Rock Island (album)

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Rock Island
Studio album by Jethro Tull
Released 21 August 1989 UK
Recorded Early 1989
Genre Progressive rock, hard rock
Length 50:21
Label Chrysalis
Producer Jethro Tull
Jethro Tull chronology
20 Years of Jethro Tull: Highlights
(1988)
Rock Island
(1989)
Live at Hammersmith '84
(1990)
Singles from
Rock Island
  1. "Kissing Willie"
    Released: 1988
  2. "Heavy Water"
    Released: 1988
  3. "Another Christmas Song"
    Released: 1989
  4. "The Rattlesnake Trail"
    Released: 1989
Professional ratings
Review scores
Source Rating
AllMusic 3.5/5 stars[1]
Classic Rock 8/10 stars[2]

Rock Island is the 17th studio album by the British rock group Jethro Tull, released in 1989. The album continued the hard rock direction the band took on the previous effort, Crest of a Knave (1987). The line-up now included Ian Anderson, Martin Barre, Dave Pegg and drummer Doane Perry in his first full recording with the band, although he was already a member of Jethro Tull since 1984. Without a permanent keyboard player, the role was shared by Fairport Convention's Martin Allcock and former Tull member Peter Vettese.

Rock Island went Gold in the UK, with good sales also in Germany, were peak the Nº 5. Good sales also for the "Kissing Willie" single, that reach the Nº 6.[3]

The staging on the 1989 tour supporting Rock Island featured projected silhouettes of lithe dancers during the song "Kissing Willie", ending with an image that bordered on pornographic. The song "Big Riff and Mando" reflects life on the road for the relentlessly touring musicians, giving a wry account of the theft of Barre's prized mandolin by a stage-struck fan.

Introduction by Ian Anderson[edit]

In 2006, for the remastered CD, Anderson wrote an introduction to each song of the original album:

  • "Kissing Willie" is a not-too-subtle approach to love and life behind grey factory walls. Actually bassist Dave Pegg inspired this one with a tale, imagined or real, who knows, of an awkward teenage mutual fumble behind the gasworks somewhere on the fringes of his home town of Birmingham in the Midlands of the UK. A rather over-the-top video went with this one and is not one of my proudest moments. Director Storm Thorgerson wanted a Benny Hill kind of thing and so I Bennied, dutifully. Regretfully.
  • "The Rattlesnake Trail" is a medium tempo rocker of the ZZ Top persuasion. Guitar-based and never performed on stage. Just an excuse for a funky rocking good time.
  • "Ears of Tin" plays on the social disintegration of the West Highlands of Scotland. The move to the big city. The regrets. The longing.
  • "Undressed to Kill" is a strip club through-the-keyhole, life of a working girl song. A certain sadness and grim determination lurks in the young female personality behind the lap-dance frivolity of the setting.
  • "Rock Island" is a rather good song, I think. Loneliness and detachment. Fear of the far-off unknown. The rock island as metaphor for the isolated but familiar bubble into which we all sometimes retreat. The blue baby blanket security. Back to the womb. For beer, curry and a game of skittles.
  • "Heavy Water" reflects on the environmental damage from Chernobyl but was inspired also by the horrors of the acid rain reality of 20th century industrial pollution. Memories of a hot and sticky New York City summer in the early seventies when the rainspots on my sleeve were an ominous black.
  • "Another Christmas Song" is probably my favourite piece from the album, being generally uplifting in this sea of misery! It was actually written as a sequel to the original "Christmas Song", B-side on an early Tull single in 1968. It was also re-recorded for the Jethro Tull Christmas Album in 2003. A song of family togetherness, nostalgia and benevolence. The antithesis of the original, in some ways.
  • "The Whaler's Dues" tackles the difficult subject of the moral question of whale-hunting, seen from the perspective of a seaman on board on a whaling ship. Set in the contemporary world, it in no way tries to condone or excuse the on-going practice but puts our hero (or villain) up in the dock for sentence and martyrdom. For all my Japanese and Icelandic friends to ponder on...
  • "Big Riff and Mando" is based on the true event of the theft of Martin Barre's mandolin from backstage after a show somewhere in the USA a few months before. Martin was understandably distraught and I made plea via a helpful local Classic Rock radio station to the perpetrator. To our amazement, the mandoline was returned undamaged and lived to fight another day. Why did the thief take it? To brag out? To have as a souvenir? Or to keep for a few years until e-Bay was invented? Marty is Martin, obviously. Big Riff is the imagined thief and a little story is invented here to portray the character and his motives.
  • "Strange Avenues" is a little sequel to the Aqualung setting of 1971. Sometimes it is so nice to revisit an earlier song and re-create, for a moment, the subject in another piece of invaded personal space. Nice musical arrangement and dramatic stuff. Must play it live again some day.

Track listing[edit]

All songs written and composed by Ian Anderson

Side one
No. Title Length
1. "Kissing Willie"   3:32
2. "The Rattlesnake Trail"   4:02
3. "Ears of Tin"   4:55
4. "Undressed to Kill"   5:25
5. "Rock Island"   6:54
Side two
No. Title Length
1. "Heavy Water"   4:12
2. "Another Christmas Song"   3:32
3. "The Whaler's Dues"   7:53
4. "Big Riff and Mando"   5:58
5. "Strange Avenues"   4:10
  • The bonus tracks were recorded live in Zurich, Switzerland on 13 October 1989. They had previously been released on the UK CD single of "Another Christmas Song".

Personnel[edit]

Jethro Tull
Additional personnel
  • Martin Allcock – keyboards on tracks 1 & 10
  • Peter Vettese – additional keyboards on tracks 3, 4, 5 & 6
  • Jim Gibson - Illustrations
  • Mark Tucker - Mixing

References[edit]

  1. ^ Ruhlmann, William. Rock Island at AllMusic
  2. ^ Ewing, Jerry (December 2006). "Jethro Tull Rock Island". Classic Rock. p. 99. 
  3. ^ "Rock Island - Jethro Tull | Awards". AllMusic. 1989-10-13. Retrieved 2015-05-01.