View of the GE Building at the heart of Rockefeller Center
|Location||Midtown Manhattan, New York City, NY|
|Area||22 acres (8.8 ha)|
|Architectural style||Modern, Art Deco|
|Governing body||Tishman Speyer Properties, Mitsubishi Estate and other partners.|
|NRHP Reference #||87002591|
|Added to NRHP||December 23, 1987|
|Designated NHL||December 23, 1987|
Rockefeller Center is a complex of 19 commercial buildings covering 22 acres (89,000 m2) between 48th and 51st streets in New York City, United States. Built by the Rockefeller family, it is located in the center of Midtown Manhattan, spanning the area between Fifth Avenue and Sixth Avenue. It was declared a National Historic Landmark in 1987.
- 1 History
- 2 Complex
- 3 Sculptures, artwork, and features
- 4 Gallery
- 5 See also
- 6 Notes and references
- 7 External links
Rockefeller Center was named after John D. Rockefeller, Jr., who leased the space from Columbia University in 1928 and developed it beginning in 1930. Rockefeller initially planned a syndicate to build an opera house for the Metropolitan Opera on the site, but changed plans after the stock market crash of 1929 and the Metropolitan's continual delays to hold out for a more favorable lease, causing Rockefeller to move forward without them. Rockefeller stated, "It was clear that there were only two courses open to me. One was to abandon the entire development. The other to go forward with it in the definite knowledge that I myself would have to build it and finance it alone." He took on the enormous project as the sole financier, on a 27-year lease (with the option for three 21-year renewals for a total of 87 years) for the site from Columbia; negotiating a line of credit with the Metropolitan Life Insurance Company and covering ongoing expenses through the sale of oil company stock. The initial cost of acquiring the space, razing some of the existing buildings and constructing new buildings was estimated at $250 million.
It was the largest private building project ever undertaken in modern times. Construction of the 14 buildings in the Art Deco style (without the original opera house proposal) began on May 17, 1930, and completed in 1939. Principal builder and "managing agent" for the massive project was John R. Todd. Principal architect was Raymond Hood, working with and leading three architectural firms on a team that included a young Wallace Harrison, later to become the family's principal architect and adviser to Nelson Rockefeller. The construction of the project employed over 40,000 people.
It was the public relations pioneer Ivy Lee, the prominent adviser to the family, who first suggested the name "Rockefeller Center" for the complex, in 1931. Rockefeller, Jr., initially did not want the Rockefeller family name associated with the commercial project, but was persuaded on the grounds that the name would attract far more tenants.
What could have become a major controversy in the mid-1930s concerned the last of the four European buildings that remained unnamed. Ivy Lee and others made attempts to rent the space to German commercial concerns and name it the Deutsches Haus. Rockefeller ruled this out after being advised of Hitler's Nazi march toward World War II, and thus the empty office site became the International Building North.
This subsequently became the primary location of the U.S. operations of British Intelligence, British Security Coordination (BSC) during the War, with Room 3603 becoming the principal operations center for Allied intelligence, organized by William Stephenson, as well as the office of the future head of what was later to become the Central Intelligence Agency, Allen Welsh Dulles.
The Center is a combination of two building complexes: the older and original 14 Art Deco office buildings from the 1930s, and a set of four International-style towers built along the west side of Avenue of the Americas during the 1960s and 1970s (plus the Lehman Brothers Building). (The Time-Life Building, McGraw-Hill and News Corporation/Fox News Channel headquarters are part of the Rockefeller Center extension now owned/managed by the major private real estate firm, Rockefeller Group.)
In 1985, Columbia University sold the land beneath Rockefeller Center to the Rockefeller Group for $400 million. In 1989, Mitsubishi Estate, a real estate company of the Mitsubishi Group, purchased the entire Rockefeller Center complex, and its owner, Rockefeller Group. In 2000, the current owner Jerry Speyer (a close friend of David Rockefeller), of Tishman Speyer Properties, L.P., together with the Lester Crown family of Chicago, bought the older 14 buildings and land from the previous syndicated owners that included: Goldman Sachs (which had 50 percent ownership), Gianni Agnelli, Stavros Niarchos, and David Rockefeller, who organized the syndicate in 1996 and is historically associated with the other partners, for $1.85 billion.
The landmark buildings comprise over 8,000,000 square feet (743,000 m2) on 22 acres (89,000 m2) in Midtown, bounded by Fifth and Sixth avenues, and from 48th Street to 51st Street. Rockefeller Center is also a private property, co-owned by Tishman-Speyer, and open to the public.
