Richard III (1995 film)

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Richard III

Theatrical poster
Directed by Richard Loncraine
Produced by Stephen Bayly
Lisa Katselas Paré
Written by William Shakespeare (play)
Ian McKellen
Richard Loncraine
Starring Ian McKellen
Annette Bening
Jim Broadbent
Robert Downey Jr.
Kristin Scott Thomas
Maggie Smith
Adrian Dunbar
Dominic West
Music by Trevor Jones
Cinematography Peter Biziou
Editing by Paul Green
Distributed by United Artists
Release date(s) December 29, 1995 (1995-12-29)
Running time 104 minutes
Country United Kingdom
Language English
Budget £6,000,000

Richard III is a 1995 drama film adapted from William Shakespeare's play of the same name, starring Ian McKellen, Annette Bening, Jim Broadbent, Robert Downey Jr., Nigel Hawthorne, Kristin Scott Thomas, Maggie Smith, John Wood and Dominic West.

The film relocates the play's events to a fictionalized version of Britain in the 1930s.

Contents

[edit] Concept

The film's concept was based on a stage production directed by Richard Eyre for the Royal National Theatre, which also starred McKellen. The production was adapted for the screen by McKellen and directed by Richard Loncraine.

The film is notable for its unconventional use of famous British landmarks, often using special effects to move them to new locations. The transformed landmarks used include the following:

The visually rich production features various symbols, uniforms, weapons and vehicles that draw openly from the aesthetic of the Third Reich as depicted in Nazi propaganda (especially the Triumph of the Will) and war films. At the same time obvious care is put into diluting and mixing the Nazi references with recognizable British and American uniform styles, props and visual motives (also familiar to the average cinemagoer). The resulting military uniforms, for instance, range from completely «Allied» in cases of positive characters to almost completely «SS» in the case of Richard's entourage. Another example of this balanced approach to production design is the choice of tanks for battle scenes between Richmond's and Richard's armies: both use Soviet tanks (T-55s and T-34s respectively), mixed with German, American and British World War II era vehicles.

Perhaps the play's most famous line—"A horse! A horse! My kingdom for a horse!"—was recontextualized by the more recent setting; during the climactic battle, Richard's jeep becomes stuck, and his lament is cast as a plea for a mode of transport with legs rather than wheels.

In a surprising ending, where Richard refuses to be captured and leaps down to his death with the "wrong" closing line "Let us to't pell-mell; if not to heaven, then hand-in-hand to hell", his falling into the inferno is followed by the eerily upbeat tune "I'm Sitting On The Top Of The World" (Ray Henderson, Joe Young and Sam Lewis) in the classic version sung by Al Jolson.

The film enlarges the role of the Duchess of York considerably by combining her character with that of Queen Margaret, as compared with the 1955 Olivier film version of the play, in which the Duchess hardly appeared at all and Queen Margaret was completely eliminated. The roles of Rivers, Grey, Vaughan and Dorset are combined into Rivers. The death scenes are shown rather than implied as in the play, and changed to suit the time (Hastings is hanged rather than beheaded) and historical accuracy (Clarence dies by having his throat cut in a bathtub, rather than being drowned in a wine barrel). Lord Rivers, who usually dies offstage (or in the case of Olivier's film offscreen) is impaled by the device of a sharp spike spurting up from the bottom of his mattress while he lies in bed during sex with a woman in a hotel room. Each character's pre-death monologue is also removed, except that of Clarence and Buckingham.

McKellen himself stated on his website: "When you put this amazing old story in a believable modern setting, it will hopefully raise the hair on the back of your neck, and you won't be able to dismiss it as 'just a movie' or, indeed, as 'just old-fashioned Shakespeare.'" [2]

[edit] Cast

[edit] Awards

  • BAFTA
    • Best British Film
    • Best Actor - Ian McKellen
    • Adapted Screenplay
    • Best Costumes - WON
    • Best Production Design - WON

[edit] Reception

Empire magazine gave the film 4/5 stars, referring to it as "fascinating" and "cerebral" [5] Jeffrey Lyons stated that the film was "mesmerizing"[6] while Richard Corliss in Time Magazine referred to the film as "cinematic" [6] Mick LaSalle of The San Francisco Chronicle wrote that "the picture never stops coming at you" [6] Roger Ebert of the Chicago Sun-Times included the film among his Great Movies list.[7]

Brighton's Royal Pavilion, in a shot quite similar to the one in the film.

[edit] References

[edit] External links

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