Robert Indiana
| Robert Indiana | |
|---|---|
 Robert Indiana Working in Maine (Photo: Charles Rotmil) |
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| Born | Robert Clark September 13, 1928 New Castle, Indiana, U.S. |
| Nationality | American |
| Occupation | Artist, Theatrical set designer and Costume designer |
Robert Indiana (born September 13, 1928) is an American artist associated with the Pop Art movement.
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[edit] Life and work
Robert Indiana was born Robert Clark in New Castle, Indiana. His family relocated to Indianapolis, where he graduated from Arsenal Technical High School. He moved to New York City in 1954 and joined the pop art movement, using distinctive imagery drawing on commercial art approaches blended with existentialism, that gradually moved toward what Indiana calls "sculptural poems".
In 1962, Eleanor Ward's Stable Gallery hosted Robert Indiana's first New York solo exhibition. He has since enjoyed solo exhibitions at over 30 museums and galleries worldwide. Indiana's works are in the permanent collections of numerous museums, including Museum of Modern Art, New York; Whitney Museum of American Art, New York; Metropolitan Museum of Art, New York; Stedelijk Museum, Schiedam, The Netherlands; Carnegie Institute, Pittsburgh; Detroit Institute of Art, Michigan; Baltimore Museum of Art, Maryland; Brandeis Museum, Waltham, Massachusetts; Albright-Knox Gallery of Art, Buffalo, New York; San Francisco Museum of Modern Art, California, the Hirshhorn Museum in Washington D.C.; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania; and the Los Angeles County Museum, California, among many others.[1]
Indiana's work often consists of bold, simple, iconic images, especially numbers and short words like EAT, HUG, and, his best known example, LOVE.
Indiana's iconic work LOVE was first created for a Christmas card for the Museum of Modern Art in 1964 and later was included on an eight-cent United States Postal Service postage stamp in 1973, the first of their regular series of "love stamps." The first serigraph/silk screen of "Love" was printed as part of an exhibition poster for Stable Gallery in 1966 (See "Love and The American Dream: The Art of Robert Indiana", page 87). A few examples of the rare image, in bold blue and green with a red bottom announcing "Stable May 66" are known to exist. 25 of these, without the red announcement, were signed and dated on the reverse by Indiana. Sculptural versions of the image have been installed at numerous American and international locations. In 1977 he created a Hebrew version with the four letter word Ahava (אהבה "love" in Hebrew) using Cor-ten steel, for the Israel Museum Art Garden in Jerusalem, Israel.
In 1995, Indiana created a 'Heliotherapy Love' series of 300 silk screen prints signed and numbered by the artist, which surrounds the iconic love image in a bright yellow border. These prints are the largest official printed version of the Love image.
In 2008, Indiana created an image similar to his iconic LOVE (letters stacked two to a line, the letter "o" tilted on its side), but this time showcasing the word "HOPE," and donated all proceeds from the sale of reproductions of his image to Democrat Barack Obama's presidential campaign, raising in excess of $1,000,000. A stainless steel sculpture of HOPE was unveiled outside Denver's Pepsi Center during the 2008 Democratic National Convention. The Obama campaign sold T-shirts, pins, bumper stickers, posters, pins and other items adorned with HOPE. Editions of the sculpture have been released and sold internationally and the artist himself has called HOPE "Love's close relative".[2]
For Valentine's Day 2011 Indiana created a similar variation on LOVE for Google, which was displayed in place of the search engine site's normal logo.[3]
Other well-known works by Indiana include: his painting the unique basketball court formerly used by the Milwaukee Bucks in that city's U.S. Cellular Arena, with a large M shape taking up each half of the court; his sculpture in the lobby of Taipei 101, called 1-0 (2002, aluminum), using multicoloured numbers to suggest the conduct of world trade and the patterns of human life;[4] and the works he created in the aftermath of the September 11, 2001 attacks and exhibited in New York in 2004 called the Peace Paintings.[5]
Indiana has lived as a resident in the island town of Vinalhaven, Maine since 1978, where he lives in a historic Odd Fellows Hall named "The Star of Hope".
Indiana has been a theatrical set and costume designer, such as the 1976 production by the Santa Fe Opera of Virgil Thomson's The Mother of Us All, based on the life of suffragist Susan B. Anthony. He was the star of Andy Warhol's film Eat (1964), which is a 45-minute film of Indiana eating a mushroom in his SoHo loft.
Robert Indiana is represented by Galerie Gmurzynska in Europe and Paul Kasmin Gallery in New York.
[edit] LOVE
Indiana's best known image is the word love in upper-case letters, arranged in a square with a tilted letter O. The iconography first appeared in a series of poems originally written in 1958, in which Indiana stacked LO and VE on top of one another. Then in a painting with the words "Love is God". The red/green/blue image was then created for a Christmas card for the Museum of Modern Art in 1964. It was put on an eight-cent US Postal Service postage stamp in 1973, the first of their regular series of "love stamps." [6]
Sculptures of the image can be found at many places, see List of Love sculptures.
[edit] References
- ^ Spaightwood Galleries website: Robert Indiana page
- ^ Associated Press article: "New Castle native Robert Indiana creates HOPE image for Obama"
- ^ Robert Indiana & Google wishes Happy Valentine's Day. English.samaylive.com. Retrieved on 2011-02-14.
- ^ Publicly posted material, Floor 89, Taipei 101. 2007-08-17.
- ^ New York Times May 21, 2004: "ART IN REVIEW: "Robert Indiana – Peace Paintings
- ^ "LOVE", Scottsdale Public Art
[edit] External links
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Wikimedia Commons has media related to: Robert Indiana |
- Robert Indiana at the Museum of Modern Art
- The American Dream: at Markowicz Fine Art
- American Dream: Collaboration with American poet Robert Creeley at 2River
- Smithsonian Museum of American Art
