Requiem (Lloyd Webber)

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Andrew Lloyd Webber's Requiem is a requiem mass written in memory of the composer's father, William Lloyd Webber, who died in 1982. Many[who?] thought it a surprising turn for such a populist composer as Lloyd Webber to produce a piece of "serious" music, being his first and to date only full-blown classical work. The music mixes Lloyd Webber's melodic and pop-oriented style with more complex, sophisticated and (at times) even austere forms. Lloyd Webber himself called the Requiem "the most personal of all my compositions".[citation needed]

The work is scored for chorus, three soloists (tenor, soprano, treble) and a large orchestra that includes organ, drum kit, and synthesizer. The work premiered on 25 February 1985[1] and featured performers including Lorin Maazel, Plácido Domingo, Sarah Brightman (Lloyd Webber's wife at the time) and Paul Miles-Kingston.

The best-known part of the piece, the "Pie Jesu" segment, was a minor "hit" and has been recorded frequently outside of the parent Requiem, including by Sarah Brightman, Sissel Kyrkjebø, and Marie Osmond.

The work won the 1986 Grammy Award for Best Classical Contemporary Composition.[1]

"Pie Jesu", performed by Sarah Brightman and Paul Miles-Kingston, was certified Gold in the UK.[2]

Contents

[edit] Instrumentation

[edit] Structure

As is usual, Lloyd Webber did not set the Gradual and Tract texts of the Mass. He divides the Sanctus between two movements, including the Hosanna part with the Benedictus. He does not set the Agnus Dei. He includes the motet Pie Jesu and a text from the burial service, Libera me.

[edit] Popular culture

[edit] References

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