Raygun Gothic
Raygun Gothic is a catchall term for a visual style that incorporates various aspects of the Googie, Streamline Moderne and Art Deco architectural styles when applied to retro-futuristic science fiction environments. Academic Lance Olsen has characterised Raygun Gothic as "a tomorrow that never was".[1] The style has also been associated with architectural indulgence, and situated in the context of the golden age of modern design due to its use of features such as "single-support beams, acute angles, brightly colored paneling" as well as "shapes and cutouts showing motion"[2]
Origin [edit]
The term was coined by William Gibson in his story "The Gernsback Continuum":[2]
Cohen introduced us and explained that Dialta [a noted pop-art historian] was the prime mover behind the latest Barris-Watford project, an illustrated history of what she called "American Streamlined Modern." Cohen called it "raygun Gothic." Their working title was The Airstream Futuropolis: The Tomorrow That Never Was.
— William Gibson, The Gernsback Continuum[3]
Citations [edit]
- ^ Olsen, Lance. ""The Future of Narrative": Speculative Criticism: or Thirteen Ways of Speaking in an Imperfect Tense". ParaDoxa 4 (11): 375. Retrieved 2007-11-03.
- ^ a b "Raygun Gothic and Populuxe Culture: The Next American City, Today!". The Next American City. 2008-01-14. Archived from the original on 2008-02-21. Retrieved 2008-01-21.
- ^ "The Gernsback Continuum" in Gibson, William (1986). Burning Chrome. New York: Arbor House. ISBN 978-0-87795-780-5.
References [edit]
- Alonso, Carlos (1998). Julio Cortázar. Cambridge: Cambridge University Press. ISBN 978-0-521-45210-6.
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