Jacob Isaaksz. van Ruisdael, The Jewish Cemetery (1655-60, oil on canvas, 141 x 182.9 cm). The tree in the right-foreground of Ruisdael's painting is an example of repoussoir that pushes the viewer's eye into the composition.
The Four Philosophers (c. 1615. Oil on panel; 167 x 143 cm, Pitti Palace, Florence). In his friendship portrait of himself, his brother Philip Rubens, Justus Lipsius and Jan Wowerius (left to right), the painter Rubens's self-portrait on the left is an example of a figural repoussoir that is further accentuated by the flowing red curtain.