Reggae en Español
||This article possibly contains original research. (June 2013)|
|This article needs additional citations for verification. (June 2013)|
|Reggae en Español|
|Stylistic origins||Reggae, dancehall|
|Cultural origins||Panama & Puerto Rico|
|Typical instruments||Drums - Bass guitar - Guitar - Organ
Spanish-language dancehall: Drum machine - Sampler - Synthesizer - Organ
|Panama, Puerto Rico|
|Music of Panama, Music of Puerto Rico|
Reggae en Español (in English, Spanish Reggae) is reggae and dancehall music recorded in the Spanish language by artists of Latin American origin. It originated in the mid-1970s in Panama and further developed in the 1980s in Puerto Rico. Reggae en Español goes by several names: in Puerto Rico it is called Roots en Español while in Panama it is called La Plena, not to be confused with Afro-Puertorican plena although closely related. In 2000's it had a major scene in parts of Mexico, with a little influence of reggae(from Jamaica) and reggaeton from Puerto Rico.
Currently, Reggae en Español contains three main sub-genres: reggae 110, reggae bultrón and romantic flow. In addition, and although technically they would not fall into the category of Reggae en Español because their beats are not directly derived from Jamaican dancehall rhythms, Reggae en Español also includes two music fusions: reggae soca and reggaeton.
Reggae as a musical genre has its origins in Jamaica, and it became popular throughout the 1970s in the black-immigrant communities of the other British West Indies, North America, and Great Britain. Jamaican reggae was embraced in the Spanish-speaking world first in Panama by the descendants of black workers that immigrated to the Isthmus during the construction of the Panama Railroad (mid-19th century), the railways for the banana companies (late 19th century), and the Panama Canal (early 20th century). Prior to the period of construction of the Panama Canal (1904–1915), most of the Afro-Caribbean communities in Panama were of Jamaican descent, but with the construction of the canal these communities grew in diversity with immigrants from other parts of the Caribbean such as Barbados, Martinique, Guadeloupe, Haiti, Trinidad, French and British Guyana and other Caribbean Islands.
In 1977, a Guyanese immigrant who went by the nickname "Guyana", along with a local DJ known as "Wassabanga" introduced for first time the reggae rhythms in Panama with lyrics in Spanish. Wassabanga's music along with later interpreters such as Rastanini and Calito Soul, were perhaps the first remarkable cases of Reggae en Español, at a time when many Panamanians were already developing a musical and spiritual bond with the Mecca of reggae music (Kingston, Jamaica), a bond catalyzed mainly by the call to arms issued by the music of Bob Marley.
In 1984, Hernando Brin produced the first record in the world of Reggae in Spanish on vinyl, called Treadmit, composed by Calvin Calderon (Omega), Hactor Wakler, Erick Green (Gringo) and Hernando Brin (Super Nandi). The record was produced by record label Prodim in Panama, and it included the first song by Rastanini called "Padre Por Favor Educa a los Niños" (Father Please Educate the Children).
In the early-mid-1980s, Panamanians like Renato, El General, Nando Boom, El Maleante, and Chicho Man started to take Jamaican dancehall songs and beats, singing over them with Spanish lyrics, most of the time preserving the melodies and the rhythms. They also sped up riddims, and added Hispanic and Latino elements to them. This style was called Reggae en Español or "Spanish Reggae". The music continued to grow throughout the 1980s, with many stars developing in Panama.
Between the 1980s and 1990s, the Panamanian artist Chicho Man emerged as one of the greater exponents of Panamanian reggae. In his short five-year career as an artist, he introduced the "romantic" element in Spanish Reggae, and produced only one LP which included songs like "La Noche Que Te Conocí", "Lady in Red", "Llega Navidad", "Muévela", "No Quiero Ir a Isla Coiba" and "Un Nuevo Estilo". His songs were recorded in a warehouse, where a Panamanian producer called Calito LPD produced reggae instrumental tracks and recorded them in cassette. After serving a term in US prison he announced his withdrawal from the reggae scene to become a Christian preacher.
