He sang in the Italian premiere of Shostakovich's The Nose and Prokofiev's War and Peace, and in the world premieres of Gian Francesco Malipiero's La donna è mobile, Giorgio Federico Ghedini's Billy Budd and Lord Inferno, and Sylvano Bussotti's L'ispirazione.
In 1951, Capecchi made his New York Metropolitan Opera debut as Germont in La traviata and sang regularly in leading roles there until 1954. After a period of singing primarily in European opera houses, he returned to the Metropolitan Opera in 1975 where he specialized in smaller comic roles in otherwise tragic operas such the Sacristan in Tosca and Benoit and Alcindoro in La bohème.
Amongst the productions Capecchi directed were The Daughter of the Regiment at New York City Opera (1985), Così fan tutte in Susa, Italy (1978), and the US premiere of Giuseppe Gazzaniga's Don Giovanni Tenorio, ossia Il convitato di pietra with the San Francisco Opera Merola Opera Program, in Saratoga, California (1977).
Renato Capecchi taught at the Manhattan School of Music for many years.
- Erik Eriksson, 'Renato Capecchi', Classical Artist Biographies, All Media Guide, 2006. (accessed 7 November 2007)
- Elizabeth Forbes, Obituary: Renato Capecchi, The Independent, July 13, 1998. (accessed 7 November 2007)
- Allan Kozinn, 'Obituary: Renato Capecchi, The New York Times, July 4, 1998. (accessed 7 November 2007)
- Metropolitan Opera Data Base. (accessed 7 November 2007)
- Interview with Renato Capecchi by Bruce Duffie, October 3, 1986