Rimbaud, aged 17, by Étienne Carjat, "probably taken in December 1871".
|Born||Jean Nicolas Arthur Rimbaud
20 October 1854
|Died||10 November 1891
|Literary movement||Symbolism, Decadent movement|
Jean Nicolas Arthur Rimbaud (// or //; French pronunciation: [aʁtyʁ ʁɛ̃bo]; 20 October 1854 – 10 November 1891) was a French poet. Born in Charleville, Ardennes, he produced his works while still in his late teens—Victor Hugo described him at the time as "an infant Shakespeare"—and gave up creative writing before the age of 20. As part of the decadent movement, Rimbaud influenced modern literature, music, and arts, and prefigured surrealism.
Family and childhood (1854–1861) 
Arthur Rimbaud was born into the provincial middle class of Charleville (now part of Charleville-Mézières) in the Ardennes département in northeastern France. He was the second child of a career soldier, Frédéric Rimbaud, and his wife, Marie-Catherine-Vitalie Cuif. His father, a Burgundian of Provençal extraction, rose from a simple recruit to the rank of captain, and spent the greater part of his army years in foreign service. Captain Rimbaud fought in the conquest of Algeria and was awarded the Légion d'honneur. The Cuif family was a solidly established Ardennais family, but they were plagued by bohemians; two of Arthur Rimbaud's uncles from his mother's side were alcoholics.
Captain Rimbaud and Vitalie married in February 1853; in the following November came the birth of their first child, Jean-Nicolas-Frederick. The next year, on 20 October 1854, Jean-Nicolas-Arthur was born. Three more children, Victorine-Pauline-Vitalie (who died a month after she was born), Jeanne-Rosalie-Vitalie and Frederique-Marie-Isabelle, followed. Arthur Rimbaud's infancy is said to have been prodigious; a common myth states that soon after his birth he had rolled onto the floor from a cushion where his nurse had put him only to begin crawling toward the door. In a more realistic retelling of his childhood, Mme Rimbaud recalled when after putting her second son in the care of a nurse in Gespunsart, supplying clean linen and a cradle for him, she returned to find the nurse's child sitting in the crib wearing the clothes meant for Arthur. Meanwhile, the dirty and naked child that was her own was happily playing in an old salt chest.
Soon after the birth of Isabelle, when Arthur was six years old, Captain Rimbaud left to join his regiment in Cambrai and never returned. He had become irritated by domesticity and the presence of the children while Madame Rimbaud was determined to rear and educate her family by herself. The young Arthur Rimbaud was therefore under the complete governance of his mother, a strict Catholic, who raised him and his older brother and younger sisters in a stern and religious household. After her husband's departure, Mme Rimbaud became known as "Widow Rimbaud".
Schooling and teen years (1862–1871) 
Fearing her children were spending too much time with and being over-influenced by the neighbouring children of the poor, Mme. Rimbaud moved her family to the Cours d'Orléans in 1862. This was a better neighbourhood, and whereas the boys were previously taught at home by their mother, they were then sent, at the ages of nine and eight, to the Pension Rossat. For the five years that they attended school, however, their formidable mother still imposed her will upon them, pushing for scholastic success. She would punish her sons by making them learn a hundred lines of Latin verse by heart, and if they gave an inaccurate recitation, she would deprive them of meals. When Rimbaud was nine, he wrote a 700-word essay objecting to his having to learn Latin in school. Vigorously condemning a classical education as a mere gateway to a salaried position, Rimbaud wrote repeatedly, "I will be a rentier (one who lives off his assets)". Rimbaud disliked schoolwork and his mother's continued control and constant supervision; the children were not allowed to leave their mother's sight, and, until the boys were sixteen and fifteen respectively, she would walk them home from the school grounds.