- One Rockefeller Plaza 608,000 sq ft (56,500 m2) — Originally the Time–Life Building; an original tenant was General Dynamics, for whom the building was briefly named.
- 10 Rockefeller Plaza 288,000 sq ft (26,800 m2) — Originally the Holland House, then the Eastern Air Lines Building. Currently home of Today Show studios. and the Nintendo World Store.
- 30 Rockefeller Plaza (30 Rock): GE Building 2,900,000 sq ft (270,000 m2) — Formerly the RCA & RCA West Buildings. Headquarters of NBC.
- 30 Rockefeller Plaza (30 Rock) Global Headquarters and National Headquarters of Deloitte & Touche LLP
- 1240 Avenue of the Americas: One of the original buildings on the site not demolished; It has been adapted as an annex building to 30 Rock.
- 50 Rockefeller Plaza: Bank of America Building 481,000 sq ft (44,700 m2) – Formerly the Associated Press Building and home to many news agencies. Isamu Noguchi's large, nine-ton stainless steel panel, News, holds the place of honor above the building's entrance. Noguchi's design depicts the various forms of communications used by journalists in the 1930s. The only building in the Center built to the outer limits of its lot line, 50 Rock took its shape from the main tenant's need for a single, undivided, loft-like newsroom as large as the lot could accommodate. At one point, four million feet of transmission wire were embedded in conduits on the building's fourth floor.
- 1230 Avenue of the Americas: Simon & Schuster Building 706,000 sq ft (65,600 m2) – Formerly U.S. Rubber/Uniroyal Building and site of the Center Theatre prior to 1954.
- 1250 Avenue of the Americas: GE Building — Originally RCA Building West, officially known as 30 Rockefeller Plaza.
- 1260 Avenue of the Americas: Radio City Music Hall
- 1270 Avenue of the Americas 528,000 sq ft (49,100 m2) – Originally the RKO Building, later the American Metal Climax (AMAX) Building
- 600 Fifth Avenue 409,000 sq ft (38,000 m2) — Formerly the Sinclair Oil Building
- 610 Fifth Avenue: La Maison Francaise 130,000 sq ft (12,000 m2)
- 620 Fifth Avenue: British Empire Building 130,600 sq ft (12,130 m2)
- 626 Fifth Avenue: Palazzo d'Italia 120,000 sq ft (11,000 m2)
- 630 Fifth Avenue: International Building 1.2×106 sq ft (110,000 m2)
- 636 Fifth Avenue: International Building North 120,000 sq ft (11,000 m2)
The buildings listed above, east of Sixth Avenue, are managed by Tishman-Speyer, co-owner of Rockefeller Center. The buildings west of Sixth Avenue are managed and/or co-owned by the Japanese-owned Rockefeller Group:
- 1221 Avenue of the Americas (McGraw-Hill Building)
- 1271 Avenue of the Americas (Time-Life Building)
- 745 Seventh Avenue (Barclays Capital, formerly Lehman Brothers Building): Building now owned by Barclays Capital, the land by the Rockefeller Group.
Buildings formerly part of Rockefeller Center
- The Center Theatre — Formerly the RKO Roxy Theatre; the only structure in the original Rockefeller Center to be demolished (1954); used as an NBC television studio at the time of demolition
- 75 Rockefeller Plaza (originally the Esso Building, later the Time Warner Building) – now owned by Mohamed Al Fayed
- 1211 Avenue of the Americas — Originally the Celanese Building, now the News Corp Building; sold in 1980
- 1251 Avenue of the Americas — Originally the Standard Oil [NJ] Building and later the Exxon Building; sold in 1986 when Exxon offices relocated to Dallas
- 1290 Avenue of the Americas — aka AXA Financial Center; formerly the Sperry Rand Building
- New York Hilton Midtown — formerly The New York Hilton at Rockefeller Center
Radio City Music Hall
Radio City Music Hall at 50th Street and Avenue of the Americas was completed in December 1932. At the time it was promoted as the largest and most opulent theater in the world. Its original intended name was the "International Music Hall" but this was changed to reflect the name of its neighbor, "Radio City," as the new NBC Studios in the RCA Building were known. RCA was one of the complex's first and most important tenants and the entire Center itself was sometimes referred to as "Radio City."
The Music Hall was planned by a consortium of three architectural firms, who employed Edward Durell Stone to design the exterior. Through the direction of Abby Rockefeller, the interior design was given to Donald Deskey, an exponent of the European Modernist style and innovator of a new American design aesthetic. Deskey believed the space would be best served by sculptures and wall paintings and commissioned various artists for the large elaborate works in the theater. The Music Hall seats 6,000 people and after an initial slow start became the single biggest tourist destination in the city. Its interior was declared a New York City landmark in 1978. Painstakingly restored in 1999, the Music Hall interiors are one of the world's greatest examples of Art Deco design.
In 1979, after decades as a premiere showcase for motion pictures and elaborate stage shows, the theater converted to presenting touring performers and special events. Each holiday season features the annual musical stage show, the Radio City Christmas Spectacular, a tradition for more than 70 years. The enormous stage, with its elevators and turntables, has also offered Frank Sinatra, Ella Fitzgerald, the Grammy and Tony Awards, and countless other events. One of New York's most popular tourist attractions, the Music Hall has been attended by more than 300 million people.
GE Building (RCA Building)
The centerpiece of Rockefeller Center is the 70-floor, 872 ft (266 m) GE Building at 30 Rockefeller Plaza ("30 Rock", also the name of a comedy television show), formerly known as the RCA Building, centered behind the sunken plaza. The building is the setting for the famous Lunchtime atop a Skyscraper photograph, taken by Charles C. Ebbets in 1932 of construction workers sitting on a steel beam without safety harnesses eating lunch above an 840-foot (260 m) drop to the ground.
The building was renamed in 1988 after General Electric (GE) re-acquired RCA, which it helped found in 1919. The famous Rainbow Room club restaurant is located on the 65th floor; the Rockefeller family office occupies the 54th through 56th floors. The skyscraper is the headquarters of NBC and houses most of the network's New York studios, including 6A, former home of Late Night with David Letterman, Late Night with Conan O'Brien and The Dr. Oz Show; 6B, home of Late Night with Jimmy Fallon and now home of The Tonight Show Starring Jimmy Fallon; 8G, home of Late Night with Seth Meyers; 8H, home of Saturday Night Live; plus the operations of NBC News, MSNBC and network flagship station WNBC. NBC currently owns the space it occupies in the building as a condominium arrangement.
Unlike most other Art Deco towers built during the 1930s, the GE Building was constructed as a slab with a flat roof and since 1933 has been home of the Center's observation deck, the Top of the Rock. The Center's owner, Tishman Speyer Properties, carried out a $75 million makeover of the observation area between 1985 and 2005. It spans from the 67th–70th floors and includes a multimedia exhibition exploring the history of the Center. On the 70th floor, accessible by both stairs and elevator, there is a 20-foot (6.1 m) wide viewing area, allowing visitors a unique 360-degree panoramic view of New York City.
At the front of 30 Rock is the Lower Plaza, in the very center of the complex, which is reached from 5th Avenue through the Channel Gardens and Promenade. The acclaimed sculptor Paul Manship was commissioned in 1933 to create a masterwork (see below) to adorn the central axis, below the famed annual Rockefeller Center Christmas Tree, but all the other original plans to fill the space were abandoned over time. It was only at Christmas Day in 1936 that the ice skating rink was finally installed and the popular Center activity of ice skating began.
The underground concourse
A series of shop- and restaurant-filled, underground pedestrian passages stretch from 47th Street to 51st Street, and from Fifth Avenue to Seventh Avenue. Access is via lobby stairways in the six landmark buildings, through restaurants surrounding the Concourse-level skating rink, and elevators to the north and south of the rink. The western Concourse entrance is also accessible through the 47th–50th Streets – Rockefeller Center subway station below Sixth Avenue (B D F M trains).
Sculptures, artwork, and features
Some 200 flagpoles line the plaza at street level. Flagpoles around the plaza display flags of United Nations member countries, the U.S. states and territories, or decorative and seasonal motifs. During U.S. holidays, every pole carries the Flag of the United States.
Rockefeller Center represents a turning point in the history of architectural sculpture: it is among the last major building projects in the United States to incorporate a program of integrated public art. Sculptor Lee Lawrie contributed the largest number of individual pieces – twelve – including the statue of Atlas facing Fifth Avenue and the conspicuous friezes above the main entrance to the RCA Building.
Paul Manship's highly recognizable bronze gilded statue of the Greek legend of the Titan Prometheus recumbent, bringing fire to mankind, features prominently in the sunken plaza at the front of 30 Rockefeller Plaza. The model for Prometheus was Leonardo (Leon) Nole, and the inscription, a paraphrase from Aeschylus, on the granite wall behind, reads: "Prometheus, teacher in every art, brought the fire that hath proved to mortals a means to mighty ends." Although some sources cite it as the fourth-most familiar statue in the United States, behind the Lincoln Memorial, Mount Rushmore, and the Statue of Liberty, Manship was not particularly fond or proud of it.
A large number of other artists contributed work at the Center, including Isamu Noguchi, whose gleaming stainless steel bas-relief, News, over the main entrance to 50 Rockefeller Plaza (the Associated Press Building) was a standout. At the time it was the largest metal bas-relief in the world. Other artists included Carl Milles, Hildreth Meiere, Margaret Bourke-White, Dean Cornwell, and Leo Friedlander.
In 1932, the Mexican socialist artist Diego Rivera (whose sponsor was the Museum of Modern Art and whose patron at the time was Abby Aldrich Rockefeller, the wife of John D. Rockefeller, Jr.), was commissioned by their son Nelson Rockefeller to create a color fresco for the 1,071-square-foot (99 m2) wall in the lobby of the then-RCA Building. This was after Nelson had been unable to secure the commissioning of either Matisse or Picasso. Previously Rivera had painted a controversial fresco in Detroit entitled Detroit Industry, commissioned by Abby and John's friend, Edsel Ford, who later became a MoMA trustee.
Thus it came as no real surprise when his Man at the Crossroads became controversial, as it contained Moscow May Day scenes and a clear portrait of Lenin, not apparent in initial sketches. After Nelson issued a written warning to Rivera to replace the offending figure with an anonymous face, Rivera refused (after offering to counterbalance Lenin with a portrait of Lincoln), and so he was paid for his commission and the mural papered over at the instigation of Nelson, who was to become the Center's flamboyant president.
Nine months later, after all attempts to save the fresco were explored – including relocating it to Abby's Museum of Modern Art – it was destroyed as a last option. (Rivera re-created the work later in Mexico City in modified form, from photographs taken by an assistant, Lucienne Bloch.)
Rivera's fresco in the Center was replaced with a stunning, larger mural by the Catalan artist Josep Maria Sert, entitled American Progress, depicting a vast allegorical scene of men constructing modern America. Containing figures of Abraham Lincoln, Mahatma Gandhi, and Ralph Waldo Emerson, it wraps around the west wall of the Grand Lobby at 30 Rock.
In 1962, the center management placed a plaque at the plaza with a list of principles in which John D. Rockefeller, Jr. believed, and first expressed in 1941. It reads:
"I believe in the supreme worth of the individual and in his right to life, liberty, and the pursuit of happiness.
I believe that every right implies a responsibility; every opportunity, an obligation; every possession, a duty.
I believe that the law was made for man and not man for the law; that government is the servant of the people and not their master.
I believe in the Dignity of labour, whether with head or hand; that the world owes no man a living but that it owes every man an opportunity to make a living.
I believe that thrift is essential to well ordered living and that economy is a prime requisite of a sound financial structure, whether in government, business or personal affairs.
I believe that truth and justice are fundamental to an enduring social order.
I believe in the sacredness of a promise, that a man's word should be as good as his bond; that character not wealth or power or position – is of supreme worth.
I believe that the rendering of useful service is the common duty of mankind and that only in the purifying fire of sacrifice is the dross of selfishness consumed and the greatness of the human soul set free.
I believe in an all-wise and all-loving God, named by whatever name, and that the individuals highest fulfilment, greatest happiness, and widest usefulness are to be found in living in harmony with His Will.
I believe that love is the greatest thing in the world; that it alone can overcome hate; that right can and will triumph over might."
In The Shadow
Two small, seemingly inappropriate structures abut the north and south corners of the General Electric Building on Sixth Avenue. These buildings exist as a result of two tenants, one a leaseholder, the other the property owner, who refused to sell their rights to Rockefeller during construction. In 1892, a trio of Irishmen leased the property at 1240 Sixth Avenue, and opened Hurley's, a popular pub that operated through prohibition as a speakeasy. Rockefeller bought the building, but their lease trumped his property rights. They offered to sell their rights to him for $250 million (roughly the cost of the entire complex) which he refused. Meanwhile, at 1258 Sixth Avenue on the other corner, owner John F. Maxwell simply refused to sell. In the end, Rockefeller was forced to construct the center around the buildings.
In November 2010, former architect and Lego fan Adam Reed Tucker designed a Lego replica of the center for the LEGO Architecture series.
Notes and references
- "National Register Information System". National Register of Historic Places. National Park Service. 2007-01-23.
- "Rockefeller Center". National Historic Landmark summary listing. National Park Service. September 18, 2007.
- Pitts, Carolyn (January 23, 1987). "National Register of Historic Places Inventory-Nomination". National Park Service. Retrieved March 6, 2014.
- "Rockefeller Center – Accompanying photos, c.1933 to c.1986". National Park Service. January 23, 1987. Retrieved March 6, 2014.
- Okrent, Daniel (November 30, 2004). Great Fortune: The Epic of Rockefeller Center. Penguin Books. p. 70. ISBN 978-0142001776. Retrieved March 6, 2014.
- Glancy, Dorothy J. (January 1, 1992). "Preserving Rockefeller Center". 24 Urb. Law. 423 (Santa Clara University School of Law): 431. Retrieved March 6, 2014.
- Seielstad, B.G. (September 1930). "Radio City to Cost $250,000,000". Popular Science Monthly: 19. Retrieved March 6, 2014.
- Roussel, Christine (May 17, 2006). The Art of Rockefeller Center. New York: W.W. Norton & Company. p. 11. ISBN 978-0-3930-6082-9.
- "Rockefeller Center Art and History: 1930s". Rockefeller Center. Retrieved March 6, 2014.
- Okrent 2004, p. 258.
- Okrent 2004, pp. 282–5.
- Okrent, p. 411.
- Srodes, James (June 25, 1999). Allen Dulles: Master of Spies. Washington: Regnery Publishing, Inc. pp. 207, 210. Retrieved March 6, 2014.
- Dunlap, David W. (June 3, 1993). "G.E. Gives Midtown Tower To Columbia University". The New York Times. Retrieved March 6, 2014.
- Rockefeller, David (October 15, 2002). Memoirs. New York: Random House. p. 479. Retrieved March 6, 2014. (subscription required (. ))
- "About TODAY". Today.msnbc.msn.com. Retrieved March 6, 2014.
- "Contact". CBS Corporation. Retrieved March 6, 2014.
- "New York Properties". The Rockefeller Group. Retrieved March 6, 2014.
- "Ownership". 1211 Avenue of the Americas. Retrieved March 6, 2014.
- Scardino, Albert (December 11, 1988). "Mitusi Unit Gets Exxon Building". The New York Times. Retrieved March 6, 2014.
- "World's Largest Theater in Rockefeller Center Will Seat Six Thousand Persons". Popular Mechanics: 252–253. August 1932. Retrieved March 6, 2014.
- "Top of the Rock". Tishman Speyer. Retrieved March 6, 2014.
- "Top of the Rock Observation Deck Information". NYCtourist.com. Retrieved March 6, 2014.
- Roussel 2006, p. 199.
- "Rockefeller Center, New York City". VirtualTourist. March 13, 2008. Retrieved March 6, 2014.
- Kert, Bernice (October 12, 1993). Abby Aldrich Rockefeller: The Woman in the Family. New York: Random House. pp. 352–65. ISBN 978-0-3945-6975-8. Retrieved March 6, 2014.
- Reich, Cary (October 1, 1996). The Life of Nelson A. Rockefeller: Worlds to Conquer, 1908–1958. New York: Doubleday. pp. 105–11. Retrieved March 6, 2014.
- roussel 2006, pp. 94–107.
- Miller, Tom (November 28, 2012). "Rockefeller Center's David vs. Goliath -- No. 1240 6th Avenue". Daytonian in Manhattan. Retrieved March 6, 2014.
- Balfour, Alan. Rockefeller Center: Architecture as Theater, New York: McGraw-Hill, Inc., 1978.
- Deal, Martha. "Who Posed for the Statue of Prometheus" (Ray Van Cleef and Leon Nole). Iron Game History. Volume 6, Issue 4, Pages 34–35.
- Harr, John Ensor, and Peter J. Johnson. The Rockefeller Century: Three Generations of America's Greatest Family, New York: Charles Scribner's Sons, 1988.
- Karp, Walter. The Center: A History and Guide to Rockefeller Center, New York: American Heritage Publishing Company, Inc., 1982.
- Krinsky, Carol H.. Rockefeller Center, New York: Oxford University Press, 1978.
- Loth, David G. The City Within a City: The Romance of Rockefeller Center, New York: Morrow, 1966.
- Okrent, Daniel. Great Fortune: The Epic of Rockefeller Center, New York: Viking Press, 2003.
- Reich, Cary. The Life of Nelson A. Rockefeller: Worlds to Conquer 1908–1958, New York: Doubleday, 1996.
- Roussel, Christine. The Art of Rockefeller Center, New York: W.W. Norton & Company, 2006.
- Stichweh, Dirk. New York Skyscrapers, Munich: Prestel Publishing, 2009, ISBN 3-7913-4054-9
|Wikimedia Commons has media related to Rockefeller Center.|
- Official website
- Guide to Rockefeller Center
- The Rockefeller Group
- Rockefeller Center Webcam
- in-Arch.net: Rockefeller Center introduction