||Best Film||Nominated|
|Best Director||Jonathan Demme||Nominated|
|Best First Screenplay||Jenny Lumet||Nominated|
|Best Lead Female||Anne Hathaway||Nominated|
|Best Supporting Female||Rosemarie DeWitt||Nominated|
|Best Supporting Female||Debra Winger||Nominated|
|National Board of Review Awards||Best Actress||Anne Hathaway||Won|
|New York Film Critics Circle Awards||Best Screenplay||Jenny Lumet||Won|
|Palm Springs International Film Festival||Desert Palms Achievement Award for Best Actress||Anne Hathaway||Won|
|Satellite Awards||Best Supporting Actress||Rosemarie DeWitt||Won|
|Best Actress—Drama||Anne Hathaway||Nominated|
|Screen Actors Guild Awards||Outstanding Performance by a Female Actor in a Leading Role||Anne Hathaway||Nominated|
|Southeastern Film Critics Association||Best Actress||Anne Hathaway||Won|
|St. Louis Film Critics Association||Best Actress||Anne Hathaway||Nominated|
|Utah Film Critics Association||Best Supporting Actress||Rosemarie DeWitt||Won|
|Best Screenplay||Jenny Lumet||Won|
|Venice Film Festival||Golden Lion||Nominated|
|Washington D.C. Area Film Critics Association||Best Supporting Actress||Rosemarie DeWitt||Won|
|Best Screenplay||Jenny Lumet||Won|
- "Rachel Getting Married (2008)". Box Office Mojo. 2009-04-23. Retrieved 2011-02-13.
- "Rachel Getting Married". Sonyclassics.com. Retrieved 2011-02-13.
- Naomi West (2009-01-09). "Anne Hathaway: Oscar contender who is the real deal". The Telegraph (London). Retrieved 2009-01-11.
- "Spout". Blog.spout.com. Retrieved 2011-02-13.
- Phillips, Michael (2008-10-09). "Movie review: 'Rachel Getting Married'". Metromix Chicago. Retrieved 2011-02-13.
- Roger Ebert (October 8, 2008). "Rachel Getting Married". Chicago Sun-Times. Retrieved 2011-02-13. "And so on. Apart from the story, which is interesting enough, 'Rachel Getting Married' is like the theme music for an evolving new age."
- Andrew Sarris (2008-10-07). "Wonderful Winger". The New York Observer. Retrieved 2011-02-13. "I hope nonetheless that Rachel Getting Married is enough of a hit to sustain his career of cinematic good works."
- Owen Gleiberman (October 3, 2008). "Rachel Getting Married". Entertainment Weekly. Retrieved 2011-02-13. "After a while, Debra Winger shows up as the sisters' quasi-estranged mother, and she and Hathaway have a fight scene that's as raw as Ingmar Bergman and as operatic as Mildred Pierce.
This melting-pot wedding creates a frisson of its own; it's a vision of a new world. I do wish that Demme hadn't let the wedding music, by Robyn Hitchcock, Sister Carol East, and a few others, take over the last act. This much healing-by-'80s-hipster-taste is too much. But Rachel Getting Married is still a triumph—Demme's finest work since The Silence of the Lambs, and a movie that tingles with life."
- Travers, Peter (October 2, 2008). "Rachel Getting Married". Rolling Stone. Retrieved March 10, 2011.
- A.O. Scott (October 2, 2008). "Out of Rehab, Wreaking Havoc". The New York Times. Retrieved 2011-02-13. "It's a small movie, and in some ways a very sad one, but it has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare."
- Zacharek, Stephanie (October 3, 2008). "Rachel Getting Married". Salon. Retrieved February 13, 2011.
- Puig, Claudia (2008-10-03). "It's Rachel's wedding, but it's Hathaway's show". USA Today. Retrieved 2010-05-22. "After a foray in documentary films, director Jonathan Demme has returned to narrative storytelling, assuming a decidedly cinéma vérité style that has echoes of Robert Altman.
The film's greatest asset is the sense of cringing realism in portraying dinner parties and interpersonal encounters that can throw family members off-kilter."
- Turan, Kenneth (2008-10-03). "Review: 'Rachel Getting Married'". Los Angeles Times. Retrieved 2010-05-22. "Helping give this story its essential air of reality is the decision Demme and cinematographer Quinn made to shoot it as what they call "the most beautiful home movie ever made." The director chose not to plan shots in advance, instead giving Quinn (whose credits include Mira Nair's "Monsoon Wedding") the ability to respond in the moment to what was going on with the actors, and it's a tribute to his ability (and that of editor Tim Squyres) that his camera always seems to be in the right place at the right time."
- "The Wedding Guest From Hell". Newsweek. 2008-10-01. Retrieved 2011-02-13.
- Nick de Semlyen. "Rachel Getting Married". Empire. Retrieved 2011-02-13.
- "Rachel Getting Married". Rotten Tomatoes. Retrieved 2011-02-13.
- "2008 Critics' Picks". Metacritic. Retrieved January 11, 2009.
- Ryan Adams (2008-12-08). "David Edelstein's Top 10". Awards Daily. Retrieved 2011-02-13.
- New, The (December 5, 2008). "David Denby: The Ten Best Films of 2008". The New Yorker. Retrieved 2011-02-13.
- Kenneth Turan (2008-12-21). "Top 'Dog,' and the best of shows". Los Angeles Times. Retrieved 2011-02-13.
- "Kyle Smith: Top Movies". New York Post. 2008-12-07. Retrieved 2011-02-13.
- Susan Thea Posnock (December 10, 2008). "Pete Travers Top Ten". Awards Daily. Retrieved 2011-02-13.
- Roger Ebert (December 5, 2008). "The best films of 2008... and there were a lot of them". Chicago Sun-Times. Retrieved 2011-02-13.
- Bray, Elisa. Rachel Getting Married - Lights, camera, music...". The Independent. 16 January 2009.
- "Chronolog". The Austin Chronicle. Retrieved 2011-02-13.[dead link]
- "St. Louis Film Critics Association Announces Award Nominees". Toastedrav.com. Retrieved 2011-02-13.
- Official website
- Rachel Getting Married at AllRovi
- Rachel Getting Married at the Internet Movie Database
- Rachel Getting Married at Metacritic
- Rachel Getting Married at Rotten Tomatoes
- Rachel Getting Married at Box Office Mojo