1st edition cover
|Publication date||31 December 1961|
|Media type||Print (Hardback & Paperback)|
|Pages||337 pp (first edition, hardback)|
|ISBN||ISBN 0-8371-6221-1 (first edition, hardback)|
|LC Classification||PZ4.Y335 Re6 PS3575.A83|
Revolutionary Road, the first novel of author Richard Yates, was a finalist for the National Book Award in 1962 along with Catch-22 and The Moviegoer. When it was published by Atlantic-Little, Brown in 1961, it received critical acclaim, and the New York Times reviewed it as "beautifully crafted... a remarkable and deeply troubling book."
|“||I think I meant it more as an indictment of American life in the 1950s. Because during the Fifties there was a general lust for conformity all over this country, by no means only in the suburbs — a kind of blind, desperate clinging to safety and security at any price.||”|
Plot summary 
Set in 1955, the novel focuses on the hopes and aspirations of Frank and April Wheeler, self-assured Connecticut suburbanites who see themselves as very different from their neighbors in the Revolutionary Hill Estates. In the opening scene, April stars in an embarrassingly bad amateur dramatic production of The Petrified Forest:
She was working alone, and visibly weakening with every line. Before the end of the first act the audience could tell as well as the Players that she’d lost her grip, and soon they were all embarrassed for her. She had begun to alternate between false theatrical gestures and a white-knuckled immobility; she was carrying her shoulders high and square, and despite her heavy make-up you could see the warmth of humiliation rising in her face and neck.
After the performance, Frank and April have a fight on the side of the highway, with Frank later beginning an affair with his office colleague Maureen.
Seeking to break out of their suburban rut (and consequently blaming herself for all of Frank's "problems"), April convinces Frank they should move to Paris, where she will work and support him while he realizes his vague ambition to be something other than an office worker. The promise of France brings the two together in love and excitement again, and Frank seemingly ends his relationship with Maureen. While April sees the emigration as an opportunity to escape their dull environment, Frank's plans are more driven by vanity of his own intelligence, which April panders to. When the dull and prim neighbor Mrs Givings begins bringing her "insane" son John around to the Wheeler's house for regular lunches, John's honest and erratic condemnation of his mother's suburban lifestyle strikes a chord with the Wheelers, particularly Frank.
Their plans to leave the United States begin to crumble when April conceives their third child, and Frank begins to identify with his mundane job when the prospect of a promotion arises. After arguing over the possibility of aborting the child, Frank tries to manipulate April into seeking psychiatric help for her troubled childhood. April, overwhelmed by the outcome of the situation, suffers something of an identity crisis and sleeps with her neighbor Shep Campbell, while Frank resurrects his relationship with Maureen. April attempts to self-abort her child, and in doing so is rushed to the hospital and dies from blood loss. Frank, scarred by the ordeal and feeling deep guilt over the outcome, is left a hollow shell of a man.
In the October 1999 issue of the Boston Review, Yates was quoted on his central theme: "If my work has a theme, I suspect it is a simple one: that most human beings are inescapably alone, and therein lies their tragedy." The Wheelers' frustrations and yearnings for something better represent the tattered remnants of the American Dream.
Literary significance 
Stewart O'Nan probed the neglect of Yates in "The Lost World of Richard Yates: How the great writer of the Age of Anxiety disappeared from print"
Tennessee Williams also praised the book: "Here is more than fine writing; here is what, added to fine writing, makes a book come immediately, intensely and brilliantly alive. If more is needed to make a masterpiece in modern American fiction, I am sure I don't know what it is."
Film adaptation 
Screenwriter Justin Haythe adapted the novel for filming by Evamere Entertainment (formerly HartSharp Entertainment) with BBC Films. Revolutionary Road was directed by Sam Mendes (American Beauty) and reunites stars from Titanic: the Oscar-winning Kate Winslet and the Oscar-nominated Leonardo DiCaprio, alongside Oscar winner and Titanic co-star Kathy Bates. It opened December 26, 2008 to favorable reviews by David Ansen, Todd McCarthy, Mick LaSalle, Greg White, Peter Travers, Roger Ebert and other leading film critics.
- Detailed chapter-by-chapter summary of Revolutionary Road
- Review of the novel
- Essay on the novel and film in The New Republic