Robert von Dassanowsky

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Robert von Dassanowsky FRHistS, FRSA (born January 28, 1960, New York City) is an Austrian-American academic, writer, film and cultural historian, and producer. He is usually known as Robert Dassanowsky.

Education, career and publications[edit]

A student of the American Academy of Dramatic Arts and a graduate of UCLA (MA, PhD), where he has also served as Visiting Professor of German, Dassanowsky is a widely published academican, award-winning playwright and has written for television.

Since 1993, he has been professor of German and film studies at the University of Colorado at Colorado Springs and has become particularly known for his influential scholarly work on Austrian author Alexander Lernet-Holenia, German filmmaker and photographer Leni Riefenstahl,[1] and on Austrian and Central European film. He also serves as Adjunct Professor of Media Communication at Webster University Vienna.

Dassanowsky was founding president of the Colorado chapter of PEN and was a founding Vice President of the Austrian American Film Association (AAFA). Additionally, he is the Contributing Editor of the Gale Encyclopedia of Multicultural America, a Contributing Advisor to the International Dictionary of Films and Filmmakers, contributor to The Greenwood Encyclopedia of World Popular Cultures, and is author of Austrian Cinema: A History (2005), the first English language survey of this national cinema. Among his other publications is a collection of essays on New Austrian Film edited with Oliver C. Speck (2011), edited collections on Hugo von Hofmannsthal's play Der Schwierige (Iudicium 2011), Quentin Tarantino's Inglourious Basterds: Manipulations of Metafilm (Continuum 2012), and on World Film Locations: Vienna (Intellect 2012).[2] He is currently authoring the study Screening Transcendence: Film Under Austrofascism and the Hollywood Hope 1933–1938 (Indiana University Press).[3]

Dassanowsky also serves on several editorial boards of literary publications in the US, Canada and Austria including Osiris, Rampike, Poetry Salzburg Review, Journal of Austrian Studies and Colloquia Germanica. In addition to publication in scholarly journals he is also a contributor to Senses of Cinema, Bright Lights Film Journal and The Vienna Review. His Telegrams from the Metropole: Selected Poems 1980–1998 received a Pushcart Prize nomination in 2000. His poetry book Soft Mayhem was published in 2010 (Poetry Salzburg). He has authored over eighty articles and essays in book collections, journals, and periodicals.

Producer and media appearances[edit]

The son of Austrian-American pioneering film studio founder and musician, Elfi von Dassanowsky, he is also active as an independent producer and head of the Los Angeles/Vienna based Belvedere Film production company. His recent Belvedere Film projects include the documentary on aesthete Felix Pfeifle Felix Austria! aka The Archduke and Herbert Hinkel (2013) directed by Christine Beebe (in which he also appears), the dramatic shorts Menschen (2012) directed by Sarah R Lotfi and The Retreat (2010), the feature film Wilson Chance (2005), the animated short The Nightmare Stumbles Past (2003), and the award-winning Semmelweis (2001). In 2007, British tabloids reported that he may have been involved with a Heather Mills biographical film project on her life with Paul McCartney, but Dassanowsky has not commented.[4] As an independent, he served as associate producer of Dog Eat Dog (2012) a comedy short with Zachary Quinto directed by Sian Heder, of Curt Hahn's dramatic feature Deadline with Eric Roberts (2012), of Mark Devendorf and Mauricio Chernovetzky's The Curse of Styria based on Sheridan Le Fanu's gothic novel Carmilla starring Stephen Rea and Eleanor Tomlinson (2013), and of the feature biopic Creep! directed by Pete Schuermann (2014). He was producer on Brad Osborne and Eric Vale's independent mystery thriller feature, Chariot (2014), and produced Ally Acker's interview documentary on women in cinema history,Real Herstory: The Real Story of Reel Women (2014). He is currently (2014-15) co-producing Never Kissed by the Queen: The Black Countess from Bain Street, a documentary feature on the marriage of Martha Solomons, the daughter of a freed slave and Harry, The 8th Earl of Stamford written and co-directed by South African filmmaker Maggie Follett.[5]

Affiliations, awards and foundation work[edit]

Dassanowsky is a member of Mensa (U.S.A.) and the Sacred Military Constantinian Order of St. George (Spanish branch). He was named the Carnegie Foundation/CASE U.S. Professor of the Year for Colorado in 2004,[6] and decorated by the Austrian president in 2005 with the Decoration of Honour in Silver for Services to the Republic of Austria.[7][8] Dassanowsky received the University of Colorado, Colorado Springs Outstanding Teacher Award in 2001, the Chancellor's Award in 2006, and the Faculty Award for Excellence in Research in 2013.[9] He was elected Fellow of the Royal Historical Society in 2007 [10] and of the Royal Society of Arts in 2010. A member of the European Academy of Sciences and Arts since 2001, he was appointed to serve as one of the three U.S. delegates to the Academy in 2009.[11] In 2012 Dassanowsky was appointed member of the European Society Coudenhove-Kalergi, which furthers the work and image of the founder of the Paneuropean Movement and he joined the board of advisors for the Salzburg Institute in 2014. He is a member of the Academy of Austrian Film and a voting member of the European Film Academy. Dassanowsky was elected vice president of the Austrian Studies Association or ASA in 2010, which he and then organization president David Luft (Oregon State University) transitioned from the Modern Austrian Literature and Culture Association in 2010-12. He served as ASA president from 2012-2014. The Dietrich W. Botstiber Foundation's Institute for Austrian-American Studies (BIAAS) awarded Dassanowsky a research grant for 2014-15.

Since 2008, Dassanowsky has been the director of the Elfi von Dassanowsky Foundation, established in memory of his mother.[12] In addition to various other grants, the Foundation annually sponsors the juried Elfi von Dassanowsky Prize (1,000 Euros) for a work by a female filmmaker, which was first presented to Norwegian artist Inger Lise Hansen for Parallax (2009) at the Vienna Independent Shorts Film Festival in June 2010.

References[edit]

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