Regan (King Lear)

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Regan

Goneril and Regan by Edwin Austin Abbey
Creator William Shakespeare
Play King Lear

Regan is a fictional character in William Shakespeare's tragic play, King Lear.

Role in play[edit]

She is the middle child of King Lear's daughters and is married to the Duke of Cornwall. Similarly to her older sister, Goneril, Regan is attracted to Edmund.[1] Both sisters are eager for power and even convince their father with false flattery to hand over his kingdom.

"Sir, I am made
Of the self same metal that my sister is,
And prize me at her worth. In my true heart,
I find she names my very deed of love;
Only she comes too short, that I profess
Myself an enemy to all other joys,
Which the most precious square of sense possesses,
And find I am alone felicitate
In your dear highness' love."

-Regan's falsely flattering speech to King Lear, King Lear 1.1.67-74.[2]

Later in the play, Lear leaves his kingdom to live with Goneril. She rejects him. After Lear leaves Goneril’s house, he asks Regan to take him in. She tells him he has too many servants and knights, just as Goneril had. Unwilling to budge, Regan drives Lear out into the storm.

In the final Act, Goneril poisons Regan’s drink after learning that they share a desire for Edmund. Regan cries, “Sick, O sick!” to which Goneril replies in an aside, “If not, I’ll ne’er trust medicine,” (5.3. 97-98).[3] Regan quickly becomes ill and dies.

Stanley Cavell notes Regan's characteristic relish building upon and outdoing others' evils: "[S]he has no ideas of her own, her special vileness is always to increase the measure of pain that others are prepared to inflict; her mind itself is a lynch mob." (291)[4]

Performance on screen[edit]

References[edit]

  1. ^ Auden, W.H. Lectures on Shakespeare. Ed. Kirsch, Arthur. Princeton University Press, New Jersey, 2000. 219-230.
  2. ^ Shakespeare, William. King Lear. The Norton Shakespeare: Tragedies. Ed. Greenblatt, Cohen, Howard, Maus. W.W Norton and Company, 1997. 707-781.
  3. ^ Shakespeare, William. King Lear. The Norton Shakespeare: Tragedies. Ed. Greenblatt, Cohen, Howard, Maus. W.W Norton and Company, 1997. 707-781.
  4. ^ Cavell, Stanley. The Avoidance of Love. Must We Mean What We Say?. Cambridge University Press, Cambridge. 1976. 267-353.

Further reading[edit]

  • Smiley, Jane. A Thousand Acres. Ivy Books, 1996. Print.
  • Fischlin, Daniel and Fortier, Mark. Adaptations of Shakespeare. Feinstein, Elaine and the Women’s Theatre Group. Lear’s Daughters. 215-232. Routledge, 2000. Print

External links[edit]