Requiem (Lloyd Webber)
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Andrew Lloyd Webber's Requiem is a requiem mass written in memory of the composer's father, William Lloyd Webber, who died in 1982. Many[who?] thought it a surprising turn for such a populist composer as Lloyd Webber to produce a piece of "serious" music, being his first and to date only full-blown classical work. The music mixes Lloyd Webber's melodic and pop-oriented style with more complex, sophisticated and (at times) even austere forms. Lloyd Webber himself called the Requiem "the most personal of all my compositions".[citation needed]
The work is scored for chorus, three soloists (tenor, soprano, treble) and a large orchestra that includes organ, drum kit, and synthesizer. The work premiered on 25 February 1985[1] and featured performers including Lorin Maazel, Plácido Domingo, Sarah Brightman (Lloyd Webber's wife at the time) and Paul Miles-Kingston.
The best-known part of the piece, the "Pie Jesu" segment, was a minor "hit" and has been recorded frequently outside of the parent Requiem, including by Sarah Brightman, Sissel Kyrkjebø, and Marie Osmond.
The work won the 1986 Grammy Award for Best Classical Contemporary Composition.[1]
"Pie Jesu", performed by Sarah Brightman and Paul Miles-Kingston, was certified Gold in the UK.[2]
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[edit] Instrumentation
- Woodwinds: 2 flutes (1st doubling alto flute, 2nd doubling piccolo and alto flute), 2 oboes (1st doubling oboe d'amore, 2nd doubling English horn), 2 clarinets (1st doubling E-flat clarinet, 2nd doubling bass clarinet), 2 saxophones (1st doubling soprano and tenor saxophones and alto flute, 2nd doubling alto and baritone saxophones and clarinet), 2 bassoons, and a contrabassoon
- Brass: 4 horns, 3 trumpets, and 4 trombones
- Percussion: timpani & 4 percussionists playing side drum, bass drum, cymbals, triangle, small, medium, large and deep suspended cymbals, tambourine, deep military side drum, small ratchet rattle, glockenspiel, xylophone, gong, large gong, small bell, bells, chimes, bell tree, wood block, congas, maracas, marimba, high rototom, drum kit
- Keyboards: a piano doubling celesta, a synthesizer (DX7), and an organ
- Voices: SATB mixed choir (performed with boy sopranos and altos at the premiere) tenor, soprano, and treble soloists
- Strings: a harp, violas, violoncellos, and double basses
[edit] Structure
As is usual, Lloyd Webber did not set the Gradual and Tract texts of the Mass. He divides the Sanctus between two movements, including the Hosanna part with the Benedictus. He does not set the Agnus Dei. He includes the motet Pie Jesu and a text from the burial service, Libera me.
- Introit – Kyrie
- Sequence:
- Dies irae
- Recordare
- Ingemisco
- Offertory – Sanctus: Sanctus
- Sanctus: Hosanna – Benedictus
- Pie Jesu
- Communion – Libera me
[edit] Popular culture
- The Pie Jesu from the Requiem by Lloyd Webber combines this text with that of the Agnus Dei from later in the Requiem. It was originally performed by Sarah Brightman, who used it in a music video (set in World War II during the London Blitz) and later rerecorded the track for her Classics album in 2001.
- Charlotte Church also recorded this version on her best-selling debut album, Voice of an Angel as did Angelis, a children's choir.
- Moe Koffman had recorded the version on his recently re-issued album Music for the Night with Doug Riley and his orchestra in 1991.
- Swedish pop artist Håkan Hellström has repeatedly been accused of plagiarizing this piece.[citation needed]
- The work was voted number 91 in the Classic 100 Twentieth Century countdown in 2011 (on the Australian ABC Classic FM radio station).
[edit] References
- ^ a b "Compositions". http://www.andrewlloydwebber.com. http://www.andrewlloydwebber.com/music/compositions. Retrieved 3 January 2012.
- ^ "British certifications – Sarah Brightman & Paul Miles-Kingston – Pie Jesu". British Phonographic Industry. http://www.bpi.co.uk/certifiedawards/search.aspx. Enter Pie Jesu in the field Search. Select Title in the field Search by. Click Go