Radio edit

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In music, a radio edit is a modification to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. Sometimes the so-called "radio edit" versions are truncated versions of tracks in a manner similar to making them more suitable for radio since not all "radio edit" tracks are played on radio.

Editing for time[edit]

Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whom its radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the 1st chorus. The 2nd half of the 1st chorus is also skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars" & the radio edit ends with the 4th & last chorus with an earlier fade-out. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part. Some songs will be remixed heavily and feature different arrangements than the original longer versions, occasionally even being completely different recordings. A popular example of this is "Revolution" by The Beatles which is a completely different recording than the version which appears on The White Album. Another example is Miley Cyrus's "Adore You", whose original album version is a slow, quiet version clocking in at 4 minutes & 37 seconds. When it comes to radio, a completely different version which is a remix done by Cedric Gervais running at 3 minutes & 36 seconds, plays instead. This also became more prevalent with the rise of the 12" record, as artists like New Order started making songs specifically for the format. Many of the 7" mixes aimed for pop radio airplay of their songs feature very different arrangements, such as "Bizarre Love Triangle", or even a completely different recording, such as "Temptation".

Some very long songs, such as the following 10 songs: "Vicarious" (2006) by Tool at 7 minutes and 6 seconds, "Hey Jude" (1968) by The Beatles at 7 minutes and 11 seconds long, "You're the Voice" (1986) by John Farnham at 7 minutes and 9 seconds long, "Stairway to Heaven" (1971) by Led Zeppelin at 8 minutes and 3 seconds, "The Message" (1982) by Grandmaster Flash and the Furious Five at 7 minutes and 10 seconds, "One" (1989) by Metallica at 7 minutes and 24 seconds, "American Pie" (1971) by Don McLean with a length of 8 minutes and 32 seconds, "Georgia Dome" (2004) by Ying Yang Twins (which actually has a radio edit but removing profanity & not shortening it) at 6 minutes and 6 seconds, "Like A Rolling Stone" (1965) by Bob Dylan at 6 minutes & 13 seconds (although it was released on a 7" single featuring the first two verses on side 1 and the rest of the song on side 2, as the longer version of a song is played over the shorter version on occasion), & "Someone Saved My Life Tonight" (1975) by Elton John at 6 minutes & 45 seconds do not have a radio edit, despite being as long as 6, 7, or 8 minutes in length, so radio stations can meet their listeners' big demand.

On rare occasions, a radio edit might be longer than the original album version. This may occur when the song is edited for form, such as in the cases of "Creep" by Radiohead, "2 On" by Tinashe,and "Miserable" by Lit,. "Creep"'s radio edit has a 4 second drumstick count off before the regular first second, 2 On repeats part of the chorus one more time than it does on the normal version on iTunes, and Miserable's radio edit adds the chorus between the first and second verses.

The syndicated radio format "QuickHitz", which was notably adopted by the Calgary radio station CKMP-FM in August 2014, utilizes even shorter edits of songs, of between 1 minutes and 30 seconds to 2 minutes in length.[1][2]

Editing for content[edit]

The radio edit version of Fuck You by Lily Allen uses sound effects in place of the word 'Fuck'

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Radio edits often come with any necessary censorship done to conform to decency standards imposed by government agencies, such as the Federal Communications Commission in the United States, the Canadian Radio-television and Telecommunications Commission in Canada, and Ofcom in the United Kingdom. The offending words may be silenced, reversed, distorted, or replaced by a tone or sound effect. The edits may come from the record label itself, broadcasters at the corporate level before the song is sent for airplay to their stations, or in rarer cases, at a radio station itself depending on local standards.


One example would by "Dynamite" by Taio Cruz, replacing the word, "fuck" with a sound effect. Occasionally, the song may be re-recorded with different lyrics, ranging from just the replacement of one line being re-recorded, like James Blunt's "You're Beautiful," which replaces "fucking high" with "flying high" in the second verse, to the entire song be completely changed, such as D12's "Purple Hills", which replaces profanity, drug references, and other inappropriate lyrics from the original "Purple Pills". Another example of the first type (one-line replacement) is The Black Eyed Peas song "Let's Get It Started", whose original title was "Let's Get Retarded" but was changed to make it suitable for radio play. Sean Kingston's "Beautiful Girls", in some radio edits, changed "You got me suicidal" to "in denial". The whole chorus of Cee Lo Green's "Fuck You" substituted the word "Fuck" with "Forget", thus changing the title to "Forget You" on the radio edit. Radio edits may have more words edited than the "clean version", because of the stations' or agencies' standards. An "amended" radio edit which only removes the major profanities while keeping the small profanities can be produced for some stations that allow small profanities (e.g. "You're Going Down" by Sick Puppies and "Bad Girlfriend" by Theory of a Deadman) whereas a "dirty" radio edit preserving the offensive language but maintaining the shorter play time may be produced, which may be aimed at club play, post-watershed radio, and non-terrestrial radio stations. Kid Rock wrote the term "radio edit" into two of his songs, both of which are the same on radio and album versions. After two million copies of Michael Jackson's "They Don't Care About Us" had already been shipped, the lyrics of the original track with the words "Jew me" and "Kike me" were replaced with "do me" and "strike me" due to its controversial anti-Semitic reference. Radio edit versions of the track remained with the original version until the edited version was pressed and released.

Other terms[edit]

Other terms for a "radio edit"

  • 1. "Album edit" (Sometimes a different version from the 'radio edit')
  • 2. "F.M. Version"
  • 3. "LP edit (Also sometimes a different version from the 'radio edit')
  • 4. "Radio mix"
  • 5. "Radio cut"
  • 6. "Edited version"
  • 7. "Short radio edit"
  • 8. "Short version"
  • 9. "Short radio version"
  • 10. "Radio version"
  • 11. "Skipping version"
  • 12. "Where are some parts? version"
  • 13. "Clean edit"
  • 14. "Clean version"
  • 15. "Taking out the explicit words version"
  • 16. "Where are the explicit words? version"
  • 17. "Child-friendly version"
  • 18. "Children's version"
  • 19. "Family-friendly version"
  • 20. "Single version" (Typically used to reference singles taken from soundtracks, or lead singles from an album)
  • 21. "Soundtrack version" (Typically used like the previous term above, but not to reference a studio album's lead single)
  • 22. "Single edit" (Shortened version of a single version typically)
  • 23. "Short single edit"
  • 24. "Single mix"
  • 25. "Main version" (Can also be the album version but typical is the radio formatted version)
  • 26. "Main edit" (If the "main version" is the album version, then the "main edit" is typically the radio edit)

On occasions when songs have been completely re-worked or the instrumental arrangements have been changed slightly, the radio edit can be labeled in print with the remixer's name (e.g. Celine Dion's 2002 single of "I'm Alive", the radio version was referred to as the 'Humberto Gatica Radio Mix' rather than just "Radio Edit").

See also[edit]

References[edit]

  1. ^ "This Calgary radio station has started cutting songs in half so listeners don’t get bored". Financial Post. 1 August 2014. Retrieved 1 August 2014. 
  2. ^ "Amp Radio Calgary relaunches with QuickHitz". RadioInsight. Retrieved 2 August 2014. 

External links[edit]