Roberto Weiss

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Roberto Weiss in Rome with his sister

Roberto Weiss (21 January 1906 – 10 August 1969) was an Italian-British scholar and historian, specialist in Italian-English cultural contacts during the period of the Renaissance and Renaissance humanism.

Early life[edit]

Born in Milan to a family which originated in the Czech Republic,[citation needed] Weiss began his studies in Italy but moved to England as a young man in 1926 on the advice of his father, Eugenio Weiss, to continue his education and prepare for a career in the diplomatic service by studying law at Oxford University.[citation needed] After gaining an upper second in law he stayed on to study for a D.Phil.[citation needed] He worked for a short time from 1932–1933 in the Department of Western Manuscripts of the Bodleian Library and obtained his D.Phil from Oxford in 1934, the same year as he won the Charles Oldham prize.[1] He became close friends with brothers John Buchan, 2nd Baron Tweedsmuir and William Buchan, 3rd Baron Tweedsmuir. Their father, the author John Buchan later also became both friend acted and mentor.[1][2] While studying Roberto was a frequent guest at the Buchan home at Elsfield Manor, where he met T.E. Lawrence and the Mitford family sisters.[citation needed] At Oxford he met the novelist Barbara Pym, who later used him as the basis for the character Count Ricardo Bianco in her first novel, Some Tame Gazelle, which she had begun writing while at Oxford.[3] He stayed in England due to his dislike for the fascist regime of Mussolini.[citation needed]

Weiss was naturalised in 1934 and in 1936 he married Eve Cecil, with whom he settled in Henley-on-Thames and had four children.[1] He served in the British Royal Artillery in a non-combat role during World War II between 1942 and 1945.[citation needed]


He taught at University College, London from 1938 until his death. He became Professor of Italian in 1946.[citation needed]

A pioneer in the study of early humanism,[1] Weiss's first book (based on his thesis), Humanism in England during the Fifteenth Century (1941, subsequent editions: 1955, 1967, 2009) was the first full-length monograph in English to treat the subject of the pre-Tudor influence of Italian humanism on England.[4] Subsequent lines of research took in Italian pre-humanists and the Renaissance knowledge of Greek.

His last book, the posthumously published The Renaissance discovery of classical antiquity (1969) was an examination of the antiquarian studies of the renaissance humanists themselves, beginning with Petrarch and ending with the sack of Rome in 1527. He also made important contributions to the study of individual humanists.[citation needed]

Weiss was known for the conciseness of his writing,[citation needed] and was described as not one of those academics who waffles.[citation needed] He stated that he could have turned each of the last ten chapters of The Renaissance discovery of classical antiquity into its own book.[citation needed] His wife Eve, an English teacher, ensured the correctness of his English grammar and flow.

Weiss was a corresponding member of the Istituto Veneto, the Academia Patavina, the Arcadia, the Accademia Petrarca, the Accademia dei Sepolti, the Accademia degli Incamminati and the Mediaeval Academy of America.[citation needed] He was shortly before his death awarded the Serena Medal for Italian Studies by the British Academy.[1]

According to the obituary in The Times, the Italian department at the UCL "developed into one of the most flourishing centres of Italian scholarship outside Italy" under his leadership. The Times also called him "a vital link in Anglo-Italian cultural relations".[1] The obituary in the mediaevalist journal Speculum called him "one of the most learned and productive scholars of his generation".

Roberto Weiss died on 10 August 1969 in Reading, Berkshire, having suffered a heart attack in the early hours of 9 August.[1] He left a large collection of Renaissance medals to his children who loaned them to the Fitzwilliam Museum at the University of Cambridge.[citation needed] His personal library now forms a part of the History of Art collection at the University of Warwick library.[citation needed]

Published works (selection)[edit]

A bibliography of Weiss' works was published by Conor Francis Fahy & John D. Moores: "A list of the publications of Roberto Weiss, 1906–1969", in Italian studies, vol. 29 (1974), pp. 1–11.

  • Humanism in England during the Fifteenth Century (1941; 2nd ed. 1957, 3rd ed. 1967)
  • The dawn of humanism in Italy (1947; Italian edition: Il Primo secolo dell’umanesimo, 1949), ISBN 0-8383-0080-4
  • Un umanista veneziano: Papa Paulo II (1958)
  • The medals of Pope Sixtus IV (1471–1484) (1961)
  • The Renaissance discovery of classical antiquity (1969) ISBN 0-631-11690-7
  • Medieval and humanist Greek : collected essays (1977)
  • Illustrium imagines: Incorporating an English translation of Nota ISBN 0-934352-05-4

See also[edit]


  • Astrik Gabriel, Paul Oskar Kristeller and Kenneth Setton, "Roberto Weiss" (obituary), Speculum 1971, p. 574 f (online with JSTOR subscription).
  • Obituary in The Times, Thursday, 14 August 1969; pg. 10; Issue 57638; col F (online with subscription).
  • Nicolai Rubinstein, 'Weiss, Roberto (1906–1969)', Oxford Dictionary of National Biography, Oxford University Press, Sept 2004; online edn., Jan 2008 ([1] with subscription).

External links[edit]