Ancient Greek religion

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Greek religion (alternatively Hellenism, Greek: Ἑλληνισμός) encompasses the collection of beliefs and rituals practiced in ancient Greece in the form of both popular public religion and cult practices. These different groups varied enough for it to be possible to speak of Greek religions or "cults" in the plural, though most of them shared similarities.

Many Greek people recognized the major (Olympian) gods and goddesses: Zeus, Poseidon, Hades, Apollo, Artemis, Aphrodite, Ares, Dionysus, Hephaestus, Athena, Hermes, Demeter, Hestia, and Hera though philosophies such as Stoicism and some forms of Platonism used language that seems to posit a transcendent single deity. Different cities often worshiped the same deities, sometimes with epithets that distinguished them and specified their local nature.

The religious practices of the Greeks extended beyond mainland Greece, to the islands and coasts of Ionia in Asia Minor, to Magna Graecia (Sicily and southern Italy), and to scattered Greek colonies in the Western Mediterranean, such as Massalia (Marseille). Greek religion was tempered by Etruscan cult and belief to form much of the later Ancient Roman religion.

Beliefs

Zeus, the king of the gods, and controller of thunder and the sky.

While there were few concepts universal to all the Greek peoples, there were common beliefs shared by many.

Theology

Ancient Greek theology was based on polytheism; that is, the assumption that there were many gods and goddesses. There was a hierarchy of deities, with Zeus, the king of the gods, having a level of control over all the others, although he was not omnipotent. Some deities had dominion over certain aspects of nature. For instance, Zeus was the sky-god, sending thunder and lightning, Poseidon ruled over the sea and earthquakes, Hades projected his remarkable power throughout the realms of death and the Underworld, and Helios controlled the sun. Other deities ruled over an abstract concept; for instance Aphrodite controlled love.

While being immortal, the gods were not all powerful. They had to obey fate, which overrode all. For instance, in mythology, it was Odysseus' fate to return home to Ithaca after the Trojan War, and the gods could only lengthen his journey and make it harder for him, but they could not stop him.

Aphrodite riding a swan: Attic white-ground red-figured kylix, ca. 460, found at Kameiros (Rhodes)

The gods acted like humans, and had human vices. They would interact with humans, sometimes even spawning children with them. At times certain gods would be opposed to others, and they would try to outdo each other. In the Iliad Zeus, Aphrodite, Ares and Apollo support the Trojan side in the Trojan War, while Hera, Athena and Poseidon support the Greeks (see theomachy).

Some gods were specifically associated with a certain city. Athena was associated with the city of Athens, Apollo with Delphi and Delos, Zeus with Olympia and Aphrodite with Corinth. Other deities were associated with nations outside of Greece; Poseidon was associated with Ethiopia and Troy, and Ares with Thrace.

Identity of names was not a guarantee of a similar cultus; the Greeks themselves were well aware that the Artemis worshipped at Sparta, the virgin huntress, was a very different deity from the Artemis who was a many-breasted fertility goddess at Ephesus. When literary works such as the Iliad related conflicts among the gods these conflicts were because their followers were at war on earth and were a celestial reflection of the earthly pattern of local deities.[citation needed] Though the worship of the major deities spread from one locality to another, and though most larger cities boasted temples to several major gods, the identification of different gods with different places remained strong to the end.

Poseidon, the god of the sea, as depicted on a statue in Copenhagen, Denmark.

Afterlife

See Greek Underworld

The Greeks believed in an underworld where the spirits of the dead went after death. It was commonly supposed that unless the proper funeral rituals were performed, the deceased person's spirit would never reach the underworld and so would haunt the upper world as a ghost forever. There were various views of the underworld, and the idea changed over time.

One of the most widespread areas of the underworld was known as Hades. This was ruled over by a god, a brother of Zeus, who was called Hades (his realm was originally called 'the place of Hades'). Another realm, called Tartarus, was the place where the damned were thought to go, a place of torment. A third realm, Elysium, was a pleasant place where the virtuous dead and initiates in the mystery cults were said to dwell. In the early Mycenean religion all the dead went to Hades, just as in early Judaism all the dead went to Sheol. When Odysseus visits Hades in Odyssey 11, Achilles tells him he would rather be a farmer's servant on the face of the earth than king of Hades. The rise of mystery cults in the Archaic age led to the development of places such as Tartarus and Elysium.

A mosaic depicting the hero Herakles with Cerberus, a three-headed dog, who, according to mythology, guarded Hades.

