Randy Weiner is an American playwright, producer and theater/nightclub owner. Weiner co-wrote the Off-Broadway musical The Donkey Show and, as one-third of EMURSIVE, produced the Drama Desk Award winning New York premiere of Punchdrunk's Sleep No More. He is co-owner of NYC "theater of varieties" The Box and The Box Soho.
Weiner was born Edward Randall Weiner, the son of a New York banker and lawyer. He graduated cum laude from Harvard University. On October 1, 1995, he married fellow theater arts graduate Diane Paulus.
Weiner and Paulus along with a few other theater school graduates established a small theater troupe in New York City called Project 400 Theatre Group. With Project 400, Weiner and Paulus specialized in creating avante-garde musical productions which married classic theater and modern music. These included a rock version of The Tempest, an R&B Phaedra and a hip-hop Lohengrin.
In collaboration with Paulus, Weiner co-created The Donkey Show, a disco adaptation of A Midsummer Night’s Dream which ran off-Broadway from 1999 to 2005 and was revived in 2009 for Paulus' first production as director of the American Repertory Theater. Critics cited the production as an exemplary of a trend in which edgy avante-garde theater had become fashionably mainstream.
In February 2007, Weiner cofounded (with partners Richard Kimmel and Simon Hammerstein) the Box theater on the Lower East Side of Manhattan. The cabaret theater has drawn attention for its risque burlesque acts. In September 2009, Weiner and Hammerstein announced the opening of Purgatorio, a temporary Halloween-season nightclub with a macabre sex-based theme.
Weiner has served on the Advisory Committee on the Arts at Harvard University. He has guest lectured on theater arts at Columbia University, Barnard College, New York University, and Yale.
- "WEDDINGS; Diane M. Paulus, Randy Weiner", New York Times, October 1, 1995
- Colleen Walsh, "Paulus reaches beyond boards", Harvard Gazette, 23 April 2009
- Ricky Spears, "Quick Wit: Anna Wilson ", TheaterMania, 7 July 2000
- Eric V. Copage, "Not Your Mother's Musical, and That's the Point", The New York Times, 6 September 1999
- Megan Tench, "Disco inferno", The Boston Globe, August 23, 2009
- Arnold Aronson, American Avant-garde Theatre: a History, Routledge; 1 ed. (2000), p.207
- Spencer Morgan, "The Box Feeling a Little Boxed In", New York Observer, September 16, 2008
- Allen Salkin, "Imperiled, the Box Defends Itself ", New York Times, September 26, 2008
- "Club Wide Shut", New York Post, September 15, 2009
- Practice & Performance: The Guide to the Arts at Harvard, Harvard University, 20th Edition, 2003/4