Theatrical release poster
|Directed by||Larry Charles|
|Produced by||Bill Maher
|Written by||Bill Maher|
|Editing by||Jeff Groth
Jeffrey M. Werner
|Running time||101 minutes|
Religulous // is a 2008 American documentary film written by and starring comedian Bill Maher and directed by Larry Charles. The title of the film is a portmanteau derived from the words "religion" and "ridiculous". The documentary examines and mocks organized religion and religious belief.
A range of views on various world religions is explored as Bill Maher travels to numerous religious destinations including Jerusalem, the Vatican, and Salt Lake City, interviewing believers from a variety of backgrounds and groups. These include a former member of Jews for Jesus, Christians, Muslims, former Mormons, and Hasidic Jews. Maher travels to Speakers' Corner in Hyde Park, London, where he "preaches" Scientology beliefs.
Maher said he used a fake title "A Spiritual Journey" for the film to obtain interviews. Creationist Ken Ham of the non-profit group Answers in Genesis, who appeared in the film, was critical of what he called Maher's "deception" to obtain the interview.
The documentary was produced by Thousand Words and distributed by Lions Gate Entertainment. Originally slated for an international release date coinciding with the Christian Easter holiday 2008 (March 23), post-production delays resulting from a screenwriters guild strike pushed the release date back. The film was eventually released on October 3, 2008.
Religulous had an opening weekend take of $3.5 million from an early October 1 release in Los Angeles and New York City and also a limited 502 theater release, averaging $6,972 per theater making it #10 at the box office that weekend. Its per-screen receipts were almost three times those of a competing film to which it has been compared in the media, the politically conservative An American Carol, which edged out Religulous to finish at #9 over the same weekend, but had a per theater average of only $2,325. Only the #1 movie, Beverly Hills Chihuahua, at $9,020, had a higher per-screen average than Religulous.
For the second weekend, Religulous had a 35.5% drop in box office receipts and dropped to #13 with a gross of $2,200,000 at 568 theaters for a per screen average of $3,873.
Religulous grossed over $13 million after having a production budget of $2.5 million. As of 2012, it's 15th among the highest grossing documentaries in the US and was the highest grossing documentary of 2008.
Reviews for Religulous were generally positive. The film received a "Fresh" rating of 70% from Rotten Tomatoes based on 149 reviews, and a "mixed" score of 56 out of 100 at Metacritic based on 31 reviews. Film critic Roger Ebert gave the film a rating of three and a half out of four stars, and wrote: "I report faithfully that I laughed frequently. You may very well hate it, but at least you've been informed. Perhaps you could enjoy the material about other religions, and tune out when yours is being discussed. That's only human nature."
Robert W. Butler of The Kansas City Star gave the film a rating of three stars, and commented: "The film is one-sided, less a measured argument than a bunch of rants and barbed observations. But it’s also very funny, which trumps everything else." Owen Gleiberman of Entertainment Weekly gave the film a rating of A-, and wrote: "The movie is funny as...well, hell." The Canadian Press said the movie "delivers a laugh-out-loud attack on the most sacred of cows." Christie Lemire, of the Associated Press, wrote: "If you're an atheist or an agnostic, you'll be completely on board and happy to tag along with Maher as he travels the globe asking people about their faith — everywhere from Jerusalem to the Vatican to Amsterdam, where he finds not only the Cannabis Ministry but also a Muslim gay bar (with two people in it)." John Anderson of Newsday wrote: "much that's funny, insightful and thought-provoking. But it certainly doesn't give the religious a lot of slack."
The documentary received some negative reviews, with Rick McGinnis of Metro concluding that, "Maher is preaching to the choir with an undisguised dishonesty that only the true believers will forgive." James Berardinelli wrote, "If the subject of religion is as important to Maher as he claims during his end comments, then he should have followed those words with actions and made a movie that's more than a sum of inauthentic interviews, ranting attacks, and obvious observations. The choir may hum along with Maher but the rest of those watching this movie will be singing the blues." Nick Schager of Slant Magazine called it an "atheistic wannabe-dissection of modern faith."
In a review for "The New York Times", Stephen Holden notes that when Maher "turns from evangelical Christianity to Judaism and Islam, its tone becomes uncertain and its rhythm choppy". Sam Greenspan argues that "Jewish people seemed to get handled with kid gloves" by Maher. Muslims however, are portrayed as relentlessly anti-Semitic.
In his review Stephen Holden also wrote that "the movie has the same loose, on-the-road structure" as Larry Charles' previous film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan and commented: "Much of Mr. Maher’s film is extremely funny in a similarly irreverent, offhanded way." Claudia Puig of USA Today wrote: "those with a taste for irreverent humor and clear-eyed analysis will find it funny, enlightening and disturbing." Kirk Honeycutt of The Hollywood Reporter characterized the film as "An often hilarious but relentlessly shallow attack on religious fundamentalism by humorist Bill Maher". Louis Peitzman of the San Francisco Bay Guardian wrote that "It doesn't even matter that he goes out of his way to be offensive, as he's consistently funny enough to pull it off." Scott Indrisek wrote at Style.com that: "Religulous earns many of its laughs from skillful editing, with Maher's interviews jazzed up by video clips". Ben Kenigsberg of Time Out New York gave the film a rating of three out of six stars, and wrote: "The worst scenes in Religulous are appalling for their methods; the best are appalling for their information."
Egyptologist Gerald Massey argued that the deity of Horus and Jesus shared identical mythological origins in his 1907 book Ancient Egypt, the light of the world. These ideas are repeated in the movie by Bill Maher. Christian Theologian W. Ward Gasque composed an e-mail to twenty Egyptologists that he considered leaders of the field, including Professor Emeritus of Egyptology at the University of Liverpool Kenneth Kitchen, and Professor of Egyptology at the University of Toronto Ron Leprohan. The e-mail detailed the comparisons alleged by Massey. Ten out of twenty responded. Those who responded were unanimous in dismissing the proposed etymologies for Jesus and Christ, and one unspecified Egyptologist referred to Alvin Boyd Kuhn's comparison as "fringe nonsense."[non-primary source needed] Massey may have overstated the correspondences between Horus and Jesus in a bid to sell controversy, but he is not the only anthropologist to draw parallels between Jesus and older deities.
Lions Gate Entertainment released the film on DVD February 17, 2009. Special features on the DVD include a commentary with Bill Maher and director Larry Charles, deleted scenes, and extended Bill Maher monologues from around the world that were either edited down or not included in the film at all.
- Christ Myth Theory
- Jesus Christ in comparative mythology
- Jesus Camp
- Religious satire
- The God Who Wasn't There
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