A few, like Achilles, Alcmene, Amphiaraus Ganymede, Ino, Melicertes, Menelaus, Peleus, and a great number of those who fought in the Trojan and Theban wars, were considered to have been physically immortalized and brought to live forever in either Elysium, the Islands of the Blessed, heaven, the ocean, or literally right under the ground. Such beliefs are found in the most ancient Greek sources, such as Homer and Hesiod. This belief held strong even into the Christian era. For most people at the moment of death there was, however, no hope of anything but continued existence as a disembodied soul.[1]

Some Greeks, such as the philosophers Pythagoras and Plato, also espoused the idea of reincarnation, though this was only accepted by a few. Epicurus taught that the soul was simply atoms which dissolved at death, so there was no existence after death.

Mythology

See Greek mythology
The Judgment of Paris by Peter Paul Rubens, depicting the three goddesses, Hera, Aphrodite and Athena, in a competition that causes the Trojan War. This is a post-Renaissance painting illustrating the fascination that the nobility in Christian Europe had for the mythology of the ancient Polytheistic Greeks.

Greek religion had an extensive mythology. It consisted largely of stories of the gods and of how they affected humans on Earth. Myths often revolved around heroes and their actions, such as Heracles and his twelve labors, Odysseus and his voyage home, Jason and the quest for the Golden Fleece and Theseus and the Minotaur.

Many different species existed in Greek mythology. Chief among these were the gods and humans, though the Titans also frequently appeared in Greek myths. They predated the Olympian gods, and were hated by them. Lesser species included the half-man, half-horse centaurs, the nature based nymphs (tree nymphs were dryads, sea nymphs were Nereids) and the half man, half goat satyrs. Some creatures in Greek mythology were monstrous, such as the one-eyed giant Cyclopes, the sea beast Scylla, whirlpool Charybdis, Gorgons, and the half-man, half-bull Minotaur.

Many of the myths revolved around the Trojan War between Greece and Troy. For instance, the epic poem, the Iliad, by Homer, is based on the war. Many other tales are based on the aftermath of the war, such as the murder of King Agamemnon of Argos, and the adventures of Odysseus on his return to Ithaca.

There was no one set Greek cosmogony, or creation myth. Different religious groups believed that the world had been created in different ways. One Greek creation myth was told in Hesiod's Theogony. It stated that at first there was only a primordial deity called Chaos, who gave birth to various other primordial gods, such as Gaia, Tartarus and Eros, who then gave birth to more gods, the Titans, who then gave birth to the first Olympians.

The mythology largely survived and was added to in order to form the later Roman mythology. The Greeks and Romans had been literate societies, and much mythology was written down in the forms of epic poetry (such as the Iliad, the Odyssey and the Argonautica) and plays (such as Euripides' The Bacchae and Aristophanes' The Frogs). The mythology became popular in Christian post-Renaissance Europe, where it was often used as a basis for the works of artists like Botticelli, Michelangelo and Rubens.

Festivals

Various religious festivals were held in ancient Greece. Many were specific only to a particular deity or city-state. For example, the festival of Lycaea was celebrated in Arcadia in Greece, which was dedicated to the pastoral god Pan. There were also the Games held each year in different locations, culminating in the Olympic Games, which were held every 4 years. These celebrated Zeus.

Morality

One of the most important moral concepts to the Greeks was a fear of committing hubris, which constituted many things, from rape to desecration of a corpse.[2][3] It was a crime in the city-state of Athens. Although pride and vanity were not considered sins themselves, the Greeks emphasized moderation. Pride only became hubris when it went to extremes, like any other vice. The same was thought of eating and drinking. Anything done to excess was not considered proper. Ancient Greeks placed, for example, importance on athletics and intellect equally. In fact many of their competitions included both. Pride was not evil until it became all-consuming or hurtful to others.

Sacred texts

Hesiod's Theogony and Works and Days, Homer's Iliad and Odyssey and Pindar's Odes are included as sacred texts[4] as are other works of classical antiquity. These are the core texts that were considered inspired and usually include an invocation to the Muses for inspiration at the beginning of the work. Such texts, however, were not considered inspired in the sense that they had to be believed by everyone. Plato even wanted to exclude the myths from his ideal state described in the Republic because of their low moral tone.

Practices

Ceremonies

The ruins of a temple devoted to Zeus. Whilst these have not been used for ancient Greek polytheism worship for many centuries, in recent years Greek neo-Polytheists have begun to use them again. They are also popular sites for tourists.

Greek ceremonies and rituals were mainly performed at altars. These were typically devoted to one or a few gods, and supported a statue of the particular deity. Votive deposits would be left at the altar, such as food, drinks, as well as precious objects. Sometimes animal sacrifices would be performed here, with most of the flesh eaten, and the offal burnt as an offering to the gods. Libations, often of wine, would be offered to the gods as well, not only at shrines, but also in everyday life, such as during a symposium.

