Richard Bruce Nugent

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Richard Bruce Nugent
Richardbrucenugent.jpg
Nugent in 1982
Born (1906-07-02)July 2, 1906
Washington DC, USA
Died May 27, 1987(1987-05-27) (aged 80)
Hoboken, New Jersey, USA
Nationality American
Other names Bruce Nugent
Occupation Author, artist
Known for Art, writings

Richard Bruce Nugent (July 2, 1906 – May 27, 1987), aka Richard Bruce and Bruce Nugent, was a writer and painter in the Harlem Renaissance. One of many gay artists of the Harlem Renaissance, he was one of few who was out publicly. Recognized initially for the few short stories and paintings that were published, Nugent had a long productive career bringing to light the creative process of gay and black culture.[1]

Biography[edit]

Richard Bruce Nugent was born in Washington, DC on July 2, 1906 to Richard H. Nugent, Jr., and his wife Pauline. The majority of his life and career took place in Harlem in New York City, and he died on May 27, 1987 in Hoboken, New Jersey.[2]

During his career in Harlem, Nugent lived with writer Wallace Thurman from 1926 – 1928 which led to the publishing of “Smoke, Lilies, and Jade” in Thurman's publication “Fire!!!”. The short story was written in a modernist stream-of-consciousness style, its subject matter was bisexuality and more specifically interracial male desire.[3]

Many of his illustrations were featured in publications, such as “Fire!!!” along with his short story. Four of his paintings were included in the Harmon Foundation's exhibition of Negro artists, which was one of the few venues available for black artists in 1931. His only stand-alone publication, “Beyond Where the Stars Stood Still," was issued in a limited edition by Warren Marr II in 1945. He later married Marr's sister, Grace on December 5, 1952.[4]

His marriage to Grace Marr lasted from 1952 until her suicide in 1969. Nugent's intentions with the marriage were unclear as they were not romantic due to his clearly stated interest in other men. Thomas Wirth, contemporary and personal friend of Richard Nugent claimed that Grace loved Richard and was determined to change his sexuality in “Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent” 2002[5]

He attended the Community Planning Conference at Columbia University in 1964 as an invited speaker. The conference was held under the auspices of the Borough President of Manhattan/Community Planning Board 10 and Columbia University. The idea of forming an organization to promote the arts in Harlem emerged from the conference’s Cultural Planning workshop and led to the formation of the Harlem Cultural Council. Nugent took an active role in this effort and attended numerous subsequent meetings. Nugent was elected co-chair (a position equivalent to vice president) of this council. He also served as chair of the Program Committee until March 1967.

Legacy[edit]

Nugent's aggressive and honest approach to homoerotic and interracial desire was not necessarily in the favor of his more discrete homosexual contemporaries. Alain Locke chastised the publication “Fire!!!” for its radicalism and specifically Nugent's “Smoke Lilies, and Jade” for promoting the effeminacy and decadence associated with homosexual writers.[6][7]

Nugent's work resurfaced in anthologies such as Michael J. Smith's “Black Men/White Men: A Gay Anthology" (1983), and Joseph Beam's interview with Nugent in “Life: A Black Gay Anthology” (1986).[8][9] His work after its resurfacing brought to light the lifestyle of black gay artists during the Harlem Renaissance. His use of codes made much of his work pass unseen by straight contemporaries under the disguise of biblical imagery for example. Nugent bridged the gap between the Harlem Renaissance and the black gay movement of the 1980s and was a great inspiration to many of his contemporaries.

Bibliography[edit]

  • Shadow
  • My Love
  • Narcissus
  • Incest
  • Who Asks This Thing?
  • Bastard Song
  • Sahdji
  • Smoke, Lilies and Jade
  • The Now Discordant Song of Bells
  • Slender Length of Beauty
  • Tunic with a Thousand Pleats
  • Pope Pius the Only
  • On Harlem
  • On Georgette Harvey
  • On Gloria Swanson
  • Lunatique
  • Pattern for Future Dirges

References[edit]

  1. ^ Charles,Nero,"Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent",Journal of the History of Sexuality,2002
  2. ^ Tyler T.,Schmidt,””in the glad flesh of my fear”: Corporeal Inscriptions in Richard Bruce Nugent’s Geisha Man,”African American Review,Feb 28 2014
  3. ^ Charles,Nero,"Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent,"Journal of the History of Sexuality,2002
  4. ^ Ellen,McBreen,”Biblical Gender Bending in Harlem: The Queer Performance of Nugent’s Salome,”Art Journal, Vol 57, No. 3,p. 22-28
  5. ^ Charles,Nero,"Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent,"Journal of the History of Sexuality," 2002
  6. ^ Charles,Nero,"Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent,"Journal of the History of Sexuality,2002
  7. ^ Ellen,McBreen,”Biblical Gender Bending in Harlem: The Queer Performance of Nugent’s Salome,”Art Journal, Vol 57, No. 3,p. 22-28
  8. ^ Charles,Nero,"Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent,"Journal of the History of Sexuality,2002
  9. ^ Ellen,McBreen,”Biblical Gender Bending in Harlem: The Queer Performance of Nugent’s Salome,”Art Journal, Vol 57, No. 3,p. 22-28

External links[edit]