As a boy, Rimbaud was small, brown-haired and pale with what a childhood friend called "eyes of pale blue irradiated with dark blue—the loveliest eyes I've seen". An ardent Catholic like his mother, Rimbaud had his First Communion when he was eleven. For this reason he was called "sale petit Cagot" ("snotty little prig") by his fellow schoolboys. He and his brother were sent to the Collège de Charleville for school that same year. Until this time, his reading was confined almost entirely to the Bible, but he also enjoyed fairy tales and stories of adventure such as the novels of James Fenimore Cooper and Gustave Aimard. He became a highly successful student and was head of his class in all subjects but sciences and mathematics. Many of his schoolmasters remarked upon the young student's ability to absorb great quantities of material. In 1869 he won eight first prizes in the school, including the prize for Religious Education, and in 1870 he won seven firsts.
When he had reached the third class, Mme Rimbaud, hoping for a brilliant scholastic future for her second son, hired a tutor, Father Ariste Lhéritier, for private lessons. Lhéritier succeeded in sparking the young scholar's love of Greek and Latin as well as French classical literature. He was also the first person to encourage the boy to write original verse in both French and Latin. Rimbaud's first poem to appear in print was "Les Étrennes des orphelins" ("The Orphans' New Year's Gifts"), which was published in the 2 January 1870 issue of Revue pour tous. Two weeks after his poem was printed, a new teacher named Georges Izambard arrived at the Collège de Charleville. Izambard became Rimbaud's literary mentor and soon a close accord formed between professor and student and Rimbaud for a short time saw Izambard as a kind of older brother figure. At the age of fifteen, Rimbaud was showing maturity as a poet; the first poem he showed Izambard, "Ophélie", would later be included in anthologies as one of Rimbaud's three or four best poems. When the Franco-Prussian War broke out, Izambard left Charleville and Rimbaud became despondent. He ran away to Paris with no money for his ticket and was subsequently arrested and imprisoned for a week. After returning home, Rimbaud ran away to escape his mother's wrath.
From late October 1870, Rimbaud's behaviour became outwardly provocative; he drank alcohol, spoke rudely, composed scatological poems, stole books from local shops, and abandoned his characteristically neat appearance by allowing his hair to grow long. At the same time he wrote to Izambard about his method for attaining poetical transcendence or visionary power through a "long, intimidating, immense and rational derangement of all the senses. The sufferings are enormous, but one must be strong, be born a poet, and I have recognized myself as a poet." It is rumoured that he briefly joined the Paris Commune of 1871, which he portrayed in his poem L'orgie parisienne (ou : Paris se repeuple), ("The Parisian Orgy" or "Paris Repopulates"). Another poem, Le cœur volé ("The Stolen Heart"), is often interpreted as a description of him being raped by drunken Communard soldiers, but this is unlikely since Rimbaud continued to support the Communards and wrote poems sympathetic to their aims.
Life with Verlaine (1871–1875) 
Rimbaud was encouraged by friend and office employee Charles Auguste Bretagne to write to Paul Verlaine, an eminent Symbolist poet, after letters to other poets failed to garner replies. Taking his advice, Rimbaud sent Verlaine two letters containing several of his poems, including the hypnotic, gradually shocking "Le Dormeur du Val" (The Sleeper in the Valley), in which certain facets of Nature are depicted and called upon to comfort an apparently sleeping soldier. Verlaine, who was intrigued by Rimbaud, sent a reply that stated, "Come, dear great soul. We await you; we desire you," along with a one-way ticket to Paris. Rimbaud arrived in late September 1871 at Verlaine's invitation and resided briefly in Verlaine's home. Verlaine, who was married to the seventeen-year-old and pregnant Mathilde Mauté, had recently left his job and taken up drinking. In later published recollections of his first sight of Rimbaud, Verlaine described him at the age of seventeen as having "the real head of a child, chubby and fresh, on a big, bony rather clumsy body of a still-growing adolescent, and whose voice, with a very strong Ardennes accent, that was almost a dialect, had highs and lows as if it were breaking."