One ceremony was pharmakos, a ritual involving expelling a symbolic scapegoat such as a slave or an animal, from a city or village in a time of hardship. It was hoped that by casting out the ritual scapegoat, the hardship would go with it.

Sacrifice

Worship in Greece typically consisted of sacrificing domestic animals at the altar with hymn and prayer. Parts of the animal were then burned for the gods; the worshippers would eat the rest. The evidence of the existence of such practices is clear in some ancient Greek literature, especially in Homer's epics. Throughout the poems, the use of the ritual is apparent at banquets where meat is served, in times of danger or before some important endeavor to gain the favor of the gods. For example, in Homer's the Odyssey Eumaeus sacrifices a pig with prayer for his unrecognizable master Odysseus. In Homer's the Iliad, which may describe Greek civilization centuries earlier, every banquet of the princes begins with a sacrifice and prayer. These sacrificial practices, described in these pre-Homeric eras, share commonalities to the 8th century forms of sacrificial rituals. Furthermore, throughout the poem, special banquets are held whenever gods indicated their presence by some sign or success in war. Before setting out for Troy, this type of animal sacrifice is offered. Odysseus offers Zeus a sacrificial ram in vain. The occasions of sacrifice in Homer's epic poems may shed some light onto the view of the gods as members of society, rather than as external entities, indicating social ties. Sacrificial rituals played a major role in forming the relationship between humans and the divine.[5]

Rites of passage

One rite of passage was the amphidromia, celebrated on the fifth or seventh day after the birth of a child. Childbirth was extremely significant to Athenians, especially if the baby was a boy.

Mystery religions

Those who were not satisfied by the public cult of the gods could turn to various mystery religions which operated as cults into which members had to be initiated in order to learn their secrets.

Here, they could find religious consolations that traditional religion could not provide: a chance at mystical awakening, a systematic religious doctrine, a map to the afterlife, a communal worship, and a band of spiritual fellowship.

Some of these mysteries, like the mysteries of Eleusis and Samothrace, were ancient and local. Others were spread from place to place, like the mysteries of Dionysus. During the Hellenistic period and the Roman Empire, exotic mystery religions became widespread, not only in Greece, but all across the empire. Some of these were new creations, such as Mithras, while others had been practiced for hundreds of years before, like the Egyptian mysteries of Osiris.

History

Origins

Mainstream Greek religion appears to have evolved from the earlier Mycenaean religion from the Mycenaean civilization of Bronze Age Greece. The Mycenaeans, according to archaeological discoveries, seemed to treat Poseidon as the chief deity. It may also have absorbed the beliefs and practices of earlier, nearby cultures, such as Minoan religion. Herodotus traced many Greek religious practices to Egypt.

A Roman statue of the God Apollo, who had initially been Greek.

Classical antiquity

The mainstream religion of the Greeks did not go unchallenged within Greece. Several notable philosophers criticised a belief in the gods. The earliest of these was Xenophanes, who chastised the human vices of the gods as well as their anthropomorphic depiction. Plato did not believe in many deities, but instead believed that there was one supreme god, whom he called the Form of the good, and which he believed was the emanation of perfection in the universe. Plato's disciple, Aristotle, also disagreed that polytheistic deities existed, because he could not find enough empirical evidence for it. He believed in a Prime Mover, which had set creation going, but was not connected to or interested in the universe.

Roman Empire

When the Roman Republic conquered Greece in 146 BC, it took much of Greek religion (along with many other aspects of Greek culture such as literary and architectural styles) and incorporated it into its own. The Greek gods were equated with the ancient Roman deities; Zeus with Jupiter, Hera with Juno, Poseidon with Neptune, Aphrodite with Venus, Ares with Mars, Artemis with Diana, Athena with Minerva, Hermes with Mercury, Hephaestus with Vulcan, Hestia with Vesta, Demeter with Ceres, Hades with Pluto, Tyche with Fortuna, and Pan with Faunus. Some of the gods, such as Apollo and Bacchus, had earlier been adopted by the Romans. There were also many deities that existed in the Roman religion before its interaction with Greece that weren't associated with a Greek deity, including Janus and Quirinus.

Hellenism revivals

A ceremony at the annual Prometheia festival of the Greek polytheistic group Supreme Council of Ethnikoi Hellenes, June 2006.

Greek religion and philosophy has experienced a number of revivals, in the arts, humanities and spirituality of the Renaissance as well as with the contemporary "Hellenism", as it is sometimes called (a term first used by the last pagan Roman emperor Julian), or the Hellenic Ethnic Religion (Greek: Ελληνική Εθνική Θρησκεία).

