Roland (Frankish: Hruodland) (died 14 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle as Matter of France. Historically, Roland was military governor of the Breton March, with responsibility for defending the frontier of Francia against the Bretons. His only historical attestation is in Einhard's Vita Karoli Magni, which describes him as Hruodlandus Brittannici limitis praefectus ("Roland, prefect of the borders of Brittany") when narrating his death at the Battle of Roncesvalles, when the rearguard, under his command, and the baggage train of a Frankish army was beset by rebellious Basques.
Roland's death during retreat from the Battle of Roncevaux Pass in Iberia was transmogrified in later medieval and Renaissance literature. He became the chief paladin of the emperor Charlemagne and a central figure in the legendary material surrounding him, collectively known as the Matter of France. The first and most famous of these epic treatments was the Old French Chanson de Roland of the eleventh century. Two masterpieces of Italian Renaissance poetry, the Orlando innamorato and Orlando furioso, are even further detached from history than the earlier Chansons. Roland is poetically associated with his sword Durendal, his horse Veillantif, and his oliphant horn.
There exists only one historical mention of a Frankish Roland, found in the section of Vita Karoli Magni on the Battle of Roncevaux Pass, written by Charlemagne's courtier and biographer Einhard. The passage, which appears in Chapter 9, mentions that Hroudlandus (a Latinization of the Frankish Hruodland) was among those killed in the battle:
While he was vigorously pursuing the Saxon war, almost without a break, and after he had placed garrisons at selected points along the border, [Charles] marched into Spain [in 778] with as large a force as he could mount. His army passed through the Pyrenees and [Charles] received the surrender of all the towns and fortified places he encountered. He was returning [to Francia] with his army safe and intact, but high in the Pyrenees on that return trip he briefly experienced the Basques. That place is so thoroughly covered with thick forest that it is the perfect spot for an ambush. [Charles's] army was forced by the narrow terrain to proceed in a long line and [it was at that spot], high on the mountain, that the Basques set their ambush. [...] The Basques had the advantage in this skirmish because of the lightness of their weapons and the nature of the terrain, whereas the Franks were disadvantaged by the heaviness of their arms and the unevenness of the land. Eggihard, the overseer of the king's table, Anselm, the count of the palace, and Roland, the lord of the Breton March, along with many others died in that skirmish. But this deed could not be avenged at that time, because the enemy had so dispersed after the attack that there was no indication as to where they could be found.
Roland was evidently the first official appointed to direct Frankish policy in Breton affairs, as local Franks under the Merovingian dynasty had not previously pursued any specific relationship with the Bretons. Their frontier castle districts such as Vitré, Ille-et-Vilaine, south of Mont Saint-Michel, are now divided between Normandy and Brittany. The distinctive culture of this region preserves the present-day Gallo language and legends of local heroes such as Roland. Roland's successor in Brittania Nova was Guy of Nantes, who like Roland, was unable to exert Frankish expansion over Brittany and merely sustained a Breton presence in the Carolingian Empire.
Roland was a popular legendary figure in medieval Europe. Over the next several centuries, Roland became an iconic figure in medieval minstrel culture. Many legends made him a nephew of Charlemagne (whether or not this was true is unknown), and turned his life into an epic tale of the noble Christian killed by Islamic forces, which forms part of the medieval Matter of France.
The tale of Roland's death is retold in the eleventh century poem The Song of Roland, where he is equipped with the olifant (a signalling horn) and an unbreakable sword, enchanted by various Christian relics, named Durendal. The Song contains a highly romanticized and embellished account of the Battle of Roncevaux Pass and Roland's death, setting the tone for later fantastical depiction of Charlemagne's court. It was adapted and modified throughout the Middle Ages, including an influential Latin prose version Historia Caroli Magni (also known as the Pseudo-Turpin Chronicle), which also includes Roland's battle with a Saracen giant named Ferracutus who is only vulnerable at his navel (the story was later adapted in the anonymous Franco-Venetian epic L'Entrée d'Espagne (c.1320) and in the 14th-century Italian epic La Spagna (attributed to the Florentine Sostegno di Zanobi and likely composed between 1350–1360).
Other texts give further legendary accounts of Roland's life. His friendship with Olivier and his engagement with Olivier's sister Aude are told in Girart de Vienne by Bertrand de Bar-sur-Aube. Roland's youth and the acquisition of his horse Veillantif and sword are described in Aspremont. Roland also appears in Quatre Fils Aymon where he is contrasted with Renaud de Montauban against whom he occasionally fights.
Roland appears in Entrée d'Espagne, a 14th-century Franco-Venetian chanson de geste (in which he is transformed into a knight errant, similar to heroes from the Arthurian romances) and La Spagna, a 14th-century Italian epic.
From the fifteenth century onwards, he appears as a central character in a sequence of Italian verse romances (as "Orlando"), including Morgante by Luigi Pulci, Orlando Innamorato by Matteo Maria Boiardo, and Orlando furioso by Ludovico Ariosto. (See below for his later history in Italian verse). The Orlandino of Pietro Aretino then waxed satirical about the "cult of personality" of Orlando the hero.
In Germany, Roland gradually became a symbol of the independence of the growing cities from the local nobility. In the late Middle Ages many cities sported the display of a defiant Roland statue on their marketplace. The Roland in Wedel was erected in 1450 as symbol of market justice, and the Roland statue in front of the town hall of Bremen (1404) has been listed together with the town hall on the UNESCO list of World Heritage Sites since 2004.
In Aragón there are several placenames related to Roldán (or Rolando): la Breca de Roldán (in Spanish la Brecha de Roldán, in French La Brèche de Roland) and Salto d´o Roldán (in Spanish El Salto de Roldán).
In Catalonia Roland (or Rotllà, as it is rendered in Catalan) became a legendary giant. Numerous places in Catalonia (both North and South) have a name related to Rotllà. In step with the trace left by the character in the whole Pyrenean area, Basque Errolan turns up in numerous legends and place-names associated with a mighty giant, usually a heathen, capable of launching huge stones. The Basque word erraldoi (giant) stems from Errolan.
More recently Roland's tale has been exploited by historians exploring the development of the early-modern Christian understanding of Islamic culture. In 1972 P. M. Holt used Roland's words to begin an essay about Henry Stubbe: "Paien ont tort e crestiien ont dreit" — "Pagans are in the wrong and Christians are in the right."
The Orlando narrative inspired several composers, amongst whom were Claudio Monteverdi, Jean-Baptiste Lully, Antonio Vivaldi and George Frideric Handel, who composed an Italian-language opera with Orlando.
In popular culture
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- Childe Rowland is a fairy tale, the most popular version being by Joseph Jacobs in his English Folk and Fairy Tales, published in 1892.
- English poet Robert Browning composed an epic poem, Childe Roland to the Dark Tower Came; the title of which comes from a line in William Shakespeare's play King Lear.
- American writer Stephen King has written a seven-volume series of epic fantasy novels called The Dark Tower, concerning the thousand-year quest of Roland Deschain, of Eld, based in part on Browning's Childe Roland.
- The Orlando character who appears in Alan Moore's The League of Extraordinary Gentlemen series is an amalgamation of this character and several other fictional Orlandos/Rolands.
- The synthpop band The Cruxshadows released the song "Roland," which speaks of the title figure, on their album As the Dark Against My Halo
- Orlando: A Biography, by Virginia Woolf, was the inspiration for the 1992 film Orlando, directed by Sally Potter and starring Tilda Swinton.
- Hruodlandus is the earliest Latinised form of his Frankish name, Hruodland. It was later Latinised as Rolandus and has been translated into many languages for literary purposes: Italian: Orlando or Rolando, Dutch: Roeland, Spanish: Roldán or Rolando, Basque: Errolan, Portuguese: Roldão or Rolando, Occitan: Rotland, Catalan: Rotllant or Rotllà.
- Dutton, Paul Edward, ed. and trans. Charlemagne's Courtier: The Complete Einhard, pp. 21-22. Peterborough, Ontario, Canada: Broadview Press, 1998. Einhard at the Latin Library.
- Brown, Lesley, ed. (1993), The New Shorter Oxford English Dictionary 2, Clarendon Press, p. 2618
- Roy Kallman
- Lojek, A. – Adamová, K.: "About Statues of Rolands in Bohemia," Journal on European History of Law, Vol.3/2012, No. 1, s. 136-138. (ISSN 2042-6402).
- Adriana Kremenjas-Danicic (Ed.): Roland's European Paths. Europski dom Dubrovnik, Dubrovnik 2006 (ISBN 953-95338-0-5).
- Susan P. Millinger, "Epic Values: The Song of Roland," in Jason Glenn (ed), The Middle Ages in Texts and Texture: Reflections on Medieval Sources (Toronto, University of Toronto, 2012),