In the 1990s, the genre had grown in Panama. In 1996, came artists such as Aldo Ranks, El Renegado, Jam & Suppose who sang the hit "Camión Lleno de Gun". Jr. Ranks and Tony Bull already had good records with late singer Danger Man and they formed the musical group called The Killamanjaros. By the other side in the year 1991, the singer Apache Ness with Papa Chan, Kafu Banton, Calito Soul, Wassa Banga, and Original Dan decided to join forces and create the foundation "One Love One Blood" singing about urban street experiences under the rhythm called reggae bultrón.
Later in Panama, the romanticism had been mixed with the reggae and the reggae romántico ("romantic reggae"), now better known as romantic flow, was born. Those who keep alive the reggae with romantic lyrics are the following: Flex (aka Nigga), El Roockie, El Aspirante, Kathy Phillips, Eddy Lover, Tommy Real, Makano, Catherine, as well as groups like: Raíces y Cultura and La Factoría who became famous by the Panamanian producer Irving DiBlasio.
In 1996, considered the golden age of Panamanian reggae, appeared the productions Los Cuentos de la Cripta and La Mafia by the producer El Chombo, with songs like: "Las Chicas Quieren Chorizo" (The Girls Want Chorizo) by Wassabanga, "El Cubo de Leche" sung by Jam & Suppose and "Estaban Celebrando" by Aldo Ranks.
In 1997, the first Puerto Rican artists who visited Panama were: Ivy Queen, Baby Rasta & Gringo, with productions like "Cierra los Ojos Bien" by Baby Rasta and "Reggae Respect" by Ivy Queen. Puerto Ricans also dominated Reggae en Español as well as reggaeton.
In 1999, the Panamanian reggaeton became accepted internationally on productions as: "Papi Chulo" by Lorna, "El Gato Volador" (The Flying Cat) by Los Cracker Jack composed by Carlos Córdoba and Steve Valois, with the producer El Chombo in the productions of Los Cuentos de la Cripta 3, under Sony Music.
Later, the Panamanian productions divided into reggae 110, dancehall and roots reggae, with peace and reflexion lyrics, like in Jamaican reggae. Today the Reggae en Español market is controlled by many Puerto Rican musicians and bands, such as Cultura Profética, which have been very successful.
Reggae en Español is the antecessor of the reggaeton popularized in Puerto Rico. Reggaeton is of Jamaican, Panamanian and Puerto Rican origin and is based on a percussion/drum pattern known as "Dem Bow". Reggae en Español, on the other hand, comes to resemble Jamaican reggae and dancehall in most aspects. Musicians who play Reggae en Español have long abandoned the use of "Dem Bow" (Poco Man jam riddim), and have adopted newly imported or newly created Jamaican-inspired riddims.
- Wayne Marshall (2006-01-19). "Rise of Reggaetón". The Phoenix. Retrieved 2006-07-24.
- Historia del Reggae En Español (La Plena) - LATINBEATMAG.COM "
- Before the Reggaeton History - REGGAE.COM.PA
-  THE AFRICAN PRESENCE IN PANAMA--FROM THE CANAL TO COLON CITY
- The Roots of Reggaeton called "Reggae en español"
- Manuel, Peter. Caribbean Music from Rumba to Reggae, 2 edition. March 28, 2006. Temple University Press. Retrieved on 2009-02-10.
- "Soy el 1er cantante de reggae en Panamá (I'm the first singer of reggae in Panama)"
- Chicho Man, the missionary of God
- Jam & Suppose - Camion lleno de Gun
- Apache Ness, One Love One Blood
- MiDiario.Com: "DIBLASIO catolic music awards". Url
- Exito del Papichulo
- "El reggaetón es de origen panameño". La de Dios. October 13, 2009. Retrieved 2011-12-13.
Official Reggae in Spanish websites
- Reggae Argentino
- Reggae en españa
- Reggae en Venezuela
- El Rasta - Reggae en español
- Puertoreggae - Reggae en Puerto Rico
- Raíces Rústicas - Reggae Lounge