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Between 1965 and 1975 Chesley composed the music to over five dozen songs and choral works, chiefly to texts by poets such as Emily Dickinson, Willa Cather, James Agee, Walter de la Mare, Gertrude Stein and Walt Whitman. His instrumental works include the score to a 1972 film by Erich Kollmar.
In 1976 he moved to San Francisco and became theater critic at the San Francisco Bay Guardian, during its golden period when composer-actor Robert DiMatteo was also on the staff as film critic. In 1980 Theatre Rhinoceros produced Chesley's first one-act, Hell, I Love You; in 1984 his Night Sweat became one of the first produced full-length plays to deal with AIDS.
On August 31, 1986, his two-character play, Jerker, aired on the Pacifica Radio station KPFK's IMRU Program. Its frank sexual language immediately stirred controversy; later that year the FCC rewrote its rules governing the broadcast of "questionable" works, citing Jerker as the test case.
He was also co-founder of the Three-Dollar Bill Theater in New York City.
In total, Chesley wrote 10 full-length and 21 one-act plays. Several works were premiered posthumously and several of his major plays have been published.
- Beatitudes (1984)
- Come Again: An Entertainment During The Siege (1987)
- Dog Plays (1989)
- Wild (Person, Tense) Dog
- The Deploration of Rover
- Happy V.D.
- April First
- Arbor Day
- Dear Friends and Gentle Hearts
- The Scream
- A Christmas Card
- Hell, I Love You and Breaking Up: Fragments (1981)
- Madeleine de Lucien (1985)
- Jerker, or The Helping Hand: A Pornographic Elegy with Redeeming Social Value and a Hymn to the Queer Men of San Francisco in Twenty Telephone Calls, Many of Them Dirty (1986)
- A Dog's Life
- Maggie's Play
- Somebody's Little Boy
- The Lost Doll
- Laughter and Tears
- Et Tu, Lesbo
- Nocturnes (1983)
- Night Sweat (1983)
- Pigman: A Comedy in Three Acts (1985-6)
- Private Theatricals: Morning, Noon & Night (1990)
- Stray Dog Story : An Adventure In Ten Scenes (1981)