Modern Hellenism reflects Neoplatonic/Platonic speculation (which is represented in Porphyry, Libanius, Proclus, and Julian), as well as classical cult practice. However, there are many fewer followers than Greek Orthodox Christianity. According to estimates reported by the U.S. State Department, there are perhaps as many as 2,000 followers of the ancient Greek religion out of a total Greek population of 11 million,[6] however Hellenismos leaders place that figure at 100,000 followers.[7]

See also

Notes

  1. ^ Erwin Rohde Psyche: The Cult of Souls and Belief in Immortality among the Greeks. New York: Harper & Row 1925 [1921]; Dag Øistein Endsjø. Greek Resurrection Beliefs and the Success of Christianity. New York: Palgrave Macmillan 2009.
  2. ^ Omitowoju, P.36
  3. ^ Cartledge, Millet & Todd, P.126
  4. ^ Religions of the ancient world: a guide
  5. ^ Meuli 1946
  6. ^ Greece. State.gov. Retrieved on 2013-07-28.
  7. ^ Hellenic Religion today: Polytheism in modern Greece. YouTube (2009-09-22). Retrieved on 2013-07-28.

References

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  • Walter Burkert, Greek Religion. Boston: Harvard University Press, 1987. ISBN 0-674-36281-0. Widely regarded as the standard modern account.
  • Walter Burkert, Homo necans, 1972.
  • Cook, Arthur Bernard, Zeus: A Study in Ancient Religion, (3 volume set), (1914–1925). New York, Bibilo & Tannen: 1964. ASIN B0006BMDNA
    • Volume 1: Zeus, God of the Bright Sky, Biblo-Moser, June 1, 1964, ISBN 0-8196-0148-9 (reprint)
    • Volume 2: Zeus, God of the Dark Sky (Thunder and Lightning), Biblo-Moser, June 1, 1964, ISBN 0-8196-0156-X
    • Volume 3: Zeus, God of the Dark Sky (earthquakes, clouds, wind, dew, rain, meteorites)
  • Dodds, Eric Robertson, The Greeks and the Irrational, 1951.
  • Mircea Eliade, Shamanism: Archaic Techniques of Ecstasy, 1951.
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  • Lewis Richard Farnell, Greek Hero Cults and Ideas of Immortality, 1921.
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  • Jane Ellen Harrison, Prolegomena to the Study of Greek Religion, 1903. An early classic, against which many modern accounts have reacted.
  • Jane Ellen Harrison, Themis: A Study of the Social Origins of Greek Religion, 1912.
  • Jane Ellen Harrison, Epilegomena to the Study of Greek Religion, 1921.
  • Karl Kerényi, The Gods of the Greeks
  • Karl Kerényi, Dionysus: Archetypical Image of Indestructible Life
  • Karl Kerényi, Eleusis: Archetypal Image of Mother and Daughter. The central modern accounting of the Eleusinian Mysteries.
  • Jennifer Larson, Ancient Greek Cults:A Guide New York: Routledge, 2007. ISBN 978-0-415-32448-9
  • Karl Meuli, Griechische Opferbräuche, 1946,
  • Karl Meuli, Scythica, 1935.
  • Jon D. Mikalson, Athenian Popular Religion. Chapel Hill: University of North Carolina Press, 1983. ISBN 0-8078-4194-3.
  • William Mitford, The History of Greece, 1784. Cf. v.1, Chapter II, Religion of the Early Greeks
  • Clifford H. Moore, The Religious Thought of the Greeks, 1916.
  • Martin P. Nilsson, Greek Popular Religion, 1940.
  • Martin P. Nilsson, History of Greek Religion, 1949.
  • Robert Parker, Athenian Religion: A History Oxford: Clarendon Press, 1996. ISBN 0-19-815240-X.
  • Andrea Purvis, Singular Dedications: Founders and Innovators of Private Cults in Classical Greece, 2003.
  • William Ridgeway, The Dramas and Dramatic Dances of non-European Races in special Reference to the Origin of Greek Tragedy, with an Appendix on the Origin of Greek Comedy, 1915.
  • William Ridgeway, Origin of Tragedy with Special Reference to the Greek Tragedians, 1910.
  • Xavier Riu, Dionysism and Comedy, Lanham: Rowman and Littlefield Publishers, 1999. ISBN 0-8476-9442-9.
  • Erwin Rohde, Psyche: The Cult of Souls and Belief in Immortality among the Greeks, 1925 [1921].
  • William Smith, Dictionary of Greek and Roman Biography and Mythology, 1870.
  • William Smith, Dictionary of Greek and Roman Antiquities, 1870.
  • Martin Litchfield West, The Orphic Poems, 1983.
  • Martin Litchfield West, Early Greek philosophy and the Orient, Oxford, Clarendon Press, 1971.
  • Martin Litchfield West, The East Face of Helicon: west Asiatic elements in Greek poetry and myth, Oxford [England] ; New York: Clarendon Press, 1997.

Further reading