Roger Bennett (playwright)

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For the Southern Gospel pianist, see Roger Bennett (musician).

Roger Bennett (1948 – 1997) was an Arrernte man from Central Australia, an actor, and a playwright. His best known works are Up the Ladder and Funerals and Circuses.

His works dealt with his life experiences, particularly the travelling boxing tents, where his father, Elley Bennett was a boxing champion during the 1940s and '50s.[1] Roger himself had also fought in the travelling tents.[citation needed]

Up the Ladder was first performed at the Adelaide Fringe Festival in 1990, in a production directed by Bob Maza.[2] The play subsequently moved to Melbourne, 1995, for a long stint at the Melbourne Workers Theatre[1] and came to Sydney in 1997 for the Festival of the Dreaming.[3] According to the Sydney Morning Herald,

Up the Ladder takes the audience right inside the spangled, sweaty, tatty and deceptive world of the travelling sideshow carnival, from tawdry fake snake charmers to the sawdust of the boxing ring. [co-director] Enoch says the Aboriginal culture comes through in the play's physicality, mocking humour and the sparse nature of the dialogue. Critics have hailed it as a "feel-good show", "full of fun and good humour".[3]

The fact that the play emphasizes positive aspects of the Aboriginal experience in travelling shows led at least one reviewer to criticize it as apolitical. Wesley Enoch "however argues that any play about Aboriginal people is political,"[3] stating that

Having black people on stage punching the shit out of each other is political. But this is not agit prop. I think we are entering into a phase - culturally, artistically, politically - where it is actually about the nuance of racism.[3]

In 2003, the play travelled to Tokyo. Staged by the Rakutendan Theatre Company and directed by Enoch (Ilbijerri Theatre Cooperative), the play used many Japanese actors.[4]

In Funerals and Circuses, first performed at the Adelaide Festival in 1992, Bennett dealt with issues of racism and inter-racial relationships in a small, racially tense town in South Australia.[5] The music of Paul Kelly was used in this production.[6]

Bennett was an actor as well as a playwright. He served as writer in residence at the Araluen Centre for Arts and Entertainment in Alice Springs and at Tandanya National Aboriginal Cultural Institute in Adelaide.[7]

Bennett's works are often studied in Australian high schools, including the New South Wales Higher School Certificate, for the issues they tackle.[citation needed]

Bibliography[edit]

References[edit]

  1. ^ a b Carroll, Stephen (24 November 1995). "(Stage Whisper)". The Age. Retrieved 30 October 2011. 
  2. ^ Thompson, Liz (1990). Aboriginal voices: contemporary aboriginal artists, writers, and performers. Simon & Schuster Australia. p. 159. ISBN 978-0-7318-0165-7. Retrieved 30 October 2011. 
  3. ^ a b c d Freeman, Jane (15 September 1997). "Great black hope - * THEATRE the festival of dreaming". Sydney Morning Herald. Retrieved 30 October 2011. 
  4. ^ Cheadle, Norman (12 September 2007). Canadian cultural exchange: translation and transculturation. Wilfrid Laurier Univ. Press. p. 337. ISBN 978-0-88920-519-2. Retrieved 30 October 2011. 
  5. ^ Shmith, Michael (10 July 1993). "Triumphing Over Dark Oppression". Sydney Morning Herald. Retrieved 30 October 2011. 
  6. ^ Martin, Louise (27 August 1993). "All the world's on stage". The Age. Retrieved 30 October 2011. 
  7. ^ Casey, Maryrose (30 June 2004). Creating frames: contemporary indigenous theatre 1967-1990. Univ. of Queensland Press. p. 282. ISBN 978-0-7022-3432-3. Retrieved 30 October 2011.