Reg Hartt

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Reg Hartt
Cineforum.JPG
Reg Hartt’s Cineforum
Born Reginald Hartt
(1946-06-12) June 12, 1946 (age 68)
Rothwell, New Brunswick, Canada
Occupation film historian, film critic, orator, author
Nationality Canadian
Period 1965-present
Subject Film

www.cineforum.ca

Reg Hartt (born on June 12, 1946 in Rothwell, New Brunswick) is a film archivist in Toronto, Ontario, Canada, who is well known for his unique staging of films that cover all aspects of the art of motion pictures from their inception to the present. His programs are shown in his 40 seat theatre "The Cineforum". Admission is various prices according to the program. It is generally $20 ($10 under 24) although Hartt may charge up to $100 for his spoken word programs - especially his talk: "What I Learned From LSD".

Early career[edit]

Beginning in 1965, Hartt originally screened his films in rented locations. These included the Bathurst Street Church and the Spadina Hotel, as well as Sneaky Dee's, Rochdale College and locations on Queen Street West and Mirvish Village. From 1970 to 1975 he served as Director Of Cinema Studies at Toronto’s Rochdale College. He has lectured at art galleries, colleges, museums, schools, theatres and universities across Canada and in The United States.

The Cineforum[edit]

Since 1992 he has shown the movies in his house on Bathurst Street. The screening room is his front parlour. A neon sign reading "Cineforum" placed in the front window indicates his presence. An inscription in ancient Greek over the front door reads "abandon all hope, ye who enter here." Hartt’s characteristic black and white typewriter-text-with-film-stills advertising posters are ubiquitous around downtown Toronto to the point where they were used as part of the background of a comic book cover.[1] He can be seen occasionally riding his bicycle with a big stack of them in the front basket.

Film presentations[edit]

The films he screens are generally old and tend to the bizarre; typical programs include "the anarchist surrealist hallucinatory film festival" featuring works of Man Ray, Salvador Dalí and Luis Buñuel, or "the sex and violence cartoon festival", featuring racy Bugs Bunny cartoons including some of the infamous Censored Eleven. Other offerings include "Kid Dracula" (Murnau's Nosferatu set to Radiohead's Kid A) and a clean print of Leni Riefenstahl's Triumph of the Will. Although met with controversy, his screening of Triumph of the Will is understood to be educational and has been described as such by Bernie Farber (national director of community relations for the Canadian Jewish Congress), and author Jane Jacobs, among others.[2] His collection includes many rare items and he has also screened rare films by Winsor McCay and Mike Jittlov .[3]

Past presentations have included guest programmers. The complete Zatoichi film franchise series was hosted by Grey Coyote of Paradise Bound Music. Charlie Huisken of This Ain't the Rosedale Library is a frequent guest programmer, as was Texas Tony Watt, Jamie Ross, Andre Skinner of Canteen Knockout. Nima Hoda did an in-depth look at the music of Bernard Herrmann for Jason and the Argonauts.[4][5]

Hartt is known for delivering inspired addresses on the subject of Jesus Christ, cartoons, or anecdotes concerning his varied life experiences as a prologue to, or during the breaks in his longer programs. His residency at Rochdale College, where he was director of cinema studies, is the topic of a spoken word performance, and he has hosted some of the city’s most notorious poetry readings[6] Well known by many of Toronto’s residents, Hartt has been host to many famous artists and writers, including writer John Robert Colombo, film historian Elwy Yost, rock journalist Al Aronowitz, Jane Jacobs, science-fiction writer Judith Merril, British artist Peter Moore[disambiguation needed], Bob Clampett, Friz Freleng, Grim Natwick, Shamus Culhane, Bernard B. Brown, and Pierre Berton, who gave his last public reading at the Cineforum.

Quotes about[edit]

  • “Reg Hartt is what living in a metropolis is all about. He personifies the city as a meeting place of ideas, as a feast of experience and discussion and debate, as a triumph of the original and provoking over the banal and soporific.” – Michael Valpy, The Globe and Mail
  • “Some audience members were visibly distressed by the frequency and force of Hartt’s interjections into the program but it is clearly his chosen way of doing things, and the payoff in information is worth it. He has many good stories to tell: about Oswald the Lucky Rabbit’s transformation into Mickey Mouse, Disney’s most enduring character; about the furor that greeted the creation of Tweety Pie, which subsided only when the artists painted him yellow; and much valuable technical information for the animation students. He has some interesting tales about Mel Blanc, Warner Brothers' resident genius of voice acting, as he continues the series with a full scale look at the Warner work of Chuck Jones, Bob Clampett, Friz Freleng, and others. It’s the best work of its kind you will see anywhere because, except in rare oases in the United States and Eastern-Europe, they don’t make them like that anymore.” – Paul McGrath, The Globe and Mail
  • “Surrealism is an art movement that requires and deserves explanation, and Hartt did that well.” - Barend Keifte, The Muse. St. John’s, Newfoundland (July l5, 1988)
  • “Some time ago I attended a showing of the Nazi propaganda film, Triumph of the Will, in a program put on by Reg Hartt (who) prefaced the film with an excellent commentary on the frightening skill with which expert propagandists can manipulate and fool unwary, credulous or self-deceived viewers. I thought the program was eminently educational, indeed almost a necessary form of education in the sense that it so vividly and effectively inoculated viewers against accepting propaganda at face value. The program went way beyond the all-too-common hassle over good versus bad propaganda because it was anti-propaganda of any sort: anti-manipulation. – Jane Jacobs, activist, author, urbanologist

Written works[edit]

Many of Hartt’s written works have been self-published in small press formats. One of his most celebrated pieces is his three-word-per-line free-verse adaptation of The Epic of Gilgamesh. Others include - "The Night They Raided Rochdale College", and special publications, DVDs and CDs related to symposia with animation legends Bob Clampett, Friz Freleng, Grim Natwick and Shamus Culhane.

References[edit]

  1. ^ The Punisher 2, Marvel Comics (2004)
  2. ^ The Telegraph Journal, St. John, New Brunswick, September 20, 1995
  3. ^ REF The Kensington Drum, April 1995
  4. ^ http://cineforum.ca
  5. ^ http://www.tribute.ca/movies/nima-hoda-speaks-on-bernard-herrmanns-music-for-jason-and-the-argonauts/17398/
  6. ^ Eye Magazine, May 13th, 1993
  • All About Toronto's Reg Hartt, Film Archivist
  • Eckler, Rebecca. 'Home' movies like you've never seen before. National Post. Don Mills, Ont.: Aug 25, 1999. pg. B.3
  • Sloan, Will. "Could This Be Your Last Chance to Hear Reg Hartt?" "The Varsity." Toronto, Ont.: January 20, 2009.
  • Valpy, Michael. "The life and times of Reg Hartt." The Globe and Mail. Toronto, Ont.: Mar 9, 1995. pg. A.2
  • Wherry, Aaron. "Reg Hartt's favourite eatery is his kitchen." National Post. Don Mills, Ont.: May 17, 2003. pg. TO.2

External links[edit]