|This article relies largely or entirely upon a single source. (June 2012)|
Regina Sarfaty (born 1934), later "Regina Sarfaty Rickless" after her marriage to Elwood A. Rickless in 1963, is an American operatic mezzo-soprano who had an active career during the 1950s through the 1980s. Sarfaty first rose to prominence through her work at the Santa Fe Opera and the New York City Opera during the late 1950s. She later enjoyed international success in the 1960s and 1970s, and had a particularly lengthy career singing with the Zurich Opera.
Born in Rochester, New York, Sarfaty grew up in Brooklyn, New York. She won a scholarship to the Juilliard School where she matriculated in 1952, graduating five years later with a bachelors of music. While a student she began to perform professionally in operas and concerts.
Sarfaty's first major success was at the Santa Fe Opera in 1957 as Rosina in The Barber of Seville. She gave three other lauded performances with the company during that summer season, Suzuki in Puccini's Madama Butterfly, Baba the Turk in The Rake's Progress, and Tabitha in the world premiere of Marvin David Levy's The Tower. Sarfatay returned regularly to the SFO through 1968, portraying such roles as Clarion in Richard Strauss's Capriccio, Dorabella in Così fan tutte, Meg Page in Falstaff, Jane Seymour in Anna Bolena, Prince Orlofsky in Die Fledermaus, and the title roles in Regina and Carmen among others. She also sang the role of Nelly in the world premiere of Carlisle Floyd's Wuthering Heights in 1958 and Agave in the United States premiere of Hans Werner Henze's The Bassarids in 1968 with the SFO.
In 1958 Sarfaty made her debut with the New York City Opera as the Widow Zimmerlein in Strauss's Die schweigsame Frau. She sang regularly with the NYCO through 1962, in roles like Angelina in La cenerentola, Cherubino in The Marriage of Figaro, the title role in Maria Golovin, and Jocasta in Oedipus Rex. She also sang in two world premieres with the company, the role of "the Mezzo" in Hugo Weisgall's Six Characters in Search of an Author and in Douglas Moore's The Wings of the Dove.
Sarfaty made her European debut as Octavian in Der Rosenkavalier in 1960 at the Glyndebourne Festival, returning there four years later to portray Adelaide in Arabella. She sang Carmen for her debut with the Frankfurt Opera in 1963, also singing Octavian with the company that season. Appearances at other major opera houses soon followed, including the Bavarian State Opera and the Vienna State Opera. In 1969 she sang Carmen at the Opéra National de Paris.
Sarfatay joined the roster of principal singers at Zurich Opera in the early 1960s and remained active there up through the late 1970s. In Zurich she was particularly admired for her portrayal of Countess Geschwitz in Alban Berg's Lulu. She also appeared in the world premiere of Rudolph Kelterborn's Die Befreiung Thebens in Zurich in 1963.
Sarfaty continued to appear in operas into the mid 1980s. In 1981 she sang Mrs Herring in Albert Herring at the Grand Théâtre de Genève. One of her last appearances was at the Baltimore Opera in 1984 as Madame Croissy in Dialogues of the Carmelites.