Rimbaud and Verlaine began a short and torrid affair. Whereas Verlaine had likely engaged in prior homosexual experiences, it remains uncertain whether the relationship with Verlaine was Rimbaud's first. During their time together they led a wild, vagabond-like life spiced by absinthe and hashish. They scandalized the Parisian literary coterie on account of the outrageous behaviour of Rimbaud, the archetypal enfant terrible, who throughout this period continued to write strikingly visionary verse. The stormy relationship between Rimbaud and Verlaine eventually brought them to London in September 1872, a period about which Rimbaud would later express regret. During this time, Verlaine abandoned his wife and infant son (both of whom he had abused in his alcoholic rages). Rimbaud and Verlaine lived in considerable poverty, in Bloomsbury and in Camden Town, scraping a living mostly from teaching, in addition to an allowance from Verlaine's mother. Rimbaud spent his days in the Reading Room of the British Museum where "heating, lighting, pens and ink were free." The relationship between the two poets grew increasingly bitter.
By late June 1873, Verlaine grew frustrated with the relationship and returned to Paris, where he quickly began to mourn Rimbaud's absence. On 8 July, he telegraphed Rimbaud, instructing him to come to the Hotel Liège in Brussels; Rimbaud complied at once. The Brussels reunion went badly: they argued continuously and Verlaine took refuge in heavy drinking. On the morning of 10 July, Verlaine bought a revolver and ammunition. That afternoon, "in a drunken rage," Verlaine fired two shots at Rimbaud, one of them wounding the 18-year-old in the left wrist.
Rimbaud dismissed the wound as superficial, and did not initially seek to file charges against Verlaine. But shortly after the shooting, Verlaine (and his mother) accompanied Rimbaud to a Brussels railway station, where Verlaine "behaved as if he were insane." His bizarre behavior induced Rimbaud to "fear that he might give himself over to new excesses," so he turned and ran away. In his words, "it was then I [Rimbaud] begged a police officer to arrest him [Verlaine]." Verlaine was arrested for attempted murder and subjected to a humiliating medico-legal examination. He was also interrogated with regard to both his intimate correspondence with Rimbaud and his wife's accusations about the nature of his relationship with Rimbaud. Rimbaud eventually withdrew the complaint, but the judge nonetheless sentenced Verlaine to two years in prison.
Rimbaud returned home to Charleville and completed his prose work Une Saison en Enfer ("A Season in Hell")—still widely regarded as one of the pioneering examples of modern Symbolist writing—which made various allusions to his life with Verlaine, described as a drôle de ménage ("domestic farce") with his frère pitoyable ("pitiful brother") and vierge folle ("mad virgin") to whom he was l'époux infernal ("the infernal groom"). In 1874 he returned to London with the poet Germain Nouveau and put together his groundbreaking Illuminations.
Travels (1875–1880) 
Rimbaud and Verlaine met for the last time in March 1875, at Stuttgart in the Kingdom of Württemberg, after Verlaine's release from prison and his conversion to Catholicism. By then Rimbaud had given up writing and decided on a steady, working life; some speculate he was fed up with his former wild living, or that the recklessness itself was his font of creativity. Others suggest he sought to become rich and independent to afford living one day as a carefree poet and man of letters. He continued to travel extensively in Europe, mostly on foot.
In May 1876 he enlisted as a soldier in the Dutch Colonial Army to travel free of charge to Java in the Dutch East Indies (now Indonesia) where four months later he deserted and fled into the jungle, eventually returning incognito to France by ship. At the official residence of the mayor of Salatiga, a small city at the foot of a dormant volcano located 46 km south of Semarang, capital of Central Java Province, there is a marble plaque stating that Rimbaud was once settled at the city. As a deserter, Rimbaud would have faced a Dutch firing squad if he had been caught.
In December 1878, Rimbaud arrived in Larnaca, Cyprus, where he worked for a construction company as a foreman at a stone quarry. In May of the following year he had to leave Cyprus because of a fever, which on his return to France was diagnosed as typhoid.
Abyssinia (1880–1891) 
In 1880 Rimbaud finally settled in Aden, Yemen, as a main employee in the Bardey agency, going on to run the firm's agency in Harar, Ethiopia. In 1884 his "Report on the Ogaden" was presented and published by the Société de Géographie in Paris. In the same year he left his job at Bardey's to become a merchant on his own account in Harar, where his commercial dealings notably included coffee and weapons. In this period, he struck up a close friendship with the Governor of Harar, Ras Makonnen, father of future Ethiopian Emperor Haile Selassie.
Death (1891) 
In February 1891, Rimbaud developed what he initially thought was arthritis in his right knee. It failed to respond to treatment and became agonisingly painful, and by March, the state of his health forced him to prepare to return to France for treatment. In Aden, Rimbaud consulted a British doctor who mistakenly diagnosed tubercular synovitis and recommended immediate amputation. Rimbaud delayed until 9 May to set his financial affairs in order before catching the boat back to France. On arrival, he was admitted to hospital—the Hôpital de la Conception, in Marseille—where his right leg was amputated on 27 May. The post-operative diagnosis was cancer.
After a short stay at his family home in Roche, from 23 July to 23 August, he attempted to travel back to Africa, but on the way, his health deteriorated, and he was readmitted to the same hospital in Marseille where the amputation had been performed. He spent some time there in great pain, attended by his sister Isabelle, and died in Marseille on 10 November 1891 at the age of 37. He was interred in Charleville.
In May 1871, aged 16, Rimbaud wrote two letters explaining his poetic philosophy. The first was written May 13 to Izambard, in which Rimbaud explained:
I'm now making myself as scummy as I can. Why? I want to be a poet, and I'm working at turning myself into a seer. You won't understand any of this, and I'm almost incapable of explaining it to you. The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It's really not my fault.
Rimbaud said much the same in his second letter, commonly called the Lettre du voyant ("Letter of the Seer"). Written May 15—before his first trip to Paris—to his friend Paul Demeny, the letter expounded his revolutionary theories about poetry and life, while also denouncing most poets that preceded him. Wishing for new poetic forms and ideas, he wrote:
I say that one must be a seer, make oneself a seer. The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons in him, and keeps only their quintessences. This is an unspeakable torture during which he needs all his faith and superhuman strength, and during which he becomes the great patient, the great criminal, the great accursed – and the great learned one! – among men. – For he arrives at the unknown! Because he has cultivated his own soul – which was rich to begin with – more than any other man! He reaches the unknown; and even if, crazed, he ends up by losing the understanding of his visions, at least he has seen them! Let him die charging through those unutterable, unnameable things: other horrible workers will come; they will begin from the horizons where he has succumbed!
Rimbaud expounded the same ideas in his poem, "Le bateau ivre" ("The Drunken Boat"). This hundred-line poem tells the tale of a boat that breaks free of human society when its handlers are killed by "Redskins" (Peaux-Rouges). At first thinking that it is drifting where it pleases, it soon realizes that it is being guided by and to the "poem of the sea". It sees visions both magnificent ("the awakening blue and yellow of singing phosphorescence", "l'éveil jaune et bleu des phosphores chanteurs",) and disgusting ("nets where in the reeds an entire Leviathan was rotting" "nasses / Où pourrit dans les joncs tout un Léviathan). It ends floating and washed clean, wishing only to sink and become one with the sea.
Archibald MacLeish has commented on this poem: "Anyone who doubts that poetry can say what prose cannot has only to read the so-called Lettres du Voyant and 'Bateau Ivre' together. What is pretentious and adolescent in the Lettres is true in the poem—unanswerably true."
Rimbaud's poetry influenced the Symbolists, Dadaists, and Surrealists, and later writers adopted not only some of his themes, but also his inventive use of form and language. French poet Paul Valéry stated that "all known literature is written in the language of common sense—except Rimbaud's".
- Le Soleil Était Encore Chaud (1866)
- Poésies (c. 1869–1873)
- Le bateau ivre (1871)
- Proses Évangeliques (1872)
- Une Saison en Enfer (1873) – published by Rimbaud himself as a small booklet in Brussels. Although "a few copies were distributed to friends in Paris... Rimbaud almost immediately lost interest in the work."
- Illuminations (1874)
- Lettres (1870–1891)
Cultural legacy 
Rimbaud's poetry, as well as his life, made an indelible impression on 20th century writers, musicians and artists. Pablo Picasso, Dylan Thomas, Allen Ginsberg, Vladimir Nabokov, Bob Dylan, Luis Alberto Spinetta, Patti Smith, Giannina Braschi, Léo Ferré, Henry Miller, Van Morrison, and Jim Morrison have been influenced by his poetry and life. Rimbaud's life has been portrayed in several films. Italian filmmaker Nelo Risi's 1970 film Una stagione all'inferno ("A Season in Hell") starred Terence Stamp as Rimbaud and Jean Claude Brialy as Paul Verlaine. In 1995 Polish filmmaker Agnieszka Holland directed Total Eclipse, which was based on a play by Christopher Hampton who also wrote the screenplay. The film starred Leonardo DiCaprio as Rimbaud and David Thewlis as Paul Verlaine. He is also the protagonist of the opera Rimbaud, ou le fils du soleil (1978) by Italian composer Lorenzo Ferrero. In 2012 composer John Zorn released a cd entitled Rimbaud featuring 4 compositions inspired by Rimbaud's work—Bateau Ivre (a chamber octet), A Season in Hell (electronic music), Illuminations (piano, bass and drums), Conneries (featuring Mathieu Amalric reading from Rimbaud's work).
In popular culture 
- Tom Cochrane and his band Red Rider – recorded the 1980 song "White Hot", which had been written about Rimbaud.
- Elizabeth Hand - In her 2012 book Radiant Days, Hand fashions a young Rimbaud as one of her time-travelling protagonists.
- Robb (2000), 140.
- Ivry (1998), 11.
- Starkie (1973), 25.
- Starkie (1973), 28.
- Starkie (1973), 30.
- Robb (2000), 8.
- Robb (2000), 12.
- Rickword (1971), 3.
- Starkie (1973), 33.
- Rickword (1971), 4.
- Starkie (1973), 36.
- Jeancolas (1998), 26.
- Ivry (1998), 12.
- Rickword (1971), 8.
- Rickword (1971), 9.
- Starkie (1973), 37.
- Robb (2000), 32.
- Starkie (1973), 39.
- Rimbaud's Ver erat, which he wrote at age 14, at the Latin Library, and an English translation[dead link] thereof.
- Robb (2000), 30.
- Steinmetz (2001), 29.
- Robb (2000), 33–34.
- Ivry (1998), 22.
- Ivry (1998), 24.
- Ivry (1998), 26.
- Ivry (1998), 29.
- Robb (2000), 102.
- Robb (2000), 109.
- Ivry (1998), 34.
- Bernard (1991).
- Robb (2000), 184.
- Robb (2000), 196–197.
- Robb (2000), 218–221.
- Harding (2004), 160.
- Robb (2000), 223–224.
- Robb (2000), 241.
- Jeancolas (1998), 164.
- Robb (2000), 264.
- Robb (2000), 278.
- Robb (2000), 282–285.
- James (2011). http://www.asialiteraryreview.com/web/article/en/115
- Robb (2000), 299.
- Robb (2000), 313.
- Nicholl (1999), 159-165.
- Nicholl (1999), 231.
- Robb (2000), 418–419.
- Robb (2000), 422–424.
- Robb (2000), 425–426.
- Nicholl, Charles (1998). Somebody Else: Arthur Rimbaud in Africa 1880-91. Vintage. pp. 298–302. ISBN 0099767716.
- Robb (2000), 440–441.
- Robb (2000), 79–80.
- "Lettre à Georges Izambard du 13 mai 1871". Abelard.free.fr. Retrieved on May 12, 2011.
- Kwasny (2004), 147.
- "A Paul Demeny, 15 mai 1871". Abelard.free.fr. Retrieved on May 12, 2011.
- MacLeish (1960), 147.
- Robb (2000), xiv.
- Fowlie (2005), xxxii.
- Jam Music 2002 http://jam.canoe.ca/Music/Artists/C/Cochrane_Tom/2002/12/06/744008.html
Secondary sources 
- Adam, Antoine (ed.). (1972). Rimbaud: Œuvres complètes. (French) Paris: Gallimard/Pléiade. ISBN 978-2-07-010476-5
- Bernard, Suzanne & Guyaux, André. (1991). Œuvres de Rimbaud. (French) Paris: Classiques Garnier. ISBN 2-04-017399-4
- Capetanakis, D., 'Rimbaud', in Demetrios Capetanakis A Greek Poet In England (1947), p.53-71.
- Fowlie, Wallace & Whidden, Seth. (2005). Rimbaud, Complete Works, Selected Letters. University of Chicago Press. ISBN 0-226-71977-4.
- Harding, Jeremy & Sturrock, John (trans.). (2004). Arthur Rimbaud: Selected Poems and Letters. Penguin. ISBN 0-14-044802-0.
- Ivry, Benjamin. (1998). Arthur Rimbaud. Bath, Somerset: Absolute Press. ISBN 1-899791-55-8.
- James, Jamie. (2011) "Rimbaud in Java: The Lost Voyage". Singapore: Editions Didier Millet. ISBN 978-981-4260-82-4.
- Jeancolas, Claude. (1998). Passion Rimbaud: L'Album d'une vie. (French) Paris: Textuel. ISBN 978-2-909317-66-3
- Kwasny, Melissa. (2004). Toward the Open Field: Poets on the Art of Poetry. Middletown, Conn.: Wesleyan University Press. ISBN 0-8195-6606-3.
- Lefrère, Jacques. (2001). Arthur Rimbaud. (French) Paris: Fayard. ISBN 978-2-213-60691-0
- Lefrère, Jacques. (2007). Correspondance de Rimbaud. (French) Paris: Fayard. ISBN 978-2-213-63391-6
- MacLeish, Archibald (1960). Poetry and Experience. Baltimore: Penguin.
- Nicholl, Charles. (1999). Somebody Else: Arthur Rimbaud in Africa 1880–91. University of Chicago Press. ISBN 0-226-58029-6.
- Peyre, Henri. (1974). A Season in Hell and The Illuminations. New York: Oxford University Press. ISBN 0-19-501760-9.
- Rickword, Edgell. (1971). Rimbaud: The Boy and the Poet. New York: Haskell House Publishers. ISBN 0-8383-1309-4.
- Robb, Graham. (2000). Rimbaud. New York: W.W. Norton & Co. ISBN 0-393-04955-8.
- Schmidt, Paul. . Rimbaud, Complete Works. New York: Perennial (HarperCollins), 2000. ISBN 978-0-06-095550-2.
- Spitzer, Mark. (2002). From Absinthe to Abyssinia. Berkeley: Creative Arts. ISBN 978-0887392931.
- Starkie, Enid. (1973). Arthur Rimbaud. London: Faber and Faber. ISBN 0-571-10440-1.
- Steinmetz, Jean-Luc. (2001). Jon Graham (trans). Arthur Rimbaud: Presence of an Enigma. New York: Welcome Rain Publishers. ISBN 1-56649-106-1.
- White, Edmund. (2008). Rimbaud: The Double Life of a Rebel. London: Grove. ISBN 978-1-84354-971-0
|Wikiquote has a collection of quotations related to: Arthur Rimbaud|
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|Wikimedia Commons has media related to: Arthur Rimbaud|
- Works by or about Arthur Rimbaud in libraries (WorldCat catalog)
- Arthur Rimbaud Poetry list
- "Arthur Rimbaud". Find a Grave. Retrieved August 10, 2010.
- Arthur Rimbaud – Poets.org
- Arthur Rimbaud's Life and Poetry – French and English
- La Nouvelle Décadence – Extensive online library of Rimbaud translations and biographies
- (French) Rimbaud Illuminations - from the original Publications de la Vogue, 1886
- (French) The poem Ophélie
- (French) "Rimbaud's holes in space" project launched for the 150th anniversary (Charleville-Mézières)
- (French) Website for the 150th anniversary (Charleville-Mézières)
- (French) Arthur Rimbaud, his